FOOTNOTES:

FOOTNOTES:[179]Of the Scots Musical Museum

[179]Of the Scots Musical Museum

[179]Of the Scots Musical Museum

[That fine song, “The Banks of the Devon,” dedicated to the charms of Charlotte Hamilton, was enclosed in the following letter.]

Without date.

I have been at Dumfries, and at one visit more shall be decided about a farm in that country. I am rather hopeless in it; but as my brother is an excellent farmer, and is, besides, an exceedingly prudent, sober man (qualities which are only a younger brother’s fortune in our family), I am determined, if my Dumfries business fail me, to return into partnership with him, and at our leisure take another farm in the neighbourhood.

I assure you I look for high compliments from you and Charlotte on this very sage instance of my unfathomable, incomprehensible wisdom. Talking of Charlotte, I must tell her that I have, to the best of my power, paid her a poetic compliment, now completed. The air is admirable: true old Highland. It was the tune of a Gaelic song, which an Inverness lady sung me when I was there; and I was so charmed with it that I begged her to write me a set of it from her singing; for it had never been set before. I am fixed that it shall go in Johnson’s next number; so Charlotte and you need not spend your precious time in contradicting me. I won’t say the poetry is first-rate; though I am convinced it isvery well; and, what is not always the case with compliments to ladies, it is not only sincere, but just.

R. B.

[James Hoy, librarian of Gordon Castle, was, it is said, the gentleman whom his grace of Gordon sent with a message inviting in vain that “obstinate son of Latin prose,” Nicol, to stop and enjoy himself.]

Edinburgh, 20th October, 1787.

Sir,

I will defend my conduct in giving you this trouble, on the best of Christian principles—“Whatsoever ye would that men should do unto you, do ye even so unto them.”—I shall certainly, among my legacies, leave my latest curse to that unlucky predicament which hurried—tore me away from Castle Gordon. May that obstinate son of Latin prose [Nicol] be curst to Scotch mile periods, and damned to seven league paragraphs; while Declension and Conjugation, Gender, Number, and Time, under the ragged banners of Dissonance and Disarrangement, eternally rank against him in hostile array.

Allow me, Sir, to strengthen the small claim I have to your acquaintance, by the following request. An engraver, James Johnson, in Edinburgh, has, not from mercenary views, but from an honest, Scotch enthusiasm, set about collecting all our native songs and setting them to music; particularly those that have never been set before. Clarke, the well known musician, presides over the musical arrangement, and Drs. Beattie and Blacklock, Mr. Tytler, of Woodhouselee, and your humble servant to the utmost of his small power, assist in collecting the old poetry, or sometimes for a fine air make a stanza, when it has no words. The brats, too tedious to mention, claim a parental pang from my bardship. I suppose it will appear in Johnson’s second number—the first was published before my acquaintance with him. My request is—“Cauld Kail in Aberdeen,” is one intended for this number, and I beg a copy of his Grace of Gordon’s words to it, which you were so kind as to repeat to me. You may be sure we won’t prefix the author’s name, except you like, though I look on it as no small merit to this work that the names of many of the authors of our old Scotch songs, names almost forgotten, will be inserted.

I do not well know where to write to you—I rather write at you; but if you will be so obliging, immediately on receipt of this, as to write me a few lines, I shall perhaps pay you in kind, though not in quality. Johnson’s terms are:—each number a handsome pocket volume, to consist at least of a hundred Scotch songs, with basses for the harpsichord, &c. The price to subscribers 5s.; to non-subscribers 6s. He will have three numbers I conjecture.

My direction for two or three weeks will be at Mr. William Cruikshank’s, St. James’s-square, New-town, Edinburgh.

I am,

Sir,

Your’s to command,

R. B.

[The songs of “Tullochgorum,” and “John of Badenyon,” have made the name of Skinner dear to all lovers of Scottish verse: he was a man cheerful and pious, nor did the family talent expire with him: his son became Bishop of Aberdeen.]

Edinburgh, October 25,1787.

Reverend and Venerable Sir,

Accept, in plain dull prose, my most sincere thanks for the best poetical compliment I ever received. I assure you, Sir, as a poet, you have conjured up an airy demon of vanity in my fancy, which the best abilities in your other capacity would be ill able to lay. I regret, and while I live I shall regret, that when I was in the north, I had not the pleasure of paying a younger brother’s dutiful respect to the author of the best Scotch song ever Scotland saw—“Tullochgorum’s my delight!” The world may think slightingly of the craft of song-making, if they please, but, as Job says—“Oh! that mine adversary had written a book!”—let them try. There is a certain something in the old Scotch songs, a wild happiness of thought and expression, which peculiarly marks them, not only from English songs, but also from the modern efforts of song-wrights in our native manner and language. The only remains of this enchantment, these spells of the imagination, rests with you. Our true brother, Ross of Lochlee, was likewise “owre cannie”—a “wild warlock”—but now he sings among the “sons of the morning.”

I have often wished, and will certainly endeavour to form a kind of common acquaintance among all the genuine sons of Caledonian song. The world, busy in low prosaic pursuits, may overlook most of us; but “reverence thyself.” The world is not ourpeers, so we challenge the jury. We can lash that world, and find ourselves a very great source of amusement and happiness independent of that world.

There is a work going on in Edinburgh, just now, which claims your best assistance. An engraver in this town has set about collecting and publishing all the Scotch songs, with the music, that can be found. Songs in the English language, if by Scotchmen, are admitted, but the music must all be Scotch. Drs. Beattie and Blacklock are lending a hand, and the first musician in town presides over that department. I have been absolutely crazed about it, collecting old stanzas, and every information respecting their origin, authors, &c. &c. This last is but a very fragment business; but at the end of his second number—the first is already published—a small account will be given of the authors, particularly to preserve those of latter times. Your three songs, “Tullochgorum,” “John of Badenyon,” and “Ewie wi’ the crookit horn,” go in this second number. I was determined, before I got your letter, to write you, begging that you would let me know where the editions of these pieces may be found, as you would wish them to continue in future times: and if you would be so kind to this undertaking as send any songs, of your own or others, that you would think proper to publish, your name will be inserted among the other authors,—“Nill ye, will ye.” One half of Scotland already give your songs to other authors. Paper is done. I beg to hear from you; the sooner the better, as I leave Edinburgh in a fortnight or three weeks.—

I am,

With the warmest sincerity, Sir,

Your obliged humble servant,—R. B

[In singleness of heart and simplicity of manners James Hoy is said, by one who knew him well, to have rivalled Dominie Sampson: his love of learning and his scorn of wealth are still remembered to his honour.]

Edinburgh, 6th November, 1787.

Dear Sir,

I would have wrote you immediately on receipt of your kind letter, but a mixed impulse of gratitude and esteem whispered me that I ought to send you something by way of return. When a poet owes anything, particularly when he is indebted for good offices, the payment that usually recurs to him—the only coin indeed in which he probably is conversant—is rhyme. Johnson sends the books by the fly, as directed, and begs me to enclose his most grateful thanks: my return I intended should have been one or two poetic bagatelles which the world have not seen, or, perhaps, for obvious reasons, cannot see. These I shall send you before I leave Edinburgh. They may make you laugh a little, which, on the whole, is no bad way of spending one’s precious hours and still more precious breath: at any rate, they will be, though a small, yet a very sincere mark of my respectful esteem for a gentleman whose further acquaintance I should look upon as a peculiar obligation.

The duke’s song, independent totally of his dukeship, charms me. There is I know not what of wild happiness of thought and expression peculiarly beautiful in the old Scottish song style, of which his Grace, old venerable Skinner, the author of “Tullochgorum,” &c., and the late Ross, at Lochlee, of true Scottish poetic memory, are the only modern instances that I recollect, since Ramsay with his contemporaries, and poor Bob Fergusson, went to the world of deathless existence and truly immortal song. The mob of mankind, that many-headed beast, would laugh at so serious a speech about an old song; but as Job says, “O that mine adversary had written a book!” Those who think that composing a Scotch song is a trifling business—let them try.

I wish my Lord Duke would pay a proper attention to the Christian admonition—“Hide not your candle under a bushel,” but “let your light shine before men.” I could name half a dozen dukes that I guess are a devilish deal worse employed: nay, I question if there are half a dozen better: perhaps there are not half that scanty number whom Heaven has favoured with the tuneful, happy, and, I will say, glorious gift.

I am, dear Sir,

Your obliged humble servant,

R. B.

[“I set you down,” says Burns, elsewhere, to Ainslie, “as the staff of my old age, when all my other friends, after a decent show of pity, will have forgot me.”]

Edinburgh, Sunday Morning,

Nov.23, 1787.

I Beg, my dear Sir, you would not make any appointment to take us to Mr. Ainslie’s to-night. On looking over my engagements, constitution, present state of my health, some little vexatious soul concerns, &c., I find I can’t sup abroad to-night. I shall be in to-day till one o’clock if you have a leisure hour.

You will think it romantic when I tell you, that I find the idea of your friendship almost necessary to my existence.—You assume a proper length of face in my bitter hours of blue-devilism, and you laugh fully up to my highest wishes at my good things.—I don’t know upon the whole, if you are one of the first fellows in God’s world, but you are so to me. I tell you this just now in the conviction that some inequalities in my temper and manner may perhaps sometimes make you suspect that I am not so warmly as I ought to be your friend.

R. B.

[The views of Burns were always humble: he regarded a place in the excise as a thing worthy of paying court for, both in verse and prose.]

Edinburgh, 1787.

My Lord,

I know your lordship will disapprove of my ideas in a request I am going to make to you; but I have weighed, long and seriously weighed, my situation, my hopes and turn of mind, and am fully fixed to my scheme if I can possibly effectuate it. I wish to get into the Excise; I am told that your lordship’s interest will easily procure me the grant from the commissioners; and your lordship’s patronage and goodness, which have already rescued me from obscurity, wretchedness, and exile, embolden me to ask that interest. You have likewise put it in my power to save the little tie of home that sheltered an aged mother, two brothers, and three sisters from destruction. There, my lord, you have bound me over to the highest gratitude.

My brother’s farm is but a wretched lease, but I think he will probably weather out the remaining seven years of it; and after the assistance which I have given and will give him, to keep the family together, I think, by my guess, I shall have rather better than two hundred pounds, and instead of seeking, what is almost impossible at present to find, a farm that I can certainly live by, with so small a stock, I shall lodge this sum in a banking-house, a sacred deposit, expecting only the calls of uncommon distress or necessitous old age.

These, my lord, are my views: I have resolved from the maturest deliberation; and now I am fixed, I shall leave no stone unturned to carry my resolve into execution. Your lordship’s patronage is the strength of my hopes; nor have I yet applied to anybody else. Indeed my heart sinks within me at the idea of applying to any other of the great who have honoured me with their countenance. I am ill qualified to dog the heels of greatness with the impertinence of solicitation, and tremble nearly as much at the thought of the cold promise as the cold denial; but to your lordship I have not only the honour, the comfort, but the pleasure of being

Your lordship’s much obliged

And deeply indebted humble servant,

R. B.

[James Dalrymple, Esq., of Orangefield, was a gentleman of birth and poetic tastes—he interested himself in the fortunes of Burns.]

Edinburgh, 1787.

Dear Sir,

I suppose the devil is so elated with his success with you that he is determined by acoup de mainto complete his purposes on you all at once, in making you a poet. I broke open the letter you sent me; hummed over the rhymes; and, as I saw they were extempore, said to myself, they were very well; but when I saw at the bottom a name that I shall ever value with grateful respect, “I gapit wide, but naething spak.” I was nearly as much struck as thefriends of Job, of affliction-bearing memory, when they sat down with him seven days and seven nights, and spake not a word.

I am naturally of a superstitious cast, and as soon as my wonder-scared imagination regained its consciousness, and resumed its functions, I cast about what this mania of yours might portend. My foreboding ideas had the wide stretch of possibility; and several events, great in their magnitude, and important in their consequences, occurred to my fancy. The downfall of the conclave, or the crushing of the Cork rumps; a ducal coronet to Lord George Gordon and the Protestant interest; or St. Peter’s keys to * * * * * *.

You want to know how I come on. I am just instatu quo, or, not to insult a gentleman with my Latin, in “auld use and wont.” The noble Earl of Glencairn took me by the hand to-day, and interested himself in my concerns, with a goodness like that benevolent Being, whose image he so richly bears. He is a stronger proof of the immortality of the soul, than any that philosophy ever produced. A mind like his can never die. Let the worshipful squire H. L., or the reverend Mass J. M. go into their primitive nothing. At best, they are but ill-digested lumps of chaos, only one of them strongly tinged with bituminous particles and sulphureous effluvia. But my noble patron, eternal as the heroic swell of magnanimity, and the generous throb of benevolence, shall look on with princely eye at “the war of elements, the wreck of matter, and the crush of worlds.”

R. B.

[The verses enclosed were written on the death of the Lord President Dundas, at the suggestion of Charles Hay, Esq., advocate, afterwards a judge, under the title of Lord Newton.]

Sir,

The enclosed poem was written in consequence of your suggestion, last time I had the pleasure of seeing you. It cost me an hour or two of next morning’s sleep, but did not please me; so it lay by, an ill-digested effort, till the other day that I gave it a critic brush. These kind of subjects are much hackneyed; and, besides, the wailings of the rhyming tribe over the ashes of the great are cursedly suspicious, and out of all character for sincerity. These ideas damped my muse’s fire; however, I have done the best I could, and, at all events, it gives me an opportunity of declaring that I have the honour to be, Sir, your obliged humble servant,

R. B.

[This letter appeared for the first time in the “Letters to Clarinda,” a little work which was speedily suppressed—it is, on the whole, a sort of Corydon and Phillis affair, with here and there expressions too graphic, and passages over-warm. Who the lady was is not known—or known only to one.]

Saturday Noon, No. 2, St. James’s Square,

New Town, Edinburgh

Here have I sat, my ‘dear Madam, in the stony altitude of perplexed study for fifteen vexatious minutes, my head askew, bending over the intended card; my fixed eye insensible to the very light of day poured around; my pendulous goose-feather, loaded with ink, hanging over the future letter, all for the important purpose of writing a complimentary card to accompany your trinket.

Compliment is such a miserable Greenland expression, lies at such a chilly polar distance from the torrid zone of my constitution, that I cannot, for the very soul of me, use it to any person for whom I have the twentieth part of the esteem every one must have for you who knows you.

As I leave town in three or four days, I can give myself the pleasure of calling on you only for a minute. Tuesday evening, some time about seven or after, I shall wait on you for your farewell commands.

The hinge of your box I put into the hands of the proper connoisseur. The broken glass, likewise, went under review; but deliberative wisdom thought it would too much endanger the whole fabric.

I am, dear Madam,

With all sincerity of enthusiasm,

Your very obedient servant,

R. B.

[Some dozen or so, it is said, of the most beautiful letters that Burns ever wrote, and dedicated to the beauty of Charlotte Hamilton, were destroyed by that lady, in a moment when anger was too strong for reflection.]

Edinburgh, Nov.21, 1787.

I have one vexatious fault to the kindly-welcome, well-filled sheet which I owe to your and Charlotte’s goodness,—it contains too much sense, sentiment, and good-spelling. It is impossible that even you two, whom I declare to my God I will give credit for any degree of excellence the sex are capable of attaining, it is impossible you can go on to correspond at that rate; so like those who, Shenstone says, retire because they make a good speech, I shall, after a few letters, hear no more of you. I insist that you shall write whatever comes first: what you see, what you read, what you hear, what you admire, what you dislike, trifles, bagatelles, nonsense; or to fill up a corner, e’en put down a laugh at full length. Now none of your polite hints about flattery; I leave that to your lovers, if you have or shall have any; though, thank heaven, I have found at last two girls who can be luxuriantly happy in their own minds and with one another, without that commonly necessary appendage to female bliss—A LOVER.

Charlotte and you are just two favourite resting-places for my soul in her wanderings through the weary, thorny wilderness of this world. God knows I am ill-fitted for the struggle: I glory in being a Poet, and I want to be thought a wise man—I would fondly be generous, and I wish to be rich. After all, I am afraid I am a lost subject. “Some folk hae a hantle o’ fauts, an’ I’m but a ne’er-do-weel.”

Afternoon—To close the melancholy reflections at the end of last sheet, I shall just add a piece of devotion commonly known in Carrick by the title of the “Wabster’s grace:”—

“Some say we’re thieves, and e’en sae are we,Some say we lie, and e’en sae do we!Gude forgie us, and I hope sae will he!——Up and to your looms, lads.”

“Some say we’re thieves, and e’en sae are we,Some say we lie, and e’en sae do we!Gude forgie us, and I hope sae will he!——Up and to your looms, lads.”

R. B.

[The “Ochel-Hills,” which the poet promises in this letter, is a song, beginning,

“Where braving angry winter’s stormsThe lofty Ochels rise,”

“Where braving angry winter’s stormsThe lofty Ochels rise,”

written in honour of Margaret Chalmers, and published along with the “Banks of the Devon,” in Johnson’s Musical Museum.]

Edinburgh, Dec.12, 1787.

I am here under the care of a surgeon, with a bruised limb extended on a cushion; and the tints of my mind vying with the livid horror preceding a midnight thunder-storm. A drunken coachman was the cause of the first, and incomparably the lightest evil; misfortune, bodily constitution, hell, and myself have formed a “quadruple alliance” to guaranty the other. I got my fall on Saturday, and am getting slowly better.

I have taken tooth and nail to the Bible, and am got through the five books of Moses, and half way in Joshua. It is really a glorious book. I sent for my bookbinder to-day, and ordered him to get me an octavo Bible in sheets, the best paper and print in town; and bind it with all the elegance of his craft.

I would give my best song to my worst enemy, I mean the merit of making it, to have you and Charlotte by me. You are angelic creatures, and would pour oil and wine into my wounded spirit.

I enclose you a proof copy of the “Banks of the Devon,” which present with my best wishes to Charlotte. The “Ochel-hills” you shall probably have next week for yourself. None of your fine speeches!

R. B.

[The eloquent hypochondriasm of the concluding paragraph of this letter, called forth the commendation of Lord Jeffrey, when he criticised Cromek’s Reliques of Burns, in the Edinburgh Review.]

Edinburgh, Dec.19, 1787.

I begin this letter in answer to yours of the 17th current, which is not yet cold since I read it. The atmosphere of my soul is vastly clearer than when I wrote you last. For the first time, yesterday I crossed the room on crutches. It would do your heart good to see my hardship, not on my poetic, but on my oaken stilts; throwing my best leg with an air! and with as much hilarity in my gait and countenance, as a May frog leaping across the newly harrowedridge, enjoying the fragrance of the refreshed earth, after the long-expected shower!

I can’t say I am altogether at my ease when I see anywhere in my path that meagre, squalid, famine-faced spectre, Poverty; attended as he always is, by iron-fisted oppression, and leering contempt; but I have sturdily withstood his buffetings many a hard-laboured day already, and still my motto is—IDare! My worst enemy ismoi-même.I lie so miserably open to the inroads and incursions of a mischievous, light-armed, well-mounted banditti, under the banners of imagination, whim, caprice, and passion: and the heavy-armed veteran regulars of wisdom, prudence, and forethought move so very, very slow, that I am almost in a state of perpetual warfare, and, alas! frequent defeat. There are just two creatures I would envy, a horse in his wild state traversing the forests of Asia, or an oyster on some of the desert shores of Europe. The one has not a wish without enjoyment, the other has neither wish nor fear.

R. B.

[The Whitefoords of Whitefoord, interested themselves in all matters connected with literature: the power of the family, unluckily for Burns, was not equal to their taste.]

Edinburgh, December, 1787.

Sir,

Mr. Mackenzie, in Mauchline, my very warm and worthy friend, has informed me how much you are pleased to interest yourself in my fate as a man, and (what to me is incomparably dearer) my fame as a poet. I have, Sir, in one or two instances, been patronized by those of your character in life, when I was introduced to their notice by * * * * * friends to them and honoured acquaintances to me! but you are the first gentleman in the country whose benevolence and goodness of heart has interested himself for me, unsolicited and unknown. I am not master enough of the etiquette of these matters to know, nor did I stay to inquire, whether formal duty bade, or cold propriety disallowed, my thanking you in this manner, as I am convinced, from the light in which you kindly view me, that you will do me the justice to believe this letter is not the manœuvre of the needy, sharping author, fastening on those in upper life, who honour him with a little notice of him or his works. Indeed, the situation of poets is generally such, to a proverb, as may, in some measure, palliate that prostitution of heart and talents, they have at times been guilty of. I do not think prodigality is, by any means, a necessary concomitant of a poetic turn, but I believe a careless indolent attention to economy, is almost inseparable from it; then there must be in the heart of every bard of Nature’s making, a certain modest sensibility, mixed with a kind of pride, that will ever keep him out of the way of those windfalls of fortune which frequently light on hardy impudence and foot-licking servility. It is not easy to imagine a more helpless state than his whose poetic fancy unfits him for the world, and whose character as a scholar gives him some pretensions to thepolitesseof life—yet is as poor as I am.

For my part, I thank Heaven my star has been kinder; learning never elevated my ideas above the peasant’s shed, and I have an independent fortune at the plough-tail.

I was surprised to hear that any one who pretended in the least to the manners of the gentleman, should be so foolish, or worse, as to stoop to traduce the morals of such a one as I am, and so inhumanly cruel, too, as to meddle with that late most unfortunate, unhappy part of my story. With a tear of gratitude, I thank you, Sir, for the warmth with which you interposed in behalf of my conduct. I am, I acknowledge, too frequently the sport of whim, caprice, and passion, but reverence to God, and integrity to my fellow-creatures, I hope I shall ever preserve. I have no return, Sir, to make you for your goodness but one—a return which, I am persuaded, will not be unacceptable—the honest, warm wishes of a grateful heart for your happiness, and every one of that lovely flock, who stand to you in a filial relation. If ever calumny aim the poisoned shaft at them, may friendship be by to ward the blow!

R. B.

[The name and merits of Miss Williams are widely known; nor is it a small honour to her muse that her tender song of “Evan Banks” was imputed to Burns byCromek: other editors since have continued to include it in his works, though Sir Walter Scott named the true author.]

Edinburgh, Dec.1787.

I know very little of scientific criticism, so all I can pretend to in that intricate art is merely to note, as I read along, what passages strike me as being uncommonly beautiful, and where the expression seems to be perplexed or faulty.

The poem opens finely. There are none of these idle prefatory lines which one may skip over before one comes to the subject. Verses 9th and 10th in particular,

“Where ocean’s unseen boundLeaves a drear world of waters round,”

“Where ocean’s unseen boundLeaves a drear world of waters round,”

are truly beautiful. The simile of the hurricane is likewise fine; and, indeed, beautiful as the poem is, almost all the similes rise decidedly above it. From verse 31st to verse 50th is a pretty eulogy on Britain. Verse 36th, “That foul drama deep with wrong,” is nobly expressive. Verse 46th, I am afraid, is rather unworthy of the rest; “to dare to feel” is an idea that I do not altogether like. The contrast of valour and mercy, from the 36th verse to the 50th, is admirable.

Either my apprehension is dull, or there is something a little confused in the apostrophe to Mr. Pitt. Verse 55th is the antecedent to verses 57th and 58th, but in verse 58th the connexion seems ungrammatical:—

“Powers . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .With no gradation mark’d their flight,But rose at once to glory’s height.”

“Powers . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .With no gradation mark’d their flight,But rose at once to glory’s height.”

Ris’n should be the word instead of rose. Try it in prose. Powers,—their flight marked by no gradations, but [the same powers] risen at once to the height of glory. Likewise, verse 53d, “For this,” is evidently meant to lead on the sense of the verses 59th, 60th, 61st, and 62d: but let us try how the thread of connexion runs,—

“For this . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . .The deeds of mercy, that embraceA distant sphere, an alien race,Shall virtue’s lips record and claimThe fairest honours of thy name.”

“For this . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . .The deeds of mercy, that embraceA distant sphere, an alien race,Shall virtue’s lips record and claimThe fairest honours of thy name.”

I beg pardon if I misapprehended the matter, but this appears to me the only imperfect passage in the poem. The comparison of the sunbeam is fine.

The compliment to the Duke of Richmond is, I hope, as just as it is certainly elegant The thought,

“Virtue . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . .Sends from her unsullied source,The gems of thought their purest force,”

“Virtue . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . .Sends from her unsullied source,The gems of thought their purest force,”

is exceeding beautiful. The idea, from verse 81st to the 85th, that the “blest decree” is like the beams of morning ushering in the glorious day of liberty, ought not to pass unnoticed or unapplauded. From verse 85th to verse 108th, is an animated contrast between the unfeeling selfishness of the oppressor on the one hand, and the misery of the captive on the other. Verse 88th might perhaps be amended thus: “Nor everquither narrow maze.” We are said topassa bound, but wequit, a maze. Verse 100th is exquisitely beautiful:—

“They, whom wasted blessings tire.”

“They, whom wasted blessings tire.”

Verse 110th is I doubt a clashing of metaphors: “to load a span” is, I am afraid, an unwarrantable expression. In verse 114th, “Cast the universe in shade,” is a fine idea. From the 115th verse to the 142d is a striking description of the wrongs of the poor African. Verse 120th, “The load of unremitted pain,” is a remarkable, strong expression. The address to the advocates for abolishing the slave-trade, from verse 143d to verse 208th, is animated with the true life of genius. The picture of oppression:—

“While she links her impious chain,And calculates the price of pain;Weighs agony in sordid scales,And marks if death or life prevails,”—

“While she links her impious chain,And calculates the price of pain;Weighs agony in sordid scales,And marks if death or life prevails,”—

is nobly executed.

What a tender idea is in verse 108th! Indeed, that whole description of home may vie with Thomson’s description of home, somewhere in the beginning of his Autumn. I do not remember to have seen a stronger expression of misery than is contained in these verses:—

“Condemned, severe extreme, to liveWhen all is fled that life can give”

“Condemned, severe extreme, to liveWhen all is fled that life can give”

The comparison of our distant joys to distant objects is equally original and striking.

The character and manners of the dealer in the infernal traffic is a well done though a horrid picture. I am not sure how far introducing the sailor was right; for though the sailor’s common characteristic is generosity, yet, in this case, he is certainly not only an unconcerned witness, but, in some degree, an efficientagent in the business. Verse 224th is a nervous .... expressive—“The heart convulsive anguish breaks.” The description of the captive wretch when he arrives in the West Indies, is carried on with equal spirit. The thought that the oppressor’s sorrow on seeing the slave pine, is like the butcher’s regret when his destined lamb dies a natural death, is exceedingly fine.

I am got so much into the cant of criticism, that I begin to be afraid lest I have nothing except the cant of it; and instead of elucidating my author, am only benighting myself. For this reason, I will not pretend to go through the whole poem. Some few remaining beautiful lines, however, I cannot pass over. Verse 280th is the strongest description of selfishness I ever saw. The comparison of verses 285th and 286th is new and fine; and the line, “Your arms to penury you lend,” is excellent. In verse 317th, “like” should certainly be “as” or “so;” for instance—

“His sway the hardened bosom leadsTo cruelty’s remorseless deeds:As (or, so) the blue lightning when it springsWith fury on its livid wings,Darts on the goal with rapid force,Nor heeds that ruin marks its course.”

“His sway the hardened bosom leadsTo cruelty’s remorseless deeds:As (or, so) the blue lightning when it springsWith fury on its livid wings,Darts on the goal with rapid force,Nor heeds that ruin marks its course.”

If you insert the word “like” where I have placed “as,” you must alter “darts” to “darting,” and “heeds” to “heeding” in order to make it grammar. A tempest is a favourite subject with the poets, but I do not remember anything even in Thomson’s Winter superior to your verses from the 347th to the 351st. Indeed, the last simile, beginning with “Fancy may dress,” &c., and ending with the 350th verse, is, in my opinion, the most beautiful passage in the poem; it would do honour to the greatest names that ever graced our profession.

I will not beg your pardon, Madam, for these strictures, as my conscience tells me, that for once in my life I have acted up to the duties of a Christian, in doing as I would be done by.

R. B.

[Richard Brown was the “hapless son of misfortune,” alluded to by Burns in his biographical letter to Dr. Moore: by fortitude and prudence he retrieved his fortunes, and lived much respected in Greenock, to a good old age. He said Burns had little to learn in matters of levity, when he became acquainted with him.]

Edinburgh, 30th Dec.1787.

My dear Sir,

I have met with few things in life which have given me more pleasure than Fortune’s kindness to you since those days in which we met in the vale of misery; as I can honestly say, that I never knew a man who more truly deserved it, or to whom my heart more truly wished it. I have been much indebted since that time to your story and sentiments for steeling my mind against evils, of which I have had a pretty decent share. My will-o’wisp fate you know: do you recollect a Sunday we spent together in Eglinton woods! You told me, on my repeating some verses to you, that you wondered I could resist the temptation of sending verses of such merit to a magazine. It was from this remark I derived that idea of my own pieces, which encouraged me to endeavour at the character of a poet. I am happy to hear that you will be two or three months at home. As soon as a bruised limb will permit me, I shall return to Ayrshire, and we shall meet; “and faith, I hope we’ll not sit dumb, nor yet cast out!”

I have much to tell you “of men, their manners, and their ways,” perhaps a little of the other sex. Apropos, I beg to be remembered to Mrs. Brown. There I doubt not, my dear friend, but you have found substantial happiness. I expect to find you something of an altered but not a different man; the wild, bold, generous young fellow composed into the steady affectionate husband, and the fond careful parent. For me, I am just the same will-o’-wisp being I used to be. About the first and fourth quarters of the moon, I generally set in for the trade wind of wisdom: but about the full and change, I am the luckless victim of mad tornadoes, which blow me into chaos. Almighty love still reigns and revels in my bosom; and I am at this moment ready to hang myself for a young Edinburgh widow, who has wit and wisdom more murderously fatal than the assassinating stiletto of the Sicilian banditti, or the poisoned arrow of the savage African. My highland dirk, that used to hang beside my crutches, I have gravely removed into a neighbouring closet, the key of which I cannot command in case of spring-tide paroxysms. You may guess of her wit bythe following verses, which she sent me the other day:—

Talk not of love, it gives me pain,For love has been my foe;He bound me with an iron chain,And plunged me deep in woe!But friendship’s pure and lasting joys.My heart was formed to prove,—There, welcome, win, and wear the prize,But never talk of love!Your friendship much can make me blest—O why that bliss destroy?Why urge the odious one request,You know I must deny?[180]

Talk not of love, it gives me pain,For love has been my foe;He bound me with an iron chain,And plunged me deep in woe!

But friendship’s pure and lasting joys.My heart was formed to prove,—There, welcome, win, and wear the prize,But never talk of love!

Your friendship much can make me blest—O why that bliss destroy?Why urge the odious one request,You know I must deny?[180]

My best compliments to our friend Allan.

Adieu!

R. B.

FOOTNOTES:[180]See song 186, in Johnson’s Musical Museum. Burns altered the two last lines, and added a stanza:Why urge the only one requestYou know I will deny!Your thought if love must harbour there,Conceal it in that thought;Nor cause me from my bosom tearThe very friend I sought.

[180]See song 186, in Johnson’s Musical Museum. Burns altered the two last lines, and added a stanza:Why urge the only one requestYou know I will deny!Your thought if love must harbour there,Conceal it in that thought;Nor cause me from my bosom tearThe very friend I sought.

[180]See song 186, in Johnson’s Musical Museum. Burns altered the two last lines, and added a stanza:

Why urge the only one requestYou know I will deny!Your thought if love must harbour there,Conceal it in that thought;Nor cause me from my bosom tearThe very friend I sought.

Why urge the only one requestYou know I will deny!Your thought if love must harbour there,Conceal it in that thought;Nor cause me from my bosom tearThe very friend I sought.

[The Hamiltons of the West continue to love the memory of Burns: the old arm-chair in which the bard sat, when he visited Nanse Tinnocks, was lately presented to the mason Lodge of Mauchline, by Dr. Hamilton, the “wee curly Johnie” of the Dedication.]

[Edinburgh, Dec.1787.]

My dear Sir,

It is indeed with the highest pleasure that I congratulate you on the return of days of ease and nights of pleasure, after the horrid hours of misery in which I saw you suffering existence when last in Ayrshire; I seldom pray for any body, “I’m baith dead-sweer and wretched ill o’t;” but most fervently do I beseech the Power that directs the world, that you may live long and be happy, but live no longer than you are happy. It is needless for me to advise you to have a reverend care of your health. I know you will make it a point never at one time to drink more than a pint of wine (I mean an English pint), and that you will never be witness to more than one bowl of punch at a time, and that cold drams you will never more taste; and, above all things, I am convinced, that after drinking perhaps boiling punch, you will never mount your horse and gallop home in a chill late hour. Above all things, as I understand you are in habits of intimacy with that Boanerges of gospel powers, Father Auld, be earnest with him that he will wrestle in prayer for you, that you may see the vanity of vanities in trusting to, or even practising the casual moral works of charity, humanity, generosity, and forgiveness of things, which you practised so flagrantly that it was evident you delighted in them, neglecting, or perhaps profanely despising, the wholesome doctrine of faith without works, the only anchor of salvation. A hymn of thanksgiving would, in my opinion, be highly becoming from you at present, and in my zeal for your well-being, I earnestly press on you to be diligent in chanting over the two enclosed pieces of sacred poesy. My best compliments to Mrs. Hamilton and Miss Kennedy.

Yours in the L—d,

R. B.

[The blank which takes the place of the name of the “Gentleman in mind and manners,” of this letter, cannot now be filled up, nor is it much matter: the acquaintance of such a man as the poet describes few or none would desire.]

Edinburgh, Dec.1787.

My dear Madam,

I just now have read yours. The poetic compliments I pay cannot be misunderstood. They are neither of them so particular as to point you out to the world at large; and the circle of your acquaintances will allow all I have said. Besides, I have complimented you chiefly, almost solely, on your mental charms. Shall I be plain with you? I will; so look to it. Personal attractions, Madam, you have much above par; wit, understanding, and worth, you possess in the first class. This is a cursed flat way of telling you these truths, but let me hear no more of your sheepish timidity. I know the world a little. I know what they will say of my poems; by second sight I suppose; for I am seldom out in my conjectures; and you may believe me, my dear Madam, I would not run any risk of hurting you by any ill-judged compliment. I wish to show to the world, the odds between a poet’s friends and those of simple prosemen. More for your information, both the pieces go in. One of them, “Where bravingangry winter’s storms,” is already set—the tune is Neil Gow’s Lamentation forAbercarny; the other is to be set to an old Highland air in Daniel Dow’s collection of ancient Scots music; the name is “Ha a Chaillich air mo Dheith.” My treacherous memory has forgot every circumstance aboutLes Incas, only I think you mentioned them as being in Creech’s possession. I shall ask him about it. I am afraid the song of “Somebody” will come too late—as I shall, for certain, leave town in a week for Ayrshire, and from that to Dumfries, but there my hopes are slender. I leave my direction in town, so anything, wherever I am, will reach me.

I saw yours to ——; it is not too severe, nor did he take it amiss. On the contrary, like a whipt spaniel, he talks of being with you in the Christmas days. Mr. —— has given him the invitation, and he is determined to accept of it. O selfishness! he owns, in his sober moments, that from his own volatility of inclination, the circumstances in which he is situated, and his knowledge of his father’s disposition;—the whole affair is chimerical—yet hewillgratify an idlepenchantat the enormous, cruel expense, of perhaps ruining the peace of the very woman for whom he professes the generous passion of love! He is a gentleman in his mind and manners—tant pis! He is a volatile school-boy—the heir of a man’s fortune who well knows the value of two times two!

Perdition seize them and their fortunes, before they should make the amiable, the lovely ——, the derided object of their purse-proud contempt!

I am doubly happy to hear of Mrs. ——’srecovery, because I really thought all was over with her. There are days of pleasure yet awaiting her:


Back to IndexNext