Above, the,89-92,106,230-231Acting, effect of sightlines on,128-129;style of,214Adams, John C.,The Globe Playhouse,22,65,69,71,89-90,92,94,101-102,159,202,214,230Admiral’s men, Lord,3-6,9-10,12-13,15-18,20,95Admiral-Prince’s men,4Aeschylus,47Albright, V. E.,The Shakesperian Stage,65,214Alexander, Peter,Shakespeare’s Life and Art,xiiAlleyn, Edward,vii,x,9,12,131Annals of the English Drama(Harbage),xi,xiiAntigone(Sophocles),31,59Arcadian Rhetorike, The(Fraunce),114-117,119Archer, William,65Aristotle,Poetics,29,31-32,39,49,58Armin, Robert,123,133,134Art of Rhetorique, The(T. Wilson),114-115,117,119Arte of English Poesie, The(Puttenham),28-29As Merry As May Be,20Asides, staging of,162,183,186-192Bacon, Sir Francis,120,140-143,146Baldwin, Thomas W.,The Organization and Personnel of theShakespearean Company,22,128,133-136;Shakespeare’s Five-Act Structure,26,29,40Barnardo and Fiametta,7,11Barnes, Barnabe,xiii,82,164.See alsoThe Devil’s CharterBattle of Alcazar, The(Peele),147,176-177,179Beaumont, Francis,ixBeds, use of,78-79,82-83,86,210Bentley, Gerald E.,ix,14Black Book(T. M.’s),xiiiBlackfriars Theatre,vii,ix,x,xii,13-14,21,24,71,94,133,210Blind Beggar of Alexandria,11Boas, F. S.,xivBooth, Edwin,132Bourgeois Gentilhomme, Le,112Boy actors,134Bradbrook, Muriel C.,Themes and Conventions of Elizabethan Tragedy,26,30-31,51,58Bright, Timothy,A Treatise of Melancholie,139,143-144Brown, John R.,111Brute,10Bryan, George,124Bulwer, John,ChirologiaandChironomia,114Burbage, James,vii-viii,105,122Burbage, Richard,x,1,4,18,96,123,133-134,136Cambises,121,125,127Campbell, Lily B.,Shakespeare’s Tragic Heroes,139,141Campbell, Oscar J.,xiiCastiglione, Baldassare,The Courtier,117Catastrophe,26,39Cecil, Sir Robert,18Certain Small Workes(Daniel),xiChairs, use of,77-78,83Chamberlain-King’s men,vii,xiii,4,22.See alsoChamberlain’s men,Globe company, andKing’s menChamberlain’s men, Lord,viii,xi,xiii,3-5,13-14,18-19,93,95,113,124,130.See alsoChamberlain-King’s men,Globe company, andKing’s menChambers, E. K.,65;The Elizabethan Stage,xiii,9,12,133,158,174,219;William Shakespeare,x-xiiChapman, George,25Character Problems in Shakespeare’s Plays(Schücking),45,47Character types,148-154Charles I, King,21Charlton House,167Charron, Pierre,143Children of Paul’s,xiiiChildren of the Queen’s Revels,ix,xiv,3,96,133Chinon of England,11ChirologiaandChironomia(Bulwer),114Chronicle History of the London Stage, A(F. G. Fleay),13Cicero,25Cleopatra(Daniel),xiClimactic plateau (climax),39-44,55Coeffeteau, F. N.,A Table of Humane Passions,143Commedia dell’arte,112-113,129,148,215Condell, Henry,96,123,133Cooke, Alexander,123,133Cope, Sir Walter,18-19Cornwallis, Sir William,143Court, performances at,xi,xiii,3-4,15,19-21,23,218-219Courtier, The(Castiglione),117Cowley, Robert,123,133-134Crack Me This Nutte,7,11Craig, Hardin,30;The Enchanted Glass,138-139,145Curtain, the,viii,ixCymbeline,xii,94Cyprian Conqueror, The,117Damon and Pithias(R. Edwardes),139Daniel, Samuel,Cleopatra,xiDavenant, William,The Witts,21Day, John,20Defence of Poesie, The(Sidney),24,58,66Dekker, Thomas,9;Fortunatus,17,19-20;The Gull’s Hornbook,vii,97;The Honest Whore I,145.See alsoSatiromastixDerby’s company,3DeWitt, John,94,99-101,169Diary(Henslowe),3-5,8-10,12-17,19-22,217Directions for Speech and Style(Hoskins),118Disguise, staging of,197-200,226-228Disguises, The,6,11Doran, Madeleine,Endeavors of Art,27-28,30Downer, Alan,124Downton, Thomas,9Dramatic Records of Sir Henry Herbert, The,13,21Dramatic theory, Elizabethan,24-25Draper, John W.,The Humors and Shakespeare’s Characters,139,154Dutton, John,122Edmans, John,134Edward I(Peele),6Edwardes, Richard,Damon and Pithias,139Electra(Sophocles),59Elizabeth, Queen,xii,18-20,22,104Elizabethan Acting(Joseph),113-114,132Elizabethan Stage, The(E. K. Chambers),xiii,9,12,133,158,174,219Elizabethan World Picture, The(Tillyard),139Elizabeth’s Servants, Lady,14Elyot, Sir Thomas,The Governour,116,119,141Enchanted Glass, The(H. Craig),138-139,145Enclosure, the,74,82-88,94,106,175,179,185,194-196,211-212Endeavors of Art(Doran),27-28,30Episodic pattern,48-51Epitasis,26,40Essex, Earl of,xii,130Every Man in His Humour(Jonson),93Excellent Actor, An,129Fair Em,147Farewell scenes, staging of,204-205Faustus, Doctor(Marlowe),14,17Fergusson, Francis,The Idea of a Theater,29First Night of Twelfth Night, The(Hotson),x,23Fleay, F. G.,A Chronicle History of the London Stage,13Fleetwood, William,139Fletcher, John,ixFletcher, Laurence,123,133Foakes, R. A.,111,138,145Forest, Louise,138,144Forman, Simon,xiiFortunatus(Dekker),17,19-20Fortune, the,vii,x,4,14,20,69,94,101-102Four PP.(J. Heywood),124Fraunce, Abraham,The Arcadian Rhetorike,114-117,119Friar Bacon & Friar Bungay(R. Greene),18,20From Art to Theatre(Kernodle),102-105,158,216Fuller, Thomas,122Gallery over the stage,95,98Garden of Eloquence, The(Peacham),118-119Ghost scenes, staging of,200-204Gilburne, Samuel,133-134Globe company,viii,xii,14,16,23,35,134;acting style of,146,156,214;actors of,122;finances of,22;organization of,132,135;repertory of,15;role distribution in,136;shares in,4.See alsoChamberlain-King’s menGlobe playhouse,vii,ix,xii,xiii,4-5,13-14,22-24,100-101;construction of,viii-ix,2;design of,vii,102,106,108;opening date of,ix,x,xii,133;stage of,xiv,95,210;sitting on stage of,96Globe Playhouse, The(J. C. Adams),22,65,69,71,89-90,92,94,101-102,159,202,214,230Globe Restored, The(Hodges),69,94,101-102,158,230-231Godfrey, Walter,101Goffe, Robert,123Gorki, Maxim,Yegor Bulichev and Others,61Gosson, Stephen,Playes Confuted in Five Actions,122Governour, The(Elyot),116,119,141Granville-Barker, Harley,65,106;Prefaces to Shakespeare,41Gray, H. D.,xGreeting scenes, staging of,204-205Greg, W. W.,9,13,131,217Grosse, Samuel,133-134Gull’s Hornbook, The(Dekker),vii,97Haines, C. M.,176Harbage, Alfred,109,117;Annals of the English Drama,xi,xii;Shakespeare and the Rival Traditions,ix;Shakespeare’s Audience,22Hardwick Hall,167-168Harper, Sir William,105Harvey, Gabriel,xHatfield House,167Hathway, Richard,20Heavens, machinery in the,93-94,106Hedda Gabler(Ibsen),40,60Heminges, John,x,4,123,133Hemingesvs.Witter & Ostler,4Henry IV, Part I, King,14,129Henry V, King(Shakespeare),viii,xi,xii,68Henry V(Anonymous),11Henry VIII,104,165Henslowe, Philip,vii,x;Diary,3-5,8-10,12-17,19-22,217;Papers,75,79,94-95,125,217Herbert, Sir Henry,The Dramatic Records of,13,21Hertford’s men,4Heywood, John,124Heywood, Thomas,9,10Hilliard, Nicholas,165Histrio-mastix,121,123Hoby, Thomas,117Hodges, C. Walter,The Globe Restored,69,94,101-102,158,230-231Honest Whore I, The(Dekker and Middleton),145Hope, the,94,102Horestes,121Hoskins, John,Directions for Speech and Style,118Hosley, Richard,73,82,84,89,92,99Hotson, Leslie,xi;The First Night of Twelfth Night,x,23;Shakespeare’s Motley,125;Shakespeare vs. Shallow,xii;Shakespeare’s Wooden O,95-97Humors and Shakespeare’s Characters, The(Draper),139,154,