BUGIARDINI.

1502(?)-1572. Pupil of Pontormo; influenced by Michelangelo.Bergamo.Morelli, 65. Portrait of Alessandro de’ Medici.Berlin.338. Portrait of Youth.338a. Portrait of Ugolino Martelli.338b. Portrait of Eleonora da Toledo.Simon Collection, 2.Bust of Youth.Herr Edward Simon.Portrait of Bearded Man.Besançon.Musée, 57. Deposition.Boston (U. S. A.).Mrs. J. L. Gardner.Portrait of a Medici Princess.Budapest.190. Venus and Cupid (in part).191. Adoration of Shepherds.Cassel.Portrait of Duke Cosimo de’ Medici in armour, holding Myrtle-branch.Florence.Pitti, 39. Holy Family.403. Portrait of Duke Cosimo I.434. Portrait of the Architect Luca Martini.Uffizi, 154. Lucrezia Panciatichi.158. Descent from Cross. 1545.159. Bartolommeo Panciatichi.172. Eleonora da Toledo and Don Garzia.198. Portrait of Young Woman.1155. Don Garzia.1164. Maria de’ Medici.1166. Man in Armour.1209. Dead Christ.1211. Allegory of Happiness.1266. Portrait of Sculptor.1271. Christ in Limbo. 1552.1272. Don Ferdinand.1275. Maria de’ Medici.Miniatures: 848. Don Garzia.852. Don Ferdinand.853. Maria de’ Medici.854. Francesco de’ Medici.855. Duke Cosimo I.857. Alessandro de’ Medici.Magazine.Annunciation.Palazzo Vecchio, Chapel of Eleonora da Toledo.Frescoes. 1564.S. Lorenzo, L. Wall.Fresco: Martyrdom of St. Lawrence.The Hague.3. Portrait of Lady.London.651. Allegory.1323. Piero de’ Medici il Gottoso.Lucca.Don Ferdinand.Don Garzia.Milan.Brera, 565. Portrait of Andrea Doria as Neptune.New York.Mrs. Gould.Portrait of Woman and Child.Havemeyer Collection.Youth in Black.Paris.1183. “Noli me Tangere.”1184. Portrait of Sculptor.Pisa.S. Stefano.Nativity. 1564.Rome.Borghese Gallery, 444. St. John the Baptist.Colonna Gallery, 4. Venus, Cupid, and Satyr.Corsini Gallery, 2171. Portrait of Stefano Colonna. 1548.Prince Doria.Portrait of Giannottino Doria.Turin.128. Portrait of Giovanni delle Bande Nere.Venice.Seminario, 16. Portrait of Child.Vienna.44. Portrait of Man. L.49. Holy Family.BUGIARDINI.1475-1554. Pupil of Ghirlandajo and Pier di Cosimo; assistant of Albertinelli; influenced by Perugino, Michelangelo, Francesco Francia, and Franciabigio.Agram.Strossmayer Gallery.Madonna seated in a Loggia looking down towards infant John (?).Berlin.142, 149.Cassone-panels: Story of Tobias.283. Madonna and Saints.Museum of Industrial Art.Cassone-front: Story of St. Felicitas.Palace of Emperor William I.Cassone-front: Story of Tobias.Bologna.25. St. John in Desert.26. Madonna enthroned with SS. Catherine, Antony of Padua, and infant John.745.Tondo: Madonna.Bonn.University Gallery, 285. Madonna with infant John.Bowood Park (Calne).Marquess of Lansdowne.Copy of Perugino’s Madonna in Louvre (No. 1565).Budapest.92. “Volto Santo di Luca” (?).Dijon.Musée.1. Madonna and infant John.Figline (near Florence).S. Piero al Terreno, High Altar.Madonna with SS. Peter, Paul, Francis, and Jerome.Florence.Pitti, 140. Portrait of Lady.Uffizi, 89.Tondo: Madonna and infant John (?). E.213. Madonna.3451. Madonna and infant John. 1520.Museo di S. Marco, Anticamera of Refectory, 6. Madonna adored by St. Francis and the Magdalen.S. Croce, Refectory, 3. St. Nicholas.5. The Baptist.42. St. Paul.43. St. Jerome.S. Maria Novella, R. Transept. Martyrdom of St. Catherine.London.809. Madonna, infant John, and Angels (Michelangelo’s suggestion).Earl of Northbrook. Baptist in Desert drinking.Milan.S. Maria delle Grazie.The Baptist.Modena.334. Madonna and infant John.Mombello (near Milan).Prince Pio di Savoia.Madonna.Newport (U. S. A.).Mr. Theodore M. Davis, The Reef.Madonna, infant John, and Angel.New York.Metropolitan Museum.Madonna and infant John (?).Olantigh Towers (Wye, Kent).Mr. Erle-Drax, 610. Madonna and infant John.Oldenburg.28, St. Sebastian.Paris.1644. Bust of Youth.Musée des Arts Decoratifs, Salle,253. Bust of Woman with Prayer-Book.Mme. Edouard André.Portrait of Lady.Philadelphia.Mr. Peter Widener.179.Tondo: Madonna and infant John (?).Rome.Borghese Gallery, 177. Marriage of St. Catherine.443. Madonna and infant John (?).Colonna Gallery, 136. Madonna.Corsini Gallery, 580. Madonna (?) 