The Project Gutenberg eBook ofReminiscences, 1819-1899This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: Reminiscences, 1819-1899Author: Julia Ward HoweRelease date: May 30, 2010 [eBook #32603]Language: EnglishCredits: Produced by Juliet Sutherland and the Online DistributedProofreading Team at http://www.pgdp.net*** START OF THE PROJECT GUTENBERG EBOOK REMINISCENCES, 1819-1899 ***
This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
Title: Reminiscences, 1819-1899Author: Julia Ward HoweRelease date: May 30, 2010 [eBook #32603]Language: EnglishCredits: Produced by Juliet Sutherland and the Online DistributedProofreading Team at http://www.pgdp.net
Title: Reminiscences, 1819-1899
Author: Julia Ward Howe
Author: Julia Ward Howe
Release date: May 30, 2010 [eBook #32603]
Language: English
Credits: Produced by Juliet Sutherland and the Online DistributedProofreading Team at http://www.pgdp.net
*** START OF THE PROJECT GUTENBERG EBOOK REMINISCENCES, 1819-1899 ***
Julia Ward Howe.FROM SUNSET RIDGE: Poems Old and New. 12mo, $1.50.REMINISCENCES. With many Portraits and other Illustrations. Crown 8vo, $2.50.IS POLITE SOCIETY POLITE? and other Essays. With a Portrait of Mrs. Howe. Square 8vo, $1.50.HOUGHTON, MIFFLIN & CO.Boston and New York.
Julia Ward Howe. Signature. From a photograph by Hardy, 1897
BYJULIA WARD HOWEWITH PORTRAITS AND OTHER ILLUSTRATIONS
Decorative Illustration
BOSTON AND NEW YORKHOUGHTON, MIFFLIN AND COMPANYThe Riverside Press, Cambridge1899COPYRIGHT, 1899, BY JULIA WARD HOWEALL RIGHTS RESERVED
CHAPTERPAGEI.Birth, Parentage, Childhood1II.Literary New York21III.New York Society29IV.Home Life: My Father43V.My Studies56VI.Samuel Ward and the Astors64VII.Marriage: Tour in Europe81VIII.First Years in Boston144IX.Second Visit to Europe188X.A Chapter about Myself205XI.Anti-Slavery Attitude: Literary Work: Trip to Cuba218XII.The Church of the Disciples: in War Time244XIII.The Boston Radical Club: Dr. F. H. Hedge281XIV.Men and Movements in the Sixties304XV.A Woman's Peace Crusade327XVI.Visits to Santo Domingo345XVII.The Woman Suffrage Movement372XVIII.Certain Clubs400XIX.Another European Trip410XX.Friends and Worthies: Social Successes428
PAGEJulia Ward HoweFrom a photograph by Hardy, 1897.FrontispieceSarah Mitchell, Niece of General Francis Marion and Grandmother of Mrs. HoweFrom a painting by Waldo and Jewett.4Julia Ward and her Brothers, Samuel and HenryFrom a miniature by Anne Hall.8Julia Cutler Ward, Mother of Mrs. HoweFrom a miniature by Anne Hall.12Samuel Ward, Father of Mrs. HoweFrom a miniature by Anne Hall.46Samuel Ward, JrFrom a painting by Baron Vogel.68Florence NightingaleFrom a photograph.138The South Boston Home of Mr. and Mrs. HoweFrom a painting in the possession of M. Anagnos.152Wendell Phillips, at the Age of 48From a photograph lent by Francis J. Garrison, Boston.158Theodore ParkerFrom a photograph by J. J. Hawes.166Julia Ward HoweFrom a painting (1847) by Joseph Ames.176Samuel Gridley Howe, M. D.From a photograph by Black, about 1859.230James Freeman ClarkeFrom a photograph by the Notman Photographic Company.246John BrownFrom a photograph (about 1857) lent by Francis J. Garrison, Boston.254John A. AndrewFrom a photograph by Black.262Julia Ward HoweFrom a photograph by J. J. Hawes, about 1861.270Facsimile of the First Draft of the Battle Hymn of the RepublicFrom the original MS. in the possession of Mrs. E. P. Whipple, Boston.276Ralph Waldo EmersonFrom a photograph by Black.292Frederic Henry Hedge, D. D.From a photograph lent by his daughter, Charlotte A. Hedge.302Samuel Gridley Howe, M. D.From a photograph by A. Marshall (1870), in the possession of the Massachusetts Club.328Lucy StoneFrom a photograph by the Notman Photographic Company.376Maria MitchellFrom a photograph.386The Newport Home of Mr. and Mrs. HoweFrom a photograph by Briskham and Davidson.406Thomas Gold AppletonFrom a photograph lent by Mrs. John Murray Forbes.432Julia Romana AnagnosFrom a photograph.440
I have been urgently asked to put together my reminiscences. I could wish that I had begun to do so at an earlier period of my life, because at this time of writing the lines of the past are somewhat confused in my memory. Yet, with God's help, I shall endeavor to do justice to the individuals whom I have known, and to the events of which I have had some personal knowledge.
Let me say at the very beginning that I esteem this century, now near its close, to have eminently deserved a record among those which have been great landmarks in human history. It has seen the culmination of prophecies, the birth of new hopes, and a marvelous multiplication both of the ideas which promote human happiness and of the resources which enable man to make himself master of the world. Napoleon is said to have forbidden his subordinates to tell him that any order of his was impossible of fulfillment. One mightthink that the genius of this age must have uttered a like injunction. To attain instantaneous communication with our friends across oceans and through every continent; to command locomotion whose swiftness changes the relations of space and time; to steal from Nature her deepest secrets, and to make disease itself the minister of cure; to compel the sun to keep for us the record of scenes and faces, of the great shows and pageants of time, of the perishable forms whose charm and beauty deserve to remain in the world's possession,—these are some of the achievements of our nineteenth century. Even more wonderful than these may we esteem the moral progress of the race; the decline of political and religious enmities, the growth of good-will and mutual understanding between nations, the waning of popular superstition, the spread of civic ideas, the recognition of the mutual obligations of classes, the advancement of woman to dignity in the household and efficiency in the state. All this our century has seen and approved. To the ages following it will hand on an inestimable legacy, an imperishable record.
While my heart exults at these grandeurs of which I have seen and known something, my contribution to their history can be but of fragmentary and fitful interest. On the world's great scene, each of us can only play his little part, oftenwith poor comprehension of the mighty drama which is going on around him. If any one of us undertakes to set this down, he should do it with the utmost truth and simplicity; not as if Seneca or Tacitus or St. Paul were speaking, but as he himself, plain Hodge or Dominie or Mrs. Grundy, is moved to speak. He should not borrow from others the sentiments which he ought to have entertained, but relate truthfully how matters appeared to him, as they and he went on. Thus much I can promise to do in these pages, and no more.
I was born on May 27, 1819, in the city of New York, in Marketfield Street, near the Battery. My father was of Rhode Island birth and descent. One of his grandmothers was the beautiful Catharine Ray to whom are addressed some of Benjamin Franklin's published letters. His father attained the rank of lieutenant-colonel in the war of the Revolution, being himself the son of Governor Samuel Ward,of Rhode Island,[1]marriedto a daughter of Governor Greene, of the same state. My mother was grandniece to General Francis Marion, of Huguenot descent, known in the Revolution as the Swamp-fox of southern campaigns. Her father was Benjamin Clarke Cutler, whose first ancestor in this country was John DeMesmekir, of Holland.
SARAH MITCHELL (Mrs. Howe's grandmother) From a painting by Waldo and JewettSARAH MITCHELL(Mrs. Howe'sgrandmother)From a painting by Waldo and Jewett.
Let me here remark that an expert in chiromancy, after making a recent examination of my hand, exclaimed, "You inherit military blood; your hand shows it."
My own earliest recollections are of a fine house on the Bowling Green, a region of high fashion in those days. In the summer mornings my nurse sometimes walked abroad with me, and showed me the young girls of our neighborhood, engaged with their skipping ropes. Our favorite resort was the Battery, where the flagstaff used in the Revolution was still to be seen. The fort at Castle Garden had already been converted into a pleasure resort, where fireworks and ices might be enjoyed.
We were six children in all, yet Wordsworth's little maid would have reckoned us as seven, as a sister of four years had died shortly before my birth, leaving me her name and the dignity of eldest daughter. She was always mentioned in the family as thefirst little Julia.
My two eldest brothers, Samuel and Henry Ward, were pupils at Round Hill School. The third, Francis Marion, named for the General, was my junior by fifteen months, and continued to be my constant playmate until, at the proper age, he joined the others at Round Hill School.
A few words regarding my mother may not here be out of place. Married at sixteen, she died at the age of twenty-seven, so beloved and mourned by all who knew her that my early years were full of the testimony borne by surviving friends to the beauty and charm of her character. She had been a pupil at the school of Mrs. Elizabeth Graham, of saintly memory, and had inherited from her own mother a taste for intellectual pursuits. She was especially fond of poetry and a few lovely poems of hers remain to show that she was no stranger to its sacred domain. One of these was printed in a periodical of her own time, and is preserved in Griswold's "Female Poets of America." Another set of verses is addressed to me in the days of my babyhood. All of these bear the imprint of her deeply religious character.
Mrs. Margaret Armstrong Astor, of whom more will be said in these annals, remembered my mother as prominent in the society of her youth, and spoke of her as beautiful in countenance. An old lady, resident in Bordentown, N. J., where Joseph, ex-king of Spain, made his home for many years, had seen my mother arrayed for a dinner at thisroyal residence, in a white dress, probably of embroidered cambric, and a lilac turban. Her early death was a lifelong misfortune to her children, who, although tenderly bred and carefully watched, have been forced to pass their days without the dear refuge of a mother's heart, the wise guidance of a mother's inspiration.
A dear old cousin of my father's, who lived to the age of one hundred and two years, loved to talk of a visit which she had made in her youth to my grandfather Ward, then resident in New York. She had not quite forgiven him for not allowing her to attend an assembly on which, being only sixteen years of age, she had set her heart. Years after this time, when such vanities had quite gone out of her mind, she again visited relatives in the city, and came to spend the day with my mother. Of this occasion she said to me: "Julia, your mother's tact was remarkable, and she showed it on that day, for, knowing me to be a young woman of serious character, she presented me on my arrival with a plain linen collar which she had made for me. On a table beside her lay Law's 'Serious Call to the Unconverted.' Don't you see how well she had suited matters to my taste?"
This aged relative used to boast that she had never read a novel. She desired to make one exception in favor of the story of the Schönberg-Cottafamily, but, hearing that it was a work of fiction, esteemed it safest to adhere to the rule which she had observed for so many years.
Her son, lately deceased, once told me that when she felt called upon to chastise him for some childish offense, she would pray over him so long that he would cry out: "Mother, it's time to begin whipping."
Her husband was a son of General Nathanael Greene, of Revolutionary fame.
The attention bestowed upon impressions of childhood to-day will, I hope, justify me in recording some of the earliest points in consciousness which I still recall. I remember when a thimble was first given to me, some simple bit of work being at the same time placed in my hand. Some one said, "Take the needle in this hand." I did so, and, placing the thimble on a finger of the other hand, I began to sew without its aid, to the amusement of my teacher. This trifle appears to me an early indication of a want of perception as to the use of tools which has accompanied me through life. I remember also that, being told that I must ask pardon for some childish fault, I said to my mother, with perfect contentment, "Oh yes, I pardon you," and was surprised to hear that in this way I had not made theamende honorable.
I encountered great difficulty in acquiring thethsound, when my mother tried to teach me to call her by that name. "Muzzer, muzzer," was all that I could manage to say. But the dear parent presently said, "If you cannot do better than that, you will have to go back and call me mamma." The shame of going back moved me to one last effort, and, summoning my utmost strength of tongue, I succeeded in saying "mother," an achievement from which I was never obliged to recede.
A journey up the Hudson River was undertaken, when I was very young, for the bettering of my mother's health. An older sister of hers went with us, as well as a favorite waiting-woman, and a young physician whose care had saved my father's life a year or more before my own birth. Afterreaching Albany, we traveled in my father's carriage; the grown persons occupying the seats, and I sitting in my little chair at their feet. A book of short tales and poems was often resorted to for my amusement, and I still remember how the young doctor read to me, "Pity the sorrows of a poor old man," and how my tears came, and could not be hidden.
JULIA WARD AND HER BROTHERS, SAMUEL AND HENRY From a miniature by Anne HallJULIA WARD AND HER BROTHERS, SAMUEL AND HENRYFrom a miniature by Anne Hall.
The sight of Niagara caused me much surprise. Playing on the piazza of the hotel, one day, with only the doctor for my companion, I ventured to ask him, "Who made that great hole where the water comes down?" He replied, "The greatMaker of all." "Who is that?" I innocently inquired; and he said, "Do you not know? Our Father who art in heaven." I felt that I ought to have known, and went away somewhat abashed.
Another day my mother told me that we were going to visit Red Jacket, a great Indian chief, and that I must be very polite to him. She gave me a twist of tobacco tied with a blue ribbon, which I was to present to him, and bade me observe the silver medal which I should see hung on his neck, and which, she said, had been given to him by General Washington. We drove to the Indian encampment, of which I dimly remember the extent and the wigwams. A tall figure advanced to the carriage. As its door was opened, I sprang forward, clasped my arms around the neck of the noble savage, and was astonished at his cool reception of such a greeting. I was surprised and grieved afterwards to learn that I had not done exactly the right thing. The Indians, in those days and long after, occupied numerous settlements in the western part of the State of New York, where one often saw the boys with their bows and arrows, and the squaws carrying their papooses on their backs.
The journey here mentioned must have taken place when I was little more than four years old. Another year and a half brought me the burden of a great sorrow. I recall months of sweet companionshipwith the first and dearest of friends, my mother. The last summer of her life was passed at a fine country-seat in Bloomingdale, which was then a picturesque country place, about six miles from New York, but is now incorporated in the city.
My father was fond of fine horses, and the pets of the stable played no unimportant part in our childish affection. The family coach was an early institution with us, and in the days of which I now speak, its exterior was of a delicate yellow, known as straw-color, while the lining and cushions were of bright blue cloth. This combination of color was effected to please my dear mother, who was accounted in her time a woman of excellent taste.
I remember this summer as a particularly happy period. My younger brother and I had our lessons in a lovely green bower. Our French teacher came out at intervals in the Bloomingdale stage. My mother often took me with her for a walk in the beautiful garden, from which she plucked flowers that she arranged with great taste. There was much mysterious embroidering of small caps and gowns, the purpose of which I little guessed. The autumn came, and with it our return to town. And then, one bitter morning, I awoke to hear the words, "Julia, your mother is dead." Before this my father had announced to us that alittle sister had arrived. "And she can open and shut her eyes," he said, smiling.
His grief at the loss of my mother was so intense as to lay him prostrate with illness. He told me, years after this time, that he had welcomed the physical agony which perforce diverted his thoughts from the cause of his mental suffering. The little sister of whose coming he had told us so joyfully was for a long time kept from his sight. The rest of us were gathered around him, but this feeble little creature was not asked for. At last my dear old grandfather came to visit us, and learned the state of my father's feelings. The old gentleman went into the nursery, took the tiny infant from its nurse, and laid it in my father's arms. The little one thenceforth became the object of his most tender affection.
He regarded all his children with great solicitude, feeling, as he afterward said to one of us, that he must now be mother as well as father. My mother's last request had been that her unmarried sister, the same one who had accompanied us on the journey to Niagara, should be sent for to have charge of us, and this arrangement was speedily effected.
This aunt of ours had long been a care-taker in her mother's household, where she had had much to do with bringing up her younger sisters and brothers. My mother had been accustomed toborrow her from time to time, and my aunt had threatened to hang out a sign over the door with the inscription, "Cheering done here by the job, by E. Cutler." She was a person of rare honesty, entirely conscientious in character, possessed of few accomplishments, but endowed with the keenest sense of humor. She watched over our early years with incessant care. We little ones were kept much in our warm nursery. We were taken out for a drive in fine weather, but rarely went out on foot. As a consequence of this overcherishing, we were constantly liable to suffer from colds and sore throats. The young physician of whom I have already spoken became an inmate of our house soon after my mother's death. He was afterward well known in New York society as an excellent practitioner, and as a man of a certain genius. Those were the days of mighty doses, and the slightest indisposition was sure to call down upon us the administration of the drugs then in favor withthe faculty, but now rarely used.
JULIA CUTLER WARD ( Mrs. Howe's mother) From a miniature by Anne HallJULIA CUTLER WARD(Mrs. Howe'smother)From a miniature by Anne Hall.
My father's affliction was such that a change of scene became necessary for him. The beautiful house at the Bowling Green was sold, with the new furniture which had been ordered expressly for my mother's pleasure, and which we never saw uncovered. We removed to Bond Street, which was then at the upper extremity of New York city. My father's friends said to him, "Mr. Ward, you are going out of town." And so indeed it seemed at that time. We occupied one of three white freestone houses, and saw from our windows the gradual building up of the street, which is now in the central part of New York. My father had purchased a large lot of land at the corner of our street and Broadway. On a part of this he subsequently erected a house which was considered one of the finest in the city.
My father was disposed to be extremely careful in the choice of our associates, and intended, no doubt, that we should receive our education at home. At a later day his plans were changed somewhat, and after some experience of governesses and masters I was at last sent to a school in the near neighborhood of our house. I was nine years old at this time, somewhat precocious for my age, and endowed with a good memory. This fact may have led to my being at once placed in a class of girls much older than myself, especially occupied with the study of Paley's "Moral Philosophy." I managed to commit many pages of this book to memory, in a rather listless and perfunctory manner. I was much more interested in the study of chemistry, although it was not illustrated by any experiments. The system of education followed at that time consisted largely in memorizing from the text-books then in use. Removing to another school, I had excellent instruction inpenmanship, and enjoyed a course of lectures on history, aided by the best set of charts that I have ever seen, the work of Professor Bostwick. In geometry I made quite a brilliant beginning, but soon fell off from my first efforts. The study of languages was very congenial to me; I had been accustomed to speak French from my earliest years. To this I was enabled to add some knowledge of Latin, and afterward of Italian and German.
The routine of my school life was varied now and then by a concert and by Handel's oratorios, which were given at long intervals by an association whose title I cannot now recall. I eagerly anticipated, and yet dreaded, these occasions, for my enjoyment of them was succeeded by a reaction of intense melancholy.
The musical "stars" of those days are probably quite out of memory in these later times, but I remember some of them with pleasure. It is worth noticing that, while the earliest efforts in music in Boston produced the Handel and Haydn Society, and led to the occasional performance of a symphony of Beethoven or of Mozart, the taste of New York inclined more to operatic music. The brief visit of Garcia and his troupe had brought the best works of Rossini before the public. These performances were followed, at long intervals, by seasons of English opera, in which Mrs.Austin was the favorite prima donna. This lady sang also in oratorio, and I recall her rendering of the soprano solos in Handel's "Messiah" as somewhat mannered, but on the whole quite impressive.
A higher grade of talent came to us in the person of Mrs. Wood, famous before her marriage as Miss Paton. I heard great things of her performance in "La Sonnambula," which I was not allowed to see. I did hear her, however, at concerts and in oratorios, and I particularly remember her rendering of the famous soprano song, "To mighty kings he gave his acts." Her voice was beautiful in quality and of considerable extent. It possessed a liquid and fluent flexibility, quite unlike the curious staccato and tremolo effects so much in favor to-day.
My father's views of religious duty became much more stringent after my mother's death. I had been twice taken to the opera during the Garcia performances, when I was scarcely more than seven years of age, and had seen and heard the Diva Malibran, then known as Signorina Garcia, in the rôles of Cenerentola (Cinderella) and Rosina in the "Barbiere di Seviglia." Soon after this time the doors were shut, and I knew of theatrical matters only by hearsay. The religious people of that period had set their faces against the drama in every form. I remember the destruction byfire of the first Bowery Theatre, and how this was spoken of as a "judgment" upon the wickedness of the stage and of its patrons. A well-known theatre in Richmond, Va., took fire while a performance was going on, and the result was a deplorable loss of life. The pulpits of the time "improved" this event by sermons which reflected severely upon the frequenters of such places of amusement, and the "judgment" was long spoken of with holy horror.
My musical education, in spite of the limitations of opportunity just mentioned, was the best that the time could afford. I had my first lessons from a very irritable French artist, of whom I stood in such fear that I could remember nothing that he taught me. A second teacher, Mr. Boocock, had more patience, and soon brought me forward in my studies. He had been a pupil of Cramer, and his taste had been formed by hearing the best music in London, which then, as now, commanded all the great musical talent of Europe. He gave me lessons for many years, and I learned from him to appreciate the works of the great composers, Beethoven, Handel, and Mozart. When I grew old enough for the training of my voice, Mr. Boocock recommended to my father Signor Cardini, an aged Italian, who had been an intimate of the Garcia family, and was well acquainted with Garcia's admirable method. Under his care myvoice improved in character and in compass, and the daily exercises in holding long notes gave strength to my lungs. I think that I have felt all my life through the benefit of those early lessons. Signor Cardini remembered Italy before the invasion of Napoleon I., and sometimes entertained me with stories of the escapades of his student life. He had resided long in London, and had known the Duke of Wellington. He related to me that once, when he was visiting the great soldier at his country-seat near the sea, the duke invited him to look through his telescope, saying, "Signor Cardini, venez voir comme on travaille les Français." This must have had reference to some manœuvre of the English fleet, I suppose. Mr. Boocock thought that it would be desirable for me to take part in concerted pieces, with other instruments. This exercise brought me great delight in the performance of certain trios and quartettes. The reaction from this pleasure, however, was very painful, and induced at times a visitation of morbid melancholy which threatened to affect my health.
While I greatly disapprove of the scope and suggestions presented by Count Tolstoï in his "Kreutzer Sonata," I yet think that, in the training of young persons, some regard should be had to the sensitiveness of youthful nerves, and to the overpowering response which they often make tothe appeals of music. The dry practice of a single instrument and the simple drill of choral exercises will not be apt to overstimulate the currents of nerve force. On the other hand, the power and sweep of great orchestral performances, or even the suggestive charm of some beautiful voice, will sometimes so disturb the mental equilibrium of the hearer as to induce in him a listless melancholy, or, worse still, an unreasoning and unreasonable discontent.
The early years of my youth were passed in the seclusion not only of home life, but of a home most carefully and jealously guarded from all that might be represented in the orthodox trinity of evil, the world, the flesh, and the devil. My father had become deeply imbued with the religious ideas of the time. He dreaded for his children the dissipations of fashionable society, and even the risks of general intercourse with the unsanctified many. He early embraced the cause of temperance, and became president of the first temperance society formed in this country. As a result, wine was excluded from his table. This privation gave me no trouble, but my brothers felt it, especially the eldest, who had passed some years in Europe, where the use of wine was, as it still is, universal. I was walking with my father one evening when we met my two younger brothers, each with a cigar in his mouth. My father wasmuch troubled, and said, "Boys, you must give this up, and I will give it up, too. From this time I forbid you to smoke, and I will join you in relinquishing the habit." I am afraid that this sacrifice on my father's part did not have the desired effect, but am quite certain that he never witnessed the infringement of his command.
At the time of which I speak, my father's family all lived in our immediate neighborhood. He had considerably distanced his brothers in fortune, and had built for himself the beautiful house of which I have already spoken. In the same street with us lived my music-loving uncle, Henry, somewhat given to good cheer, and of a genial disposition. In a house nearer to us resided my grandfather, Samuel Ward, with an unmarried daughter and three bachelor sons, John, Richard, and William. The outings of my young girlhood were confined to this family circle. I went to school, indeed, but never to dancing-school, a sober little dancing-master giving us lessons at home. I used to hear, with some envy, of Monsieur Charnaud's classes and of his "publics," where my schoolfellows disported themselves in their best clothes. My grandfather was a stately old gentleman, a good deal more than six feet in height, very mild in manner, and fond of a game of whist. With us children he used to play a very simple game called "Tom, come tickle me."Cards were not allowed in my father's house, and my brothers used to resort to the grand-paternal mansion when they desired this diversion.
The eldest of my father's unmarried brothers was my uncle John, a man more tolerant than my father, and full of kindly forethought for his nieces and nephews. In his youth he had sustained an injury which deprived him of speech for more than a year. His friends feared that he would never speak again, but his mother, trying one day to render him some small assistance, did not succeed to her mind, and said, "I am a poor, awkward old woman." "No, you are not!" he exclaimed, and at once recovered his power of speech. He was anxious that his nieces should be well instructed in practical matters, and perhaps he grudged a little the extra time which we were accustomed to devote to books and music. He was fond of sending materials for dresses to me and my sisters, but insisted that we should make them up for ourselves. This we managed to do, with a good deal of help from the family seamstress. When I had published my first literary venture, uncle John showed me in a newspaper a favorable notice of my work, saying, "This is my little girl who knows about books, and writes an article and has it printed, but I wish that she knew more about housekeeping,"—a sentiment which in after years I had occasion to echo with fervor.
Although the New York of my youth had little claim to be recognized as a literary centre, it yet was a city whose tastes and manners were much influenced by people of culture. One of these, Robert Sands, was the author of a poem entitled "Yamoyden," its theme being an Indian story or legend. His family dated back to the Sands who once owned a considerable part of Block Island, and from whom Sands Point takes its name. If I do not mistake, these Sands were connected by marriage with one of my ancestors, who were also settlers in Block Island. I remember having seen the poet Sands in my childhood, a rather awkward, near-sighted man. His life was not a long one. A sister of his, Julia Sands, wrote a biographical sketch of her brother, and was spoken of as a literary woman.
William Cullen Bryant resided in New York many years. He took a prominent part in politics, but mingled little in general society, being much absorbed in his duties as editor of the "Evening Post," of which he was also the founder.
I first heard of Fitz-Greene Halleck as the author of various satirical pieces of verse relating to personages and events of nearly eighty years ago. He is now best remembered by his "Marco Bozzaris," a noble lyric which we have heard quoted in view of recent lamentable encounters between Greek and Barbarian.
Among the lecturers who visited New York, I remember Professor Silliman of Yale College, Dr. Follen, who spoke of German literature, George Combe, and Mr. Charles Lyell.
Charles King, for many years editor of a daily paper entitled "The New York American," was a man of much literary taste. He had been a pupil at Harrow when Byron was there. He was an appreciative friend of my father, although as convivial in his tastes as my father was the reverse. I remember that once, when a temperance meeting was going on in one of our large parlors, Mr. King called and, finding my father thus engaged, began to frolic with us young people. He even dared to say: "How I should like to open those folding doors just wide enough to fire off a bottle of champagne at those temperance folks!"
He was the patron of my early literary ventures, and kindly allowed my fugitive pieces to appear in his paper. He always advocated the abolition of slavery, and could never forgive Henry Clay his part in effecting the Missouri Compromise.He and his brother James, my father's junior partner, were sons of Rufus King, a man eminent in public life. I was a child of perhaps eight years when I heard my elders say with regret that "old Mr. King was dying."
Quite late in his life, Mr. Charles King became President of Columbia College. This institution, with the houses of its officers, occupied the greater part of Park Place. Its professors were well known in society. The college was very conservative in its management. The professor of mathematics was asked one day by one of his class whether the sun did not really stand still in answer to the prayer of Joshua. He laughed at the question, and was in consequence reprimanded by the faculty.
Professor Anthon, of the college, became known through his school and college editions of many Latin classics. Professor Moore, in the department of Hellenics, was popular among the undergraduates, partly, it was said, on account of his very indulgent method of conducting examinations. Professor McVickar, in the chair of Philosophy, was one of the early admirers of Ruskin. The families of these gentlemen mingled a good deal in the society of the time, and contributed no doubt to impart to it a tone of polite culture. I should say that before the forties the sons of the best families of New York city were usually sent toColumbia College. My own brothers, three in number, were among its graduates. New York parents in those days looked upon Harvard as a Unitarian institution, and shunned its influence for their sons.
The venerable Lorenzo Da Ponte was for many years a resident of New York, and a teacher of the Italian language and literature. When Dominick Lynch introduced the first opera troupe to the New York public, sometime in the twenties, the audience must surely have comprised some of the old man's pupils, well versed in the language of the librettos. In earlier life, he had furnished the text of several of Mozart's operas, among them "Don Giovanni" and "Le Nozze di Figaro."
Dominick Lynch, whom I have just mentioned, was an enthusiastic lover of music. His visits to my father's house were occasions of delight to me. He was without a rival as an interpreter of ballads, and especially of the songs of Thomas Moore. His voice, though not powerful, was clear and musical, and his touch on the pianoforte was perfect. I remember creeping under the instrument to hide my tears when I heard him sing the ballad of "Lord Ullin's Daughter."
Charles Augustus Davis, the author of the "Letters of J. Downing, Major, Downingville Militia, Second Brigade, to his old Friend Mr. Dwight, of the New York Daily Advertiser," wasa gentleman well known in the New York society of my youth. The letters in question contained imaginary reports of a tour which the writer professed to have made with General Jackson, when the latter was a candidate for reëlection to the Presidency. They were very popular at the time, but have long passed into oblivion. I remember that in one of them, Major Downing describes an occasion on which it was important that the general should interlard his address with a few Latin quotations. Not possessing any learning of that kind, he concluded his speech with: "E pluribus unum, gentlemen, sine qua non."
The great literary boast of the city at the time of which I speak was undoubtedly Washington Irving. I was still a child in the nursery when I heard of his return to America, after a residence of some years in Spain. A public dinner was given in honor of this event. One who had been present at it told of Mr. Irving's embarrassment when he was called upon for a speech. He rose, waved his hand in the air, and could only utter a few sentences, which were heard with difficulty.
Many years after this time I was present, with other ladies, at a public dinner given in honor of Charles Dickens by prominent citizens of New York. We ladies were not bidden to the feast, but were allowed to occupy a small anteroom whose open door commanded a view of the tables.When the speaking was about to begin, a message came, suggesting that we should take possession of some vacant seats at the great table. This we were glad to do. Washington Irving was president of the evening, and upon him devolved the duty of inaugurating proceedings by an address of welcome to the distinguished guest. People who sat near me whispered, "He'll break down—he always does." Mr. Irving rose, and uttered a sentence or two. His friends interrupted him by applause which was intended to encourage him, but which entirely overthrew his self-possession. He hesitated, stammered, and sat down, saying, "I cannot go on." It was an embarrassing and painful moment, but Mr. John Duer, an eminent lawyer, came to his friend's assistance, and with suitable remarks proposed the health of Charles Dickens, to which Mr. Dickens promptly responded. This he did in his happiest manner, covering Mr. Irving's defeat by a glowing eulogy of his literary merits.
"Whose books do I take to bed with me, night after night? Washington Irving's! as one who is present can testify." This one was evidently Mrs. Dickens, who was seated beside me. Mr. Dickens proceeded to speak of international copyright, saying that the prime object of his visit to America was the promotion of this important measure. I met Washington Irving several times at thehouse of John Jacob Astor. He was silent in general company, and usually fell asleep at the dinner-table. This occurrence was indeed so common with him that the guests present only noticed it with a smile. After a nap of some ten minutes he would open his eyes and take part in the conversation, apparently unconscious of having been asleep.
In his youth, Mr. Irving had traveled quite extensively in Europe. While in Rome, he had received marked attention from the banker Torlonia, who repeatedly invited him to dinner parties, the opera, and so on. He was at a loss to account for this until his last visit to the banker, when Torlonia, taking him aside, said, "Pray tell me, is it not true that you are a grandson of the great Washington?"
Mr. Irving had in early life given offense to the descendants of old Dutch families in New York by the publication of "Knickerbocker's History of New York," in which he had presented some of their forbears in a humorous light. The solid fame which he acquired in later days effaced the remembrance of this old-time grievance, and in the days in which I had the pleasure of his acquaintance, he held an enviable position in the esteem and affection of the community.
He always remained a bachelor, owing, it was said, to an attachment, the object of which hadbeen removed by death. I have even heard that the lady in question was a beautiful Jewess, the same one whom Walter Scott has depicted in his well-known Rebecca. This legend of the beautiful Jewess was current in my youth. A later authority informs us that Mr. Irving was really engaged to Matilda, daughter of Josiah Ogden Hoffman, a noted lawyer of New York, and that the death of the lady prevented the intended marriage from taking place. "He could never, to his dying day, endure to hear her name mentioned," it is said, "and, nearly thirty years after her death, the accidental discovery of a piece of her embroidery saddened him so that he could not speak."
It has been explained that the continued prosperity of France under very varying forms of government is due to the fact that the municipal administration of the country is not affected by these changes, but continues much the same under king, emperor, and republican president.
I find something analogous to this in the perseverance of certain underlying tendencies in society despite the continual variations which diversify the surface of the domain of Fashion.
The earliest social function which I remember is a ball given by my father and mother when I must have been about four years of age. Quite late in the evening, I was taken out of bed and arrayed in an embroidered cambric slip. Some one tried to fasten a pink rosebud on the waist of my dress, but did not succeed to her mind. I was brought into our drawing-rooms, which had undergone a surprising transformation. The floors were bare, and from the ceiling of either room was suspended a circle of wax lights and artificial flowers. The orchestra included a double bass.I surveyed the company of the dancers, but soon curled myself up on a sofa, where one of the dowagers fed me with ice-cream. This entertainment took place at our house on Bowling Green, a neighborhood which has long been given up to business.
As a child, I remember silver forks as in use at my father's dinner parties. On ordinary occasions, we used the three-pronged steel fork which is now rarely seen. My father sometimes admonished my maternal grandmother not to put her knife into her mouth. In her youth every one used the knife in this way.
Meats were carefully roasted in what was called a tin kitchen, before an open fire. Desserts on state occasions consisted of pastry, wine jelly, blanc-mange, with pyramids of ice-cream. This last was always supplied by a French resident, Jean Contoit by name, whose very modest garden long continued to be the principal place from which such a dainty could be obtained. It may have been M. Contoit who, speaking to a compatriot of his first days in America, said, "Imagine! when I first came to this country, people cooked vegetables with water only,and the calf's head was thrown away!"
Of the dress of that period I remember that ladies wore white cambric gowns, finely embroidered, in winter as well as in summer, and walkedabroad in thin morocco slippers. Pelisses were worn in cold weather, often of some bright color, rose pink or blue. I have found in a family letter of that time the following description of a bride's toilet: "Miss E. was married in a frock of white merino, with a full suit of steel: comb, earrings, and so on." I once heard Mrs. William Astor,néeArmstrong, tell of a pair of brides, twin sisters, who appeared at church dressed in pelisses of white merino, trimmed with chinchilla, with caps of the same fur. They were much admired at the time.
Among the festivities of old New York, the observance of New Year's Day held an important place. In every house of any pretension, the ladies of the family sat in their drawing-rooms, arrayed in their best dresses, and the gentlemen of their acquaintance made short visits, during which wine and rich cakes were offered them. It was allowable to call as early as ten o'clock in the morning. The visitor sometimes did little more than appear and disappear, hastily muttering something about "the compliments of the season." The gentlemen prided themselves upon the number of visits paid, the ladies upon the number received. Girls at school vexed each other with emulative boasting: "We had fifty calls on New Year's Day." "Oh! butwehad sixty-five." This perfunctory performance grew very tediousby the time the calling hours were ended, but apart from this, the day was one on which families were greeted by distant relatives rarely seen, while old friends met and revived their pleasant memories.
In our house, the rooms were all thrown open. Bright fires burned in the grates. My father, after his adoption of temperance principles, forbade the offering of wine to visitors, and ordered it to be replaced by hot coffee. We were rather chagrined at this prohibition, but his will was law.
I recall a New Year's Day early in the thirties, on which a yellow chariot stopped before our door. A stout, elderly gentleman descended from it, and came in to pay his compliments to my father. This gentleman was John Jacob Astor, who was already known to be possessed of great wealth.
The pleasant custom just described was said to have originated with the Dutch settlers of the olden time. As the city grew in size, it became difficult and well-nigh impossible for gentlemen to make the necessary number of visits. Finally, a number of young men of the city took it upon themselves to call in squads at houses which they had no right to molest, consuming the refreshments provided for other guests, and making themselves disagreeable in various ways. This offense against good manners led to the discontinuance,by common consent, of the New Year's receptions.
A younger sister of my mother, named Louisa Cordé Cutler, was one of the historic beauties of her time. She was a frequent and beloved guest at my father's house, but her marriage took place at my grandmother's residence in Jamaica Plain. The bridegroom was the only son of Judge McAllister, of Savannah, Georgia. One of my aunt's bridesmaids, Miss Elizabeth Danforth, a lady much esteemed in the older Boston, once gave me the following account of the marriage:—
"Yes, this is my beautiful bride. [My aunt was now about sixty years old.] Well do I recall the evening of her marriage. I was to be her bridesmaid, you know, and when the time came, I was all dressed and ready. But the Dorchester coach was wanted for old Madam Blake's funeral, and as there was no other conveyance to be had, I was obliged to wait for it. The time seemed endless while I was walking up and down the hall in my bridesmaid's dress, my mother from time to time exhorting me to have patience, without much effect.
"At last the coach came, and in it I was driven to your grandmother's house in Jamaica Plain. As I entered the door I met the bridal party coming downstairs. Your mother said to me, 'Oh! Elizabeth, we thought you were not coming.'After this all passed off pleasantly. Your grandmother was dressed in a lilac silk gown of rather antiquated fashion, adorned with frills and furbelows which had passed out of date. Your mother, who had come on from New York for the ceremony, said to her later in the evening, 'Dear mamma, you must make a present of that gown to some theatrical friend. It is only fit for the boards.'"
The officiating clergyman of the occasion was the Reverend Benjamin Clarke Cutler, brother of the bride. It was his first service of the kind, and the company were somewhat amused when, in absence or confusion of mind, he pronounced the nuptial blessing uponMandN, the letters which stand in the church ritual for the names of the parties contracting. Accordingly, at the wedding supper, the first toast was drunk "to the health and happiness of M and N," and responded to with much merriment.
I have further been told that the bride's elder sister, afterwards known as Mrs. Francis, danced "in stocking-feet" with my father's elder brother, this having been the ancient rule when the younger children were married before the older ones.
In spite of the costume which met with her daughter's disapproval, my maternal grandmother was not indifferent to dress. She used to lamentthe ugliness of modern fashions, and to extol those of her youth, in which she was one of theélégantesof Southern society. She remembered with pleasure that General Washington once crossed a ball-room to speak with her. This was probably when she was the wife or widow of Colonel Herne, to whom she was married at the age of fourteen (when her dolls, she told me, were taken away from her), and whose death occurred before she had attained legal majority. She had received a good musical education for those times, and Colonel Perkins of Boston once told me that he remembered her as a fascinating young widow with a lovely voice. It must have been during her visit to Boston that she met my grandfather Cutler, who straightway fell in love with and married her. When past her sixtieth year she would sometimes sing an old-time duet with my father. She had a great love of good literature. Here is what she told me about the fashions of her youth:
"We wore our hair short, andcrépedall over in short curls, which were kept in place by a spangled ribbon, bound around the head. Powder was universally worn. TheMaréchalepowder was most becoming to the complexion, having a slight yellowish tinge. We wore trains, but had a set of cords by which we pulled them up in festoons, when we went to dance. Brocades were much worn. I wanted one, but could not find one atthe time, so I embroidered a pretty yellow silk dress of mine, and made a brocade of it."
She once mentioned having known, in days long distant, of a company of ladies who had banded themselves together for some new departure of a patriotic intent, and who had waited upon General Washington in a body. I have since ascertained that they called themselves "Daughters of Liberty." A kindred association had been formed of "Sons of Liberty." Perhaps these ladies were of the mind of Mrs. John Adams, who, when congratulating her husband upon the liberties assured to American men by the then new Constitution of the United States, thought it "a pity that the legislators had not also done something for the ladies."
Among the familiar figures of my early life is that of Dr. John Wakefield Francis. I wish it were in my power to give any adequate description of this remarkable man, who was certainly one of the worthies of his time. As already said, he was my uncle by marriage, and for many years a resident in my father's house. He was of German origin, florid in complexion and mercurial in temperament. His fine head was crowned with an abundance of silken curly hair. He always wore gold-bowed glasses, being very near-sighted, was a born humorist, and delighted in jest and hyperbole. He was an omnivorous reader, andwas so constituted that four hours of sleep nightly sufficed to keep him in health. This was fortunate for him, as he had an extensive practice, and was liable to be called out at all hours of the night. A candle always stood on a table beside his pillow, and with it a pile of books and papers, which he habitually perused long before the coming of daylight. It so happened, however, that he waked one morning at about four of the clock, and saw his wife, wrapped in shawls, sitting near the fire, reading something by candlelight. The following conversation ensued:—
"Eliza, what book is that you are reading?"
"'Uncle Tom's Cabin,' dear."
"Is it? I don't need to know anything more about it—it must be the greatest book of the age."
His humor was extravagant. I once heard him exclaim, "How brilliant is the light which streams through the fissure of a cracked brain!" Again he spoke of "a fellow who couldn't go straight in a ropewalk." His anecdotes of things encountered in the exercise of his profession were most amusing.
He found us seated in the drawing-room, one evening, to receive a visit from a very shy professor of Brown University. The doctor, surveying the group, seized this poor man, lifted him from the floor, and carried him round the circle, toexpress his pleasure at seeing an old friend. The countenance of the guest meanwhile showed an agony of embarrassment and terror.
The doctor was very temperate in everything except tea, which he drank in the green variety, in strong and copious libations. Indeed, he had no need of wine or other alcoholic stimulants, his temperament being almost incandescent. Overflowing as he was with geniality, he yet accommodated himself easily to the requirements of a sick room, and showed himself tender, vigilant, and most sympathetic. He attended many people who could not, and some who would not, pay for his visits. One of these last, having been brought by him through an attack of cholera, was so much impressed with the kindness and skill of the doctor that he at once and for the first time sent him a check in recognition of services that money could not repay.
After many years of residence with us, my uncle and aunt Francis removed, first to lodgings, and later to a house of their own. Here my aunt busied herself much with the needs of rich and poor. Ladies often came to her seeking good servants, her recommendation being considered an all-sufficient security. Women out of place came to her seeking employment, which she often found for them. These acts of kindness, often involving a considerable expenditure of time andtrouble, the dear lady performed with no thought of recompense other than the assurance that she had been helpful to those who needed her assistance in manifold ways. In her new abode Auntie lived with careful economy, dispensing her simple hospitality with a generous hand. She was famous among her friends for delicious coffee and for excellent tea, which she always made herself, on the table.
She sometimes invited friends for an evening party, but made it a point to invite those who were not her favorites for a separate occasion, not wishing to dilute her enjoyment of the chosen few, and, on the other hand, desiring not to hurt the feelings of any of her acquaintance by wholly leaving them out. When Edgar Allan Poe first became known in New York, Dr. Francis invited him to the house. It was on one of Auntie's good evenings, and her room was filled with company. The poet arrived just at a moment when the doctor was obliged to answer the call of a patient. He accordingly opened the parlor door, and pushed Mr. Poe into the room, saying, "Eliza, my dear, the Raven!" after which he immediately withdrew. Auntie had not heard of the poem, and was entirely at a loss to understand this introduction of the new-comer.
It was always a pleasure to welcome distinguished strangers to New York. Mrs. Jameson'svisit to the United States, in the year 1835, gave me the opportunity of making acquaintance with that very accomplished lady and author. I was then a girl of sixteen summers, but I had read the "Diary of an Ennuyée," which first brought Mrs. Jameson into literary prominence. I read afterwards with avidity the two later volumes in which she gives so good an account of modern art work in Europe. In these she speaks with enthusiasm of certain frescoes in Munich which I was sorry, many years later, to be obliged to consider less beautiful than her description of them would have warranted one in believing. When I perused these works, having myself no practical knowledge of art, their graphic style seemed to give me clear vision of the things described. The beautiful Pinakothek and Glyptothek of Munich became to me as if I actually saw them, and when it was my good fortune to visit them I seemed, especially in the case of the marbles, to meet with old friends. Mrs. Jameson's connoisseurship was not limited to pictorial and sculptural art. Of music also she was passionately fond. In the book just spoken of she describes an evening passed with the composer Wieck in his German home. In this she speaks of his daughter Clara, and of her lover, young Schumann. Clara Wieck, afterwards Madame Schumann, became well known in Europe as a pianist of eminence, and of Schumannas a composer it needs not now to speak. There were various legends regarding Mrs. Jameson's private history. It was said that her husband, marrying her against his will, parted from her at the church door, and thereafter left England for Canada, where he was residing at the time of her visit. I first met her at an evening party at the house of a friend. I was invited to make some music, and sang, among other things, a brilliant bravura air from "Semiramide." When I would have left the piano, Mrs. Jameson came to me and said, "Altra cosa, my dear." My voice had been cultivated with care, and though not of great power was considered pleasing in quality, and was certainly very flexible. I met Mrs. Jameson at several other entertainments devised in her honor. She was of middle height, her hair red blond in color. Her face was not handsome, but sensitive and sympathetic in expression. The elegant dames of New York were somewhat scandalized at her want of taste in dress. I actually heard one of them say, "How like the devil she does look!"
After a winter passed in Canada, Mrs. Jameson again visited New York, on her way to England. She called upon me one day with a friend, and asked to see my father's pictures. Two of these, portraits of Charles First and his queen, were supposed to be by Vandyke. Mrs. Jamesondoubted this. She spoke of her intimacy with the celebrated Mrs. Somerville, and said, "I think of her as a dear little woman who is very fond of drawing." When I went to return her visit, I found her engaged in earnest conversation with a son of Sir James Mackintosh. When he had taken leave, she said to me, "Mr. Mackintosh and I were almost at daggers drawing." So far as I could learn, their dispute related to democratic forms of government, and the society therefrom resulting, which he viewed with favor and she with bitter dislike. I inquired about her winter in Canada. She replied, "As the Irishman said, I had everything that a pig could want." A volume from her hand appeared soon after this time, entitled "Winter Studies and Summer Rambles in Canada." Her work on "Sacred and Legendary Art" and her "Legends of the Madonna" were published some years later.