Chapter 12

affair. His conscience ought to have told him, by this, wherein he had

offended; and if his conscience hadn't, why then, of course, he would

have to apologise for his lack of proper sensibility.

After breakfast she went, according to her usual custom, to her

father's rooms, for, as I think I have told you, the old gentleman was

never visible until noon. She had astonishing news for him.

What time she divulged it, the others sat on the terrace, and Mr.

Kennaston read to them, as he had promised, from his "Defense of

Ignorance." It proved a welcome diversion to more than one of the

party. Mr. Woods, especially, esteemed it a godsend; it staved off

misfortune for at least a little; so he sat at Kathleen's side in

silence, trying desperately to be happy, trying desperately not to see

the tiny wrinkles, the faint crow's feet Time had sketched in her face

as a memorandum of the work he meant to do shortly.

Billy consoled himself with the reflection that he was very fond of

her; but, oh (he thought), what worship, what adoration he could

accord this woman if she would only decline--positively--to have

anything whatever to do with him!

I think we ought not to miss hearing Mr. Kennaston's discourse. It is

generally conceded that his style is wonderfully clever; and I have

no doubt that his detractors--who complain that his style is mere

word-twisting, a mere inversion of the most ancient truisms--are

actuated by the very basest jealousy. Let us listen, then, and be duly

edified as he reads in a low, sweet voice, and the birds twitter about

him in the clear morning.

"It has been for many years," Mr. Kennaston began, "the custom of

patriotic gentlemen in quest of office to point with pride to the fact

that the schoolmaster is abroad in the land, in whose defense they

stand pledged to draw their salaries and fight to the last gasp

for reelection. These lofty platitudes, while trying to the lungs,

doubtless appeal to a certain class of minds. But, indeed, the

schoolmaster is not abroad; he is domesticated in every village in

America, where each hamlet has its would-be Shakespeare, and each

would-be Shakespeare has his 'Hamlet' by heart. Learning is rampant in

the land, and valuable information is pasted up in the streetcars so

that he who rides may read.

"And Ignorance--beautiful, divine Ignorance--is forsaken by a

generation that clamours for the truth. And what value, pray, has this

Truth that we should lust after it?"

He glanced up, in an inquiring fashion. Mr. Jukesbury, meeting his

eye, smiled and shook his head and said "Fie, fie!" very placidly.

To do him justice, he had not the least idea what Kennaston was

talking about.

"I am aware," the poet continued, with an air of generosity, "that

many pleasant things have been said of it. In fact, our decade has

turned its back relentlessly upon the decayed, and we no longer read

the lament over the lost art of lying issued many magazines ago by

a once prominent British author. Still, without advancing any Wilde

theories, one may fairly claim that truth is a jewel--a jewel with

many facets, differing in appearance from each point of view.

"And while 'Tell the truth and shame the Devil' is a very pretty

sentiment, it need not necessarily mean anything. The Devil, if there

be a personal devil--and it has been pointed out, with some show of

reason, that an impersonal one could scarcely carry out such enormous

contracts--would, in all probability, rather approve than otherwise of

indiscriminate truth-telling. Irritation is the root of all evil; and

there is nothing more irritating than to hear the truth about one's

self. It is bad enough, in all conscience, to be insulted, but the

truth of an insult is the barb that prevents its retraction. 'Truth

hurts' has all the pathos of understatement. It not only hurts, but

infuriates. It has no more right to go naked in public than any one

else. Indeed, it has less right; for truth-telling is natural to

mankind--as is shown by its prevalence among the younger sort, such as

children and cynics--and, as Shakespeare long ago forgot to tell us, a

touch of nature makes the whole world embarrassed."

At this point Mrs. Haggage sniffed. She considered he was growing

improper. She distrusted Nature.

"Truth-telling, then, may safely be regarded as an unamiable

indiscretion. In art, the bare truth must, in common gallantry, be

awarded a print petticoat or one of canvas, as the case may be, to

hide her nakedness; and in life, it is a disastrous virtue that we

have united to commend and avoid. Nor is the decision an unwise one;

for man is a gregarious animal, knowing that friendship is, at best,

but a feeble passion and therefore to be treated with the care due an

invalid. It is impossible to be quite candid in conversation with a

man; and with a woman it is absolutely necessary that your speech

should be candied.