1509.584. Leo X. (variation of Raphael’s portrait in Pitti).Prince Colonna.Tondo: Madonna and infant John.Contessa Spaletti.Tondo: Madonna and infant John.Scotland, Langton (Duns).Hon. Mrs. Baillie-Hamilton.Madonna and infant John.Siena.Palazzo Saracini, 1420. Holy Family in Landscape.St. Petersburg.Tondo: Holy Family with infant John asleep.Strasburg.University Gallery, 286. Presentation.Stuttgart.250.Tondo: Holy Family.Turin.114. Madonna and infant John.Museo Civico. Madonna and infant John.Venice.Baron Giorgio Franchetti. Venus asleep and Cupid.Vienna.36. Rape of Dinah. 1531.Academy, 1134.Tondo: Madonna with infant John (Michelangelo’s suggestion).RAFFAELLE DEI CARLI (or Croli).1470-after 1526. Started under influence of Ghirlandajo and Credi, later became almost Umbrian, and at one time was in close contact with Garbo, whom he may have assisted.Berlin.Von Kaufmann Collection. Three half-length figures of Saints in small ovals.Dresden.21. Madonna and two Saints.Düsseldorf.120.Tondo: Madonna, with Child blessing.Eastnor Castle (Ledbury).Lady Henry Somerset. Altarpiece: Madonna and Saints.Esher.Mr. Herbert F. Cook, Copseham.Israelites crossing Red Sea. The Golden Calf.Florence.Uffizi, 90. Madonna appearing to four Saints. Madonna, two Saints, and two Donors (probably painted in Garbo’s studio). The four Evangelists (framed above Triptych ascribed to Spinello Aretino) (?).Magazine.Annunciation.Mr. B. Berenson.Christ in Tomb between Mary and John.Duca di Brindisi.Combat of Marine Deities.Mr. H. W. Cannon, Villa Doccia(near Fiesole),Chapel in Woods. Fresco.Corsini Gallery.Madonna with two Saints and two Angels.Via Conservatorio Capponi, I.Tabernacle: Madonna and two Angels.Via delle Colonne, Scuola Elementare.Fresco: Miracle of Loaves and Fishes. 1503.Mrs. Ross, Poggio Gherardo.Madonna in Glory, and two Bishops.S. Ambrogio, first Altar R.St. Ambrogio and other Saints; Annunciation in lunette.S. Maria Maddalena dei Pazzi.St. Roch. St. Ignatius.S. Procolo. Altar R.Visitation with Saints and Angels.S. Spirito, South Transept. Madonna and Evangelist with SS. Stephen, Lawrence, and Bernard. 1505.Madonna with Evangelist, St. Bartholomew, and two Angels. E.Madonna with two Angels and SS. Nicholas and Bartholomew, and busts of Jerome and another Saint.Brozzi(near Florence).S. Andrea, R. Wall.Fresco in lunette: SS. Albert and Sigismund.Le Mans.Musée, 19. Madonna.Locko Park (near Derby).Mr. Drury Lowe.Deposition. The Baptist.London.Mr. Robert Benson.Mass of St. Gregory. 1501.Lucca.Sala IV, 16. Polyptych.Milan.Poldi-Pezzoli, 158. Madonna and infant John.Montepulciano.Municipio, 80.Tondo: Madonna in Landscape.Olantigh Towers (Wye).Mr. Erle-Drax.Pietà.Oxford.Christ Church Library.The Magdalen.Paris.1303. Coronation and four Saints.Baron Michele Lazzaroni.Resurrection, with kneeling Donors.M. Eugène Richtemberger.Tondo: Madonna and two Angels. L.Pisa.Museo Civico, 238. Madonna and four Saints.Sala VI, 15. God appearing to kneeling Company.S. Matteo, L. Wall.Predelleto No. 238 in Museo.Poggibonsi.S. Lucchese, R. Wall.“Noli me Tangere.”Prato.Municipio, 6. Madonna and infant John.San Miniato del Tedeschi.S. Domenico. Madonna with St. Andrew and Baptist(?). 1507.Siena.S. Maria degli Angeli, High Altar.Madonna in Glory, and Saints. 1502.Vallombrosa.Pieve. S. Giovanni Gualberto enthroned between four Saints. 1508.Venice.Academy, 55. Madonna and two Saints, E.Volterra.Municipio, Anticamera. Fresco: Madonna.Museo. Madonna, Saints, and Angels. E.Weston Birt (Tetbury).Captain G. L. Holford. Nativity.ANDREA DEL CASTAGNO.Died rather young in 1457. Influenced by Donatello and Paolo Uccello.Florence.Uffizi, Third Tuscan Room. 12. Fresco: Crucifixion and Saints.S. Appolonia, Refectory.Frescoes: Last Supper; Crucifixion; Entombment; Resurrection. Soon after 1434. (Nine Figures) Boccaccio; Petrarch; Dante; Queen Thomyris; Cumæan Sibyl; Niccolò Acciajuoli; Farinati degli Uberti; Filippo Scolari (“Pippo Spano”); Esther. L.—Frieze ofPuttiwith Garlands.Cloister. Fresco: Dead Christ and Angels. Soon after 1434.Hospital(33 Via degli Alfani),Court.Fresco: Crucifixion.SS. Annunziata, first AltarL. Fresco: Christ and St. Julian. L. (Invisible.)Second AltarL. Fresco: Trinity with St. Jerome and other Saints. L. (Invisible.)Duomo, Wall R. of Entrance: Fresco: Equestrian Portrait of Niccolò da Tolentino. 1456.Window in Drum of Cupola(from his design). Deposition. 1444.Locko Park (near Derby).Mr. Drury Lowe. David (painted on a Shield). L.London.1138. Small Crucifixion.Mr. J. Pierpont Morgan.Bust of Man.CIMABUE.About 1240-about 1301.The following works are all by the same hand, probably Cimabue’s.Assisi.S. Francesco, Upper Church, Choir and Transepts.Frescoes.Lower Church, R. Transept.Fresco: Madonna and Angels with St. Francis.Florence.Academy, 102. Madonna, Angels, and four Prophets.Paris.1260. Madonna and Angels.COSIMO, seePIER DI COSIMO.LORENZO DI CREDI.1456-1537. Pupil of Verrocchio.Berlin.80. Bust of Young Woman (?). E.100. Madonna.103. St. Mary of Egypt.Cambridge.Fitzwilliam Museum, 125. St. Sebastian (the Saint only).Carlsruhe.409. Madonna and infant John adoring Child.Castiglione Fiorentino.Collegiata, Altar R. of High Altar.Nativity. L.Cleveland (U. S. A.).Holden Collection, 14. Madonna.Dresden.13. Madonna and infant John. E.14. Nativity (in part).15. Madonna and Saints.Florence.Academy, 92. Adoration of Shepherds.94. Nativity (in great part).Uffizi, 24.Tondo: Madonna (in part).34. Portrait of Young Man.1160. Annunciation. E.1163. Portrait of Verrocchio.1168. Madonna and Evangelist.1311. “Noli me Tangere.”1313. Annunciation.1314. Annunciation.3452. Venus. E.Tondo: Madonna and Angel adoring Child (in part).Marchese Pucci.Portrait of Lady.S. Domenico(near Fiesole),First AltarR. Baptism.Duomo, Sacristy. St. Michael. 1523.Or San Michele, Pillar. St. Bartholomew.S. Spirito, Apse. Madonna with St. Jerome and an Apostle. E.Scandicci(near Florence),Comtesse de Turenne. Portrait of Youth.Forlì.130. Portrait of Lady. E.Glasgow.Mr. William Beattie. Portrait of the Artist. 1488.Göttingen.University Museum, 220. Crucifixion.Hamburg.Weber Collection.Tondo: Ascension of Youthful Saint accompanied by two Angels.Hanover.Kestner Museum,21. Bust of Youth.London.593. Madonna.648. Madonna adoring Child.Mr. Charles Butler. Madonna.Earl of Rosebery. St. George.Longleat (Warminster).Marquess of Bath. Madonna.Mayence.105. Madonna. E.Milan.Conte Casatti. Madonna and infant John.Munich.1040a.Madonna (?) (done in Verrocchio’s studio).Naples.Nativity. L.Oxford.University Galleries, 26. Madonna (?).Paris.1263. Madonna and two Saints. 1503, or later.1264. “Noli me Tangere.”M. Gustave Dreyfus. Madonna (done in Verrocchio’s studio).Pistoia.Duomo, Chapel L. of High Altar. Madonna and Saints (done in Verrocchio’s studio. 1478-1485).Madonna del Letto. Virgin, