THE IDYL OF RED GULCH

Sandy was very drunk. He was lying under an azalea bush, in pretty much the same attitude in which he had fallen some hours before. How long he had been lying there he could not tell, and didn't care; how long he should lie there was a matter equally indefinite and unconsidered. A tranquil philosophy, born of his physical condition, suffused and saturated his moral being.

The spectacle of a drunken man, and of this drunken man in particular, was not, I grieve to say, of sufficient novelty in Red Gulch to attract attention. Earlier in the day some local satirist had erected a temporary tombstone at Sandy's head, bearing the inscription, “Effects of McCorkle's whisky—kills at forty rods,” with a hand pointing to McCorkle's saloon. But this, I imagine, was, like most local satire, personal; and was a reflection upon the unfairness of the process rather than a commentary upon the impropriety of the result. With this facetious exception, Sandy had been undisturbed. A wandering mule, released from his pack, had cropped the scant herbage beside him, and sniffed curiously at the prostrate man; a vagabond dog, with that deep sympathy which the species have for drunken men, had licked his dusty boots, and curled himself up at his feet, and lay there, blinking one eye in the sunlight, with a simulation of dissipation that was ingenious and doglike in its implied flattery of the unconscious man beside him.

Meanwhile the shadows of the pine trees had slowly swung around until they crossed the road, and their trunks barred the open meadow with gigantic parallels of black and yellow. Little puffs of red dust, lifted by the plunging hoofs of passing teams, dispersed in a grimy shower upon the recumbent man. The sun sank lower and lower; and still Sandy stirred not. And then the repose of this philosopher was disturbed, as other philosophers have been, by the intrusion of an unphilosophical sex.

“Miss Mary,” as she was known to the little flock that she had just dismissed from the log schoolhouse beyond the pines, was taking her afternoon walk. Observing an unusually fine cluster of blossoms on the azalea bush opposite, she crossed the road to pluck it—picking her way through the red dust, not without certain fierce little shivers of disgust and some feline circumlocution. And then she came suddenly upon Sandy!

Of course she uttered the little staccato cry of her sex. But when she had paid that tribute to her physical weakness she became overbold, and halted for a moment—at least six feet from this prostrate monster—with her white skirts gathered in her hand, ready for flight. But neither sound nor motion came from the bush. With one little foot she then overturned the satirical headboard, and muttered “Beasts!”—an epithet which probably, at that moment, conveniently classified in her mind the entire male population of Red Gulch. For Miss Mary, being possessed of certain rigid notions of her own, had not, perhaps, properly appreciated the demonstrative gallantry for which the Californian has been so justly celebrated by his brother Californians, and had, as a newcomer, perhaps fairly earned the reputation of being “stuck-up.”

As she stood there she noticed, also, that the slant sunbeams were heating Sandy's head to what she judged to be an unhealthy temperature, and that his hat was lying uselessly at his side. To pick it up and to place it over his face was a work requiring some courage, particularly as his eyes were open. Yet she did it, and made good her retreat. But she was somewhat concerned, on looking back, to see that the hat was removed, and that Sandy was sitting up and saying something.

The truth was, that in the calm depths of Sandy's mind he was satisfied that the rays of the sun were beneficial and healthful; that from childhood he had objected to lying down in a hat; that no people but condemned fools, past redemption, ever wore hats; and that his right to dispense with them when he pleased was inalienable. This was the statement of his inner consciousness. Unfortunately, its outward expression was vague, being limited to a repetition of the following formula—“Su'shine all ri'! Wasser maar, eh? Wass up, su'shine?”

Miss Mary stopped, and, taking fresh courage from her vantage of distance, asked him if there was anything that he wanted.

“Wass up? Wasser maar?” continued Sandy, in a very high key.

“Get up, you horrid man!” said Miss Mary, now thoroughly incensed; “get up, and go home.”

Sandy staggered to his feet. He was six feet high, and Miss Mary trembled. He started forward a few paces and then stopped.

“Wass I go home for?” he suddenly asked, with great gravity.

“Go and take a bath,” replied Miss Mary, eying his grimy person with great disfavor.

To her infinite dismay, Sandy suddenly pulled off his coat and vest, threw them on the ground, kicked off his boots, and, plunging wildly forward, darted headlong over the hill, in the direction of the river.

“Goodness heavens!—the man will be drowned!” said Miss Mary; and then, with feminine inconsistency, she ran back to the schoolhouse and locked herself in.

That night, while seated at supper with her hostess, the blacksmith's wife, it came to Miss Mary to ask, demurely, if her husband ever got drunk. “Abner,” responded Mrs. Stidger, reflectively, “let's see: Abner hasn't been tight since last 'lection.” Miss Mary would have liked to ask if he preferred lying in the sun on these occasions, and if a cold bath would have hurt him; but this would have involved an explanation, which she did not then care to give. So she contented herself with opening her gray eyes widely at the red-cheeked Mrs. Stidger—a fine specimen of Southwestern efflorescence—and then dismissed the subject altogether. The next day she wrote to her dearest friend, in Boston: “I think I find the intoxicated portion of this community the least objectionable. I refer, my dear, to the men, of course. I do not know anything that could make the women tolerable.”

In less than a week Miss Mary had forgotten this episode, except that her afternoon walks took thereafter, almost unconsciously, another direction. She noticed, however, that every morning a fresh cluster of azalea blossoms appeared among the flowers on her desk. This was not strange, as her little flock were aware of her fondness for flowers, and invariably kept her desk bright with anemones, syringas, and lupines; but, on questioning them, they one and all professed ignorance of the azaleas. A few days later, Master Johnny Stidger, whose desk was nearest to the window, was suddenly taken with spasms of apparently gratuitous laughter that threatened the discipline of the school. All that Miss Mary could get from him was, that someone had been “looking in the winder.” Irate and indignant, she sallied from her hive to do battle with the intruder. As she turned the corner of the schoolhouse she came plump upon the quondam drunkard—now perfectly sober, and inexpressibly sheepish and guilty-looking.

These facts Miss Mary was not slow to take a feminine advantage of, in her present humor. But it was somewhat confusing to observe, also, that the beast, despite some faint signs of past dissipation, was amiable-looking—in fact, a kind of blond Samson whose corn-colored, silken beard apparently had never yet known the touch of barber's razor or Delilah's shears. So that the cutting speech which quivered on her ready tongue died upon her lips, and she contented herself with receiving his stammering apology with supercilious eyelids and the gathered skirts of uncontamination. When she re-entered the schoolroom, her eyes fell upon the azaleas with a new sense of revelation. And then she laughed, and the little people all laughed, and they were all unconsciously very happy.

It was on a hot day—and not long after this—that two short-legged boys came to grief on the threshold of the school with a pail of water, which they had laboriously brought from the spring, and that Miss Mary compassionately seized the pail and started for the spring herself. At the foot of the hill a shadow crossed her path, and a blue-shirted arm dexterously but gently relieved her of her burden. Miss Mary was both embarrassed and angry. “If you carried more of that for yourself,” she said, spitefully, to the blue arm, without deigning to raise her lashes to its owner, “you'd do better.” In the submissive silence that followed she regretted the speech, and thanked him so sweetly at the door that he stumbled. Which caused the children to laugh again—a laugh in which Miss Mary joined, until the color came faintly into her pale cheek. The next day a barrel was mysteriously placed beside the door, and as mysteriously filled with fresh spring water every morning.

Nor was this superior young person without other quiet attentions. “Profane Bill,” driver of the Slumgullion Stage, widely known in the newspapers for his “gallantry” in invariably offering the box seat to the fair sex, had excepted Miss Mary from this attention, on the ground that he had a habit of “cussin' on upgrades,” and gave her half the coach to herself. Jack Hamlin, a gambler, having once silently ridden with her in the same coach, afterward threw a decanter at the head of a confederate for mentioning her name in a barroom. The overdressed mother of a pupil whose paternity was doubtful had often lingered near this astute Vestal's temple, never daring to enter its sacred precincts, but content to worship the priestess from afar.

With such unconscious intervals the monotonous procession of blue skies, glittering sunshine, brief twilights, and starlit nights passed over Red Gulch. Miss Mary grew fond of walking in the sedate and proper woods. Perhaps she believed, with Mrs. Stidger, that the balsamic odors of the firs “did her chest good,” for certainly her slight cough was less frequent and her step was firmer; perhaps she had learned the unending lesson which the patient pines are never weary of repeating to heedful or listless ears. And so, one day, she planned a picnic on Buckeye Hill, and took the children with her. Away from the dusty road, the straggling shanties, the yellow ditches, the clamor of restless engines, the cheap finery of shop windows, the deeper glitter of paint and colored glass, and the thin veneering which barbarism takes upon itself in such localities—what infinite relief was theirs! The last heap of ragged rock and clay passed, the last unsightly chasm crossed—how the waiting woods opened their long files to receive them! How the children—perhaps because they had not yet grown quite away from the breast of the bounteous Mother—threw themselves face downward on her brown bosom with uncouth caresses, filling the air with their laughter; and how Miss Mary herself—felinely fastidious and intrenched as she was in the purity of spotless skirts, collar, and cuffs—forgot all, and ran like a crested quail at the head of her brood until, romping, laughing, and panting, with a loosened braid of brown hair, a hat hanging by a knotted ribbon from her throat, she came suddenly and violently, in the heart of the forest, upon—the luckless Sandy!

The explanations, apologies, and not overwise conversation that ensued need not be indicated here. It would seem, however, that Miss Mary had already established some acquaintance with this ex-drunkard. Enough that he was soon accepted as one of the party; that the children, with that quick intelligence which Providence gives the helpless, recognized a friend, and played with his blond beard and long silken mustache, and took other liberties—as the helpless are apt to do. And when he had built a fire against a tree, and had shown them other mysteries of woodcraft, their admiration knew no bounds. At the close of two such foolish, idle, happy hours he found himself lying at the feet of the schoolmistress, gazing dreamily in her face, as she sat upon the sloping hillside weaving wreaths of laurel and syringa, in very much the same attitude as he had lain when first they met. Nor was the similitude greatly forced. The weakness of an easy, sensuous nature that had found a dreamy exaltation in liquor, it is to be feared was now finding an equal intoxication in love.

I think that Sandy was dimly conscious of this himself. I know that he longed to be doing something—slaying a grizzly, scalping a savage, or sacrificing himself in some way for the sake of this sallow-faced, gray-eyed schoolmistress. As I should like to present him in a heroic attitude, I stay my hand with great difficulty at this moment, being only withheld from introducing such an episode by a strong conviction that it does not usually occur at such times. And I trust that my fairest reader, who remembers that, in a real crisis, it is always some uninteresting stranger or unromantic policeman, and not Adolphus, who rescues, will forgive the omission.

So they sat there, undisturbed—the woodpeckers chattering overhead and the voices of the children coming pleasantly from the hollow below. What they said matters little. What they thought—which might have been interesting—did not transpire. The woodpeckers only learned how Miss Mary was an orphan; how she left her uncle's house, to come to California, for the sake of health and independence; how Sandy was an orphan, too; how he came to California for excitement; how he had lived a wild life, and how he was trying to reform; and other details, which, from a woodpecker's viewpoint, undoubtedly must have seemed stupid, and a waste of time. But even in such trifles was the afternoon spent; and when the children were again gathered, and Sandy, with a delicacy which the schoolmistress well understood, took leave of them quietly at the outskirts of the settlement, it had seemed the shortest day of her weary life.

As the long, dry summer withered to its roots, the school term of Red Gulch—to use a local euphuism—“dried up” also. In another day Miss Mary would be free; and for a season, at least, Red Gulch would know her no more. She was seated alone in the schoolhouse, her cheek resting on her hand, her eyes half-closed in one of those daydreams in which Miss Mary—I fear to the danger of school discipline—was lately in the habit of indulging. Her lap was full of mosses, ferns, and other woodland memories. She was so preoccupied with these and her own thoughts that a gentle tapping at the door passed unheard, or translated itself into the remembrance of far-off woodpeckers. When at last it asserted itself more distinctly, she started up with a flushed cheek and opened the door. On the threshold stood a woman the self-assertion and audacity of whose dress were in singular contrast to her timid, irresolute bearing.

Miss Mary recognized at a glance the dubious mother of her anonymous pupil. Perhaps she was disappointed, perhaps she was only fastidious; but as she coldly invited her to enter, she half-unconsciously settled her white cuffs and collar, and gathered closer her own chaste skirts. It was, perhaps, for this reason that the embarrassed stranger, after a moment's hesitation, left her gorgeous parasol open and sticking in the dust beside the door, and then sat down at the farther end of a long bench. Her voice was husky as she began:

“I heerd tell that you were goin' down to the Bay tomorrow, and I couldn't let you go until I came to thank you for your kindness to my Tommy.”

Tommy, Miss Mary said, was a good boy, and deserved more than the poor attention she could give him.

“Thank you, miss; thank ye!” cried the stranger, brightening even through the color which Red Gulch knew facetiously as her “war paint,” and striving, in her embarrassment, to drag the long bench nearer the schoolmistress. “I thank you, miss, for that! and if I am his mother, there ain't a sweeter, dearer, better boy lives than him. And if I ain't much as says it, thar ain't a sweeter, dearer, angeler teacher lives than he's got.”

Miss Mary, sitting primly behind her desk, with a ruler over her shoulder, opened her gray eyes widely at this, but said nothing.

“It ain't for you to be complimented by the like of me, I know,” she went on, hurriedly. “It ain't for me to be comin' here, in broad day, to do it, either; but I come to ask a favor—not for me, miss—not for me, but for the darling boy.”

Encouraged by a look in the young schoolmistress's eye, and putting her lilac-gloved hands together, the fingers downward, between her knees, she went on, in a low voice:

“You see, miss, there's no one the boy has any claim on but me, and I ain't the proper person to bring him up. I thought some, last year, of sending him away to Frisco to school, but when they talked of bringing a schoolma'am here, I waited till I saw you, and then I knew it was all right, and I could keep my boy a little longer. And O, miss, he loves you so much; and if you could hear him talk about you, in his pretty way, and if he could ask you what I ask you now, you couldn't refuse him.

“It is natural,” she went on, rapidly, in a voice that trembled strangely between pride and humility—“it's natural that he should take to you, miss, for his father, when I first knew him, was a gentleman—and the boy must forget me, sooner or later—and so I ain't goin' to cry about that. For I come to ask you to take my Tommy—God bless him for the bestest, sweetest boy that lives—to—to—take him with you.”

She had risen and caught the young girl's hand in her own, and had fallen on her knees beside her.

“I've money plenty, and it's all yours and his. Put him in some good school, where you can go and see him, and help him to—to—to forget his mother. Do with him what you like. The worst you can do will be kindness to what he will learn with me. Only take him out of this wicked life, this cruel place, this home of shame and sorrow. You will; I know you will—won't you? You will—you must not, you cannot say no! You will make him as pure, as gentle as yourself; and when he has grown up, you will tell him his father's name—the name that hasn't passed my lips for years—the name of Alexander Morton, whom they call here Sandy! Miss Mary!—do not take your hand away! Miss Mary, speak to me! You will take my boy? Do not put your face from me. I know it ought not to look on such as me. Miss Mary!—my God, be merciful!—she is leaving me!”

Miss Mary had risen and, in the gathering twilight, had felt her way to the open window. She stood there, leaning against the casement, her eyes fixed on the last rosy tints that were fading from the western sky. There was still some of its light on her pure young forehead, on her white collar, on her clasped white hands, but all fading slowly away. The suppliant had dragged herself, still on her knees, beside her.

“I know it takes time to consider. I will wait here all night; but I cannot go until you speak. Do not deny me now. You will!—I see it in your sweet face—such a face as I have seen in my dreams. I see it in your eyes, Miss Mary!—you will take my boy!”

The last red beam crept higher, suffused Miss Mary's eyes with something of its glory, flickered, and faded, and went out. The sun had set on Red Gulch. In the twilight and silence Miss Mary's voice sounded pleasantly.

“I will take the boy. Send him to me tonight.”

The happy mother raised the hem of Miss Mary's skirts to her lips. She would have buried her hot face in its virgin folds, but she dared not. She rose to her feet.

“Does—this man—know of your intention?” asked Miss Mary, suddenly.

“No, nor cares. He has never even seen the child to know it.”

“Go to him at once—tonight—now! Tell him what you have done. Tell him I have taken his child, and tell him—he must never see—see—the child again. Wherever it may be, he must not come; wherever I may take it, he must not follow! There, go now, please—I'm weary, and—have much yet to do!”

They walked together to the door. On the threshold the woman turned.

“Good night.”

She would have fallen at Miss Mary's feet. But at the same moment the young girl reached out her arms, caught the sinful woman to her own pure breast for one brief moment, and then closed and locked the door.

It was with a sudden sense of great responsibility that Profane Bill took the reins of the Slumgullion Stage the next morning, for the schoolmistress was one of his passengers. As he entered the highroad, in obedience to a pleasant voice from the “inside,” he suddenly reined up his horses and respectfully waited as Tommy hopped out at the command of Miss Mary. “Not that bush, Tommy—the next.”

Tommy whipped out his new pocketknife, and, cutting a branch from a tall azalea bush, returned with it to Miss Mary.

“All right now?”

“All right.”

And the stage door closed on the Idyl of Red Gulch.

A subdued tone of conversation, and the absence of cigar smoke and boot heels at the windows of the Wingdam stagecoach, made it evident that one of the inside passengers was a woman. A disposition on the part of loungers at the stations to congregate before the window, and some concern in regard to the appearance of coats, hats, and collars, further indicated that she was lovely. All of which Mr. Jack Hamlin, on the box seat, noted with the smile of cynical philosophy. Not that he depreciated the sex, but that he recognized therein a deceitful element, the pursuit of which sometimes drew mankind away from the equally uncertain blandishments of poker—of which it may be remarked that Mr. Hamlin was a professional exponent.

So that when he placed his narrow boot on the wheel and leaped down, he did not even glance at the window from which a green veil was fluttering, but lounged up and down with that listless and grave indifference of his class, which was, perhaps, the next thing to good breeding. With his closely buttoned figure and self-contained air he was a marked contrast to the other passengers, with their feverish restlessness and boisterous emotion; and even Bill Masters, a graduate of Harvard, with his slovenly dress, his overflowing vitality, his intense appreciation of lawlessness and barbarism, and his mouth filled with crackers and cheese, I fear cut but an unromantic figure beside this lonely calculator of chances, with his pale Greek face and Homeric gravity.

The driver called “All aboard!” and Mr. Hamlin returned to the coach. His foot was upon the wheel, and his face raised to the level of the open window, when, at the same moment, what appeared to him to be the finest eyes in the world suddenly met his. He quietly dropped down again, addressed a few words to one of the inside passengers, effected an exchange of seats, and as quietly took his place inside. Mr. Hamlin never allowed his philosophy to interfere with decisive and prompt action.

I fear that this irruption of Jack cast some restraint upon the other passengers—particularly those who were making themselves most agreeable to the lady. One of them leaned forward, and apparently conveyed to her information regarding Mr. Hamlin's profession in a single epithet. Whether Mr. Hamlin heard it, or whether he recognized in the informant a distinguished jurist from whom, but a few evenings before, he had won several thousand dollars, I cannot say. His colorless face betrayed no sign; his black eyes, quietly observant, glanced indifferently past the legal gentleman, and rested on the much more pleasing features of his neighbor. An Indian stoicism—said to be an inheritance from his maternal ancestor—stood him in good service, until the rolling wheels rattled upon the river gravel at Scott's Ferry, and the stage drew up at the International Hotel for dinner. The legal gentleman and a member of Congress leaped out, and stood ready to assist the descending goddess, while Colonel Starbottle, of Siskiyou, took charge of her parasol and shawl. In this multiplicity of attention there was a momentary confusion and delay. Jack Hamlin quietly opened the OPPOSITE door of the coach, took the lady's hand—with that decision and positiveness which a hesitating and undecided sex know how to admire—and in an instant had dexterously and gracefully swung her to the ground, and again lifted her to the platform. An audible chuckle on the box, I fear, came from that other cynic, “Yuba Bill,” the driver. “Look keerfully arter that baggage, Kernel,” said the expressman, with affected concern, as he looked after Colonel Starbottle, gloomily bringing up the rear of the triumphant procession to the waiting-room.

Mr. Hamlin did not stay for dinner. His horse was already saddled, and awaiting him. He dashed over the ford, up the gravelly hill, and out into the dusty perspective of the Wingdam road, like one leaving pleasant fancy behind him. The inmates of dusty cabins by the roadside shaded their eyes with their hands and looked after him, recognizing the man by his horse, and speculating what “was up with Comanche Jack.” Yet much of this interest centered in the horse, in a community where the time made by “French Pete's” mare in his run from the Sheriff of Calaveras eclipsed all concern in the ultimate fate of that worthy.

The sweating flanks of his gray at length recalled him to himself. He checked his speed, and, turning into a by-road, sometimes used as a cutoff, trotted leisurely along, the reins hanging listlessly from his fingers. As he rode on, the character of the landscape changed and became more pastoral. Openings in groves of pine and sycamore disclosed some rude attempts at cultivation—a flowering vine trailed over the porch of one cabin, and a woman rocked her cradled babe under the roses of another. A little farther on Mr. Hamlin came upon some barelegged children wading in the willowy creek, and so wrought upon them with a badinage peculiar to himself that they were emboldened to climb up his horse's legs and over his saddle, until he was fain to develop an exaggerated ferocity of demeanor, and to escape, leaving behind some kisses and coin. And then, advancing deeper into the woods, where all signs of habitation failed, he began to sing—uplifting a tenor so singularly sweet, and shaded by a pathos so subduing and tender, that I wot the robins and linnets stopped to listen. Mr. Hamlin's voice was not cultivated; the subject of his song was some sentimental lunacy borrowed from the Negro minstrels; but there thrilled through all some occult quality of tone and expression that was unspeakably touching. Indeed, it was a wonderful sight to see this sentimental blackleg, with a pack of cards in his pocket and a revolver at his back, sending his voice before him through the dim woods with a plaint about his “Nelly's grave” in a way that overflowed the eyes of the listener. A sparrow hawk, fresh from his sixth victim, possibly recognizing in Mr. Hamlin a kindred spirit, stared at him in surprise, and was fain to confess the superiority of man. With a superior predatory capacity, HE couldn't sing.

But Mr. Hamlin presently found himself again on the highroad, and at his former pace. Ditches and banks of gravel, denuded hillsides, stumps, and decayed trunks of trees, took the place of woodland and ravine, and indicated his approach to civilization. Then a church steeple came in sight, and he knew that he had reached home. In a few moments he was clattering down the single narrow street that lost itself in a chaotic ruin of races, ditches, and tailings at the foot of the hill, and dismounted before the gilded windows of the “Magnolia” saloon. Passing through the long barroom, he pushed open a green-baize door, entered a dark passage, opened another door with a passkey, and found himself in a dimly lighted room whose furniture, though elegant and costly for the locality, showed signs of abuse. The inlaid center table was overlaid with stained disks that were not contemplated in the original design. The embroidered armchairs were discolored, and the green velvet lounge, on which Mr. Hamlin threw himself, was soiled at the foot with the red soil of Wingdam.

Mr. Hamlin did not sing in his cage. He lay still, looking at a highly colored painting above him representing a young creature of opulent charms. It occurred to him then, for the first time, that he had never seen exactly that kind of a woman, and that if he should, he would not, probably, fall in love with her. Perhaps he was thinking of another style of beauty. But just then someone knocked at the door. Without rising, he pulled a cord that apparently shot back a bolt, for the door swung open, and a man entered.

The newcomer was broad-shouldered and robust—a vigor not borne out in the face, which, though handsome, was singularly weak, and disfigured by dissipation. He appeared to be also under the influence of liquor, for he started on seeing Mr. Hamlin, and said, “I thought Kate was here,” stammered, and seemed confused and embarrassed.

Mr. Hamlin smiled the smile which he had before worn on the Wingdam coach, and sat up, quite refreshed and ready for business.

“You didn't come up on the stage,” continued the newcomer, “did you?”

“No,” replied Hamlin; “I left it at Scott's Ferry. It isn't due for half an hour yet. But how's luck, Brown?”

“Damn bad,” said Brown, his face suddenly assuming an expression of weak despair; “I'm cleaned out again, Jack,” he continued, in a whining tone that formed a pitiable contrast to his bulky figure, “can't you help me with a hundred till tomorrow's cleanup? You see I've got to send money home to the old woman, and—you've won twenty times that amount from me.”

The conclusion was, perhaps, not entirely logical, but Jack overlooked it, and handed the sum to his visitor. “The old-woman business is about played out, Brown,” he added, by way of commentary; “why don't you say you want to buck agin' faro? You know you ain't married!”

“Fact, sir,” said Brown, with a sudden gravity, as if the mere contact of the gold with the palm of the hand had imparted some dignity to his frame. “I've got a wife—a damned good one, too, if I do say it—in the States. It's three year since I've seen her, and a year since I've writ to her. When things is about straight, and we get down to the lead, I'm going to send for her.”

“And Kate?” queried Mr. Hamlin, with his previous smile.

Mr. Brown of Calaveras essayed an archness of glance, to cover his confusion, which his weak face and whisky-muddled intellect but poorly carried out, and said:

“Damn it, Jack, a man must have a little liberty, you know. But come, what do you say to a little game? Give us a show to double this hundred.”

Jack Hamlin looked curiously at his fatuous friend. Perhaps he knew that the man was predestined to lose the money, and preferred that it should flow back into his own coffers rather than any other. He nodded his head, and drew his chair toward the table. At the same moment there came a rap upon the door.

“It's Kate,” said Mr. Brown.

Mr. Hamlin shot back the bolt, and the door opened. But, for the first time in his life, he staggered to his feet, utterly unnerved and abashed, and for the first time in his life the hot blood crimsoned his colorless cheeks to his forehead. For before him stood the lady he had lifted from the Wingdam coach, whom Brown—dropping his cards with a hysterical laugh—greeted as:

“My old woman, by thunder!”

They say that Mrs. Brown burst into tears, and reproaches of her husband. I saw her, in 1857, at Marysville, and disbelieve the story. And the WINGDAM CHRONICLE, of the next week, under the head of “Touching Reunion,” said: “One of those beautiful and touching incidents, peculiar to California life, occurred last week in our city. The wife of one of Wingdam's eminent pioneers, tired of the effete civilization of the East and its inhospitable climate, resolved to join her noble husband upon these golden shores. Without informing him of her intention, she undertook the long journey, and arrived last week. The joy of the husband may be easier imagined than described. The meeting is said to have been indescribably affecting. We trust her example may be followed.”

Whether owing to Mrs. Brown's influence, or to some more successful speculations, Mr. Brown's financial fortune from that day steadily improved. He bought out his partners in the “Nip and Tuck” lead, with money which was said to have been won at poker, a week or two after his wife's arrival, but which rumor, adopting Mrs. Brown's theory that Brown had forsworn the gaming-table, declared to have been furnished by Mr. Jack Hamlin. He built and furnished the “Wingdam House,” which pretty Mrs. Brown's great popularity kept overflowing with guests. He was elected to the Assembly, and gave largess to churches. A street in Wingdam was named in his honor.

Yet it was noted that in proportion as he waxed wealthy and fortunate, he grew pale, thin, and anxious. As his wife's popularity increased, he became fretful and impatient. The most uxorious of husbands, he was absurdly jealous. If he did not interfere with his wife's social liberty, it was because it was maliciously whispered that his first and only attempt was met by an outburst from Mrs. Brown that terrified him into silence. Much of this kind of gossip came from those of her own sex whom she had supplanted in the chivalrous attentions of Wingdam, which, like most popular chivalry, was devoted to an admiration of power, whether of masculine force or feminine beauty. It should be remembered, too, in her extenuation that since her arrival, she had been the unconscious priestess of a mythological worship, perhaps not more ennobling to her womanhood than that which distinguished an older Greek democracy. I think that Brown was dimly conscious of this. But his only confidant was Jack Hamlin, whose INFELIX reputation naturally precluded any open intimacy with the family, and whose visits were infrequent.

It was midsummer, and a moonlit night; and Mrs. Brown, very rosy, large-eyed, and pretty, sat upon the piazza, enjoying the fresh incense of the mountain breeze, and, it is to be feared, another incense which was not so fresh, nor quite as innocent. Beside her sat Colonel Starbottle and Judge Boompointer, and a later addition to her court in the shape of a foreign tourist. She was in good spirits.

“What do you see down the road?” inquired the gallant Colonel, who had been conscious, for the last few minutes, that Mrs. Brown's attention was diverted.

“Dust,” said Mrs. Brown, with a sigh. “Only Sister Anne's 'flock of sheep.'”

The Colonel, whose literary recollections did not extend farther back than last week's paper, took a more practical view. “It ain't sheep,” he continued; “it's a horseman. Judge, ain't that Jack Hamlin's gray?”

But the Judge didn't know; and as Mrs. Brown suggested the air was growing too cold for further investigations, they retired to the parlor.

Mr. Brown was in the stable, where he generally retired after dinner. Perhaps it was to show his contempt for his wife's companions; perhaps, like other weak natures, he found pleasure in the exercise of absolute power over inferior animals. He had a certain gratification in the training of a chestnut mare, whom he could beat or caress as pleased him, which he couldn't do with Mrs. Brown. It was here that he recognized a certain gray horse which had just come in, and, looking a little farther on, found his rider. Brown's greeting was cordial and hearty, Mr. Hamlin's somewhat restrained. But at Brown's urgent request, he followed him up the back stairs to a narrow corridor, and thence to a small room looking out upon the stable yard. It was plainly furnished with a bed, a table, a few chairs, and a rack for guns and whips.

“This yer's my home, Jack,” said Brown, with a sigh, as he threw himself upon the bed, and motioned his companion to a chair. “Her room's t'other end of the hall. It's more'n six months since we've lived together, or met, except at meals. It's mighty rough papers on the head of the house, ain't it?” he said, with a forced laugh. “But I'm glad to see you, Jack, damn glad,” and he reached from the bed, and again shook the unresponsive hand of Jack Hamlin.

“I brought ye up here, for I didn't want to talk in the stable; though, for the matter of that, it's all round town. Don't strike a light. We can talk here in the moonshine. Put up your feet on that winder, and sit here beside me. Thar's whisky in that jug.”

Mr. Hamlin did not avail himself of the information. Brown of Calaveras turned his face to the wall and continued:

“If I didn't love the woman, Jack, I wouldn't mind. But it's loving her, and seeing her, day arter day, goin' on at this rate, and no one to put down the brake; that's what gits me! But I'm glad to see ye, Jack, damn glad.”

In the darkness he groped about until he had found and wrung his companion's hand again. He would have detained it, but Jack slipped it into the buttoned breast of his coat, and asked, listlessly, “How long has this been going on?”

“Ever since she came here; ever since the day she walked into the Magnolia. I was a fool then; Jack, I'm a fool now; but I didn't know how much I loved her till then. And she hasn't been the same woman since.

“But that ain't all, Jack; and it's what I wanted to see you about, and I'm glad you've come. It ain't that she doesn't love me any more; it ain't that she fools with every chap that comes along, for, perhaps, I staked her love and lost it, as I did everything else at the Magnolia; and, perhaps, foolin' is nateral to some women, and thar ain't no great harm done, 'cept to the fools. But, Jack, I think—I think she loves somebody else. Don't move, Jack; don't move; if your pistol hurts ye, take it off.

“It's been more'n six months now that she's seemed unhappy and lonesome, and kinder nervous and scared-like. And sometimes I've ketched her lookin' at me sort of timid and pitying. And she writes to somebody. And for the last week she's been gathering her own things—trinkets, and furbelows, and jew'lry—and, Jack, I think she's goin' off. I could stand all but that. To have her steal away like a thief—” He put his face downward to the pillow, and for a few moments there was no sound but the ticking of a clock on the mantel. Mr. Hamlin lit a cigar, and moved to the open window. The moon no longer shone into the room, and the bed and its occupant were in shadow. “What shall I do, Jack?” said the voice from the darkness.

The answer came promptly and clearly from the window-side: “Spot the man, and kill him on sight.”

“But, Jack?”

“He's took the risk!”

“But will that bring HER back?”

Jack did not reply, but moved from the window toward the door.

“Don't go yet, Jack; light the candle, and sit by the table. It's a comfort to see ye, if nothin' else.”

Jack hesitated, and then complied. He drew a pack of cards from his pocket and shuffled them, glancing at the bed. But Brown's face was turned to the wall. When Mr. Hamlin had shuffled the cards, he cut them, and dealt one card on the opposite side of the table and toward the bed, and another on his side of the table for himself. The first was a deuce, his own card, a king. He then shuffled and cut again. This time “dummy” had a queen, and himself a four-spot. Jack brightened up for the third deal. It brought his adversary a deuce, and himself a king again. “Two out of three,” said Jack, audibly.

“What's that, Jack?” said Brown.

“Nothing.”

Then Jack tried his hand with dice; but he always threw sixes, and his imaginary opponent aces. The force of habit is sometimes confusing.

Meanwhile, some magnetic influence in Mr. Hamlin's presence, or the anodyne of liquor, or both, brought surcease of sorrow, and Brown slept. Mr. Hamlin moved his chair to the window, and looked out on the town of Wingdam, now sleeping peacefully—its harsh outlines softened and subdued, its glaring colors mellowed and sobered in the moonlight that flowed over all. In the hush he could hear the gurgling of water in the ditches, and the sighing of the pines beyond the hill. Then he looked up at the firmament, and as he did so a star shot across the twinkling field. Presently another, and then another. The phenomenon suggested to Mr. Hamlin a fresh augury. If in another fifteen minutes another star should fall—He sat there, watch in hand, for twice that time, but the phenomenon was not repeated.

The clock struck two, and Brown still slept. Mr. Hamlin approached the table and took from his pocket a letter, which he read by the flickering candlelight. It contained only a single line, written in pencil, in a woman's hand:

“Be at the corral, with the buggy, at three.”

The sleeper moved uneasily, and then awoke. “Are you there Jack?”

“Yes.”

“Don't go yet. I dreamed just now, Jack—dreamed of old times. I thought that Sue and me was being married agin, and that the parson, Jack, was—who do you think?—you!”

The gambler laughed, and seated himself on the bed—the paper still in his hand.

“It's a good sign, ain't it?” queried Brown.

“I reckon. Say, old man, hadn't you better get up?”

The “old man,” thus affectionately appealed to, rose, with the assistance of Hamlin's outstretched hand.

“Smoke?”

Brown mechanically took the proffered cigar.

“Light?”

Jack had twisted the letter into a spiral, lit it, and held it for his companion. He continued to hold it until it was consumed, and dropped the fragment—a fiery star—from the open window. He watched it as it fell, and then returned to his friend.

“Old man,” he said, placing his hands upon Brown's shoulders, “in ten minutes I'll be on the road, and gone like that spark. We won't see each other agin; but, before I go, take a fool's advice: sell out all you've got, take your wife with you, and quit the country. It ain't no place for you, nor her. Tell her she must go; make her go, if she won't. Don't whine because you can't be a saint, and she ain't an angel. Be a man—and treat her like a woman. Don't be a damn fool. Good-by.”

He tore himself from Brown's grasp, and leaped down the stairs like a deer. At the stable door he collared the half-sleeping hostler and backed him against the wall. “Saddle my horse in two minutes, or I'll—” The ellipsis was frightfully suggestive.

“The missis said you was to have the buggy,” stammered the man.

“Damn the buggy!”

The horse was saddled as fast as the nervous hands of the astounded hostler could manipulate buckle and strap.

“Is anything up, Mr. Hamlin?” said the man, who, like all his class, admired the elan of his fiery patron, and was really concerned in his welfare.

“Stand aside!”

The man fell back. With an oath, a bound, and clatter, Jack was into the road. In another moment, to the man's half-awakened eyes, he was but a moving cloud of dust in the distance, toward which a star just loosed from its brethren was trailing a stream of fire.

But early that morning the dwellers by the Wingdam turnpike, miles away, heard a voice, pure as a skylark's, singing afield. They who were asleep turned over on their rude couches to dream of youth and love and olden days. Hard-faced men and anxious gold-seekers, already at work, ceased their labors and leaned upon their picks, to listen to a romantic vagabond ambling away against the rosy sunrise.


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