"Truth, then, is the least desirable of acquaintances.

"But even if one wished to know the truth, the desire could scarcely

be fulfilled. Francis Bacon, Lord Verulam, a prominent lawyer of

Elizabeth's time, who would have written Shakespeare's plays had his

other occupations not prevented it, quotes Pilate as inquiring, 'What

is Truth?'--and then not staying for an answer. Pilate deserves all

the praise he has never received. Nothing is quite true. Even Truth

lies at the bottom of a well and not infrequently in other places. No

assertion is one whit truer than its opposite."

A mild buzz of protest rose about him. Kennaston smiled and cocked his

head on one side.

"We have, for example," he pointed out, "a large number of proverbs,

the small coin of conversation, received everywhere, whose value no

one disputes. They are rapped forth, like an oath, with an air of

settling the question once and forever. Well! there is safety in

quotations. But even the Devil can cite Shakespeare for his purpose.

'Never put off till to-morrow what you can do to-day' agrees ill with

'Sufficient unto the day is the evil thereof'; and it is somewhat

difficult to reconcile 'Take care of the pence, and the pounds will

take care of themselves' with the equally familiar 'Penny-wise,

pound-foolish.' Yet the sayings are equally untrue; any maxim is,

perforce, a general statement, and therefore fallacious, and therefore

universally accepted. Art is long, and life is short, but the

platitudes concerning them are both insufferable and eternal. We must

remember that a general statement is merely a snap-shot at flying

truth, an instantaneous photograph of a moving body. It may be the way

that a thing is; but it is never the way in which any one ever saw

that thing, or ever will. This is, of course, a general statement.

"As to present events, then, it may be assumed that no one is either

capable or desirous of speaking the truth; why, then, make such

a pother about it as to the past? There we have carried the

investigation of truth to such an extreme that nowadays very few of us

dare believe anything. Opinions are difficult to secure when a quarter

of an hour in the library will prove either side of any question.

Formerly, people had a few opinions, which, if erroneous, were at

least universal. Nero was not considered an immaculate man. The Flood

was currently believed to have caused the death of quite a number of

persons. And George Washington, it was widely stated, once cut down

a cherry-tree. But now all these comfortable illusions have been

destroyed by 'the least little men who spend their time and lose their

wits in chasing nimble and retiring truth, to the extreme perturbation

and drying up of the moistures.'"

Kennaston looked up for a moment, and Billy Woods, who had counted

seven wrinkles and was dropping into a forlorn doze, started

violently. His interest then became abnormal.

"There are," Mr. Kennaston complained, rather reproachfully, "too many

inquiries, doubts, investigations, discoveries, and apologies. There

are palliations of Tiberius, eulogies of Henry VIII., rehabilitations

of Aaron Burr. Lucretia Borgia, it appears, was a grievously

misunderstood woman, and Heliogabalus a most exemplary monarch; even

the dog in the manger may have been a nervous animal in search of

rest and quiet. As for Shakespeare, he was an atheist, a syndicate, a

lawyer's clerk, an inferior writer, a Puritan, a scholar, a

nom deplume

, a doctor of medicine, a fool, a poacher, and another man of

the same name. Information of this sort crops up on every side. Even

the newspapers are infected; truth lurks in the patent-medicine

advertisements, and sometimes creeps stealthily into the very

editorials. We must all learn the true facts of history, whether we

will or no; eventually, the writers of historical romance will not

escape.

"So the sad tale goes. Ignorance--beautiful, divine Ignorance--is

forsaken by a generation that clamours for the truth. The

earnest-minded person has plucked Zeus out of Heaven, and driven the

Maenad from the wood, and dragged Poseidon out of his deep-sea palace.

The conclaves of Olympus, it appears, are merely nature-myths;

the stately legends clustering about them turn out to be a rather

elaborate method of expressing the fact that it occasionally rains.

The heroes who endured their angers and jests and tragic loves are

delicately veiled allusions to the sun--surely, a very harmless topic

of conversation, even in Greece; and the monsters, 'Gorgons and Hydras

and Chimæras dire,' their grisly offspring, their futile opponents,

are but personified frosts. Mythology--the poet's necessity, the

fertile mother of his inventions--has become a series of atmospheric

phenomena, and the labours of Hercules prove to be a dozen weather

bulletins.

"Is it any cause for wonder, that under this cheerless influence our

poetry is either silent or unsold? The true poet must be ignorant, for

information is the thief of rhyme. And it is only in dealing with--"

Kennaston paused. Margaret had appeared in the vestibule, and behind

her stood her father, looking very grave.

"We have made a most interesting discovery," Miss Hugonin airily

announced to the world at large. "It appears that Uncle Fred left all

his property to Mr. Woods here. We found the will only last night. I'm

sure you'll all be interested to learn I'm a pauper now, and intend to

support myself by plain sewing. Any work of this nature you may

choose to favour me with, ladies and gentlemen, will receive my most

earnest

attention."

She dropped a courtesy. The scene appealed to her taste for the

dramatic.

Billy came toward her quickly.

"Peggy," he demanded of her, in the semi-privacy of the vestibule,

"will you kindly elucidate the meaning of this da--this idiotic

foolishness?"

"Why, this," she explained, easily, and exhibited a folded paper. "I

found it in the grate last night."

He inspected it with large eyes. "That's absurd," he said, at length.

"You know perfectly well this will isn't worth the paper it's written

on."

"My dear sir," she informed him, coldly, "you are vastly mistaken. You

see, I've burned the other one." She pushed by him. "Mr. Kennaston,

are you ready for our walk? We'll finish the paper some other time.

Wasn't it the strangest thing in the world--?" Her dear, deep, mellow

voice died away as she and Kennaston disappeared in the gardens.

Billy gasped.

But meanwhile, Colonel Hugonin had given the members of his daughter's

house-party some inkling as to the present posture of affairs. They

were gazing at Billy Woods rather curiously. He stood in the vestibule

of Selwoode, staring after Margaret Hugonin; but they stared at him,

and over his curly head, sculptured above the door-way, they saw the

Eagle--the symbol of the crude, incalculable power of wealth.

Mr. Woods stood in the vestibule of his own house.

XVII

"By gad!" said Colonel Hugonin, very grimly, "anybody would think

you'd just lost a fortune instead of inheriting one! Wish you joy of

it, Billy. I ain't saying, you know, we shan't miss it, my daughter

and I--no, begad, for it's a nice pot of money, and we'll miss it

damnably. But since somebody had to have it, I'd much rather it was

you, my boy, than a set of infernal, hypocritical, philanthropic

sharks, and I'm damn' glad Frederick has done the square thing by

you--yes, begad!"

The old gentleman was standing beside Mr. Woods in the vestibule of

Selwoode, some distance from the other members of the house-party,

and was speaking in confidence. He was sincere; I don't say that

the thought of facing the world at sixty-five with practically

no resources save his half-pay--I think I have told you that the

Colonel's diversions had drunk up his wife's fortune and his own like

a glass of water--I don't say that this thought moved him to hilarity.

Over it, indeed, he pulled a frankly grave face.

But he cared a deal for Billy; and even now there was balm--soothing,

priceless balm--to be had of the reflection that this change in

his prospects affected materially the prospects of those cultured,

broad-minded, philanthropic persons who had aforetime set his daughter

to requiring of him a perusal of Herbert Spencer.

Billy was pretty well aware how monetary matters stood with the old

wastrel; and the sincerity of the man affected him far more than the

most disinterested sentiments would have done. Mr. Woods accordingly

shook hands, with entirely unnecessary violence.

"You're a trump, that's what you are!" he declared; "oh, yes, you are,

Colonel! You're an incorrigible, incurable old ace of trumps--the

very best there is in the pack--and it's entirely useless for you to

attempt to conceal it."

"Gad----!" said the Colonel.

"And don't you worry about that will," Mr. Woods advised. "I--I can't

explain things just now, but it's all right. You just wait--just wait

till I've seen Peggy," Billy urged, in desperation, "and I'll explain

everything."

"By gad----!" said the Colonel. But Mr. Woods was half-way out of the

vestibule.


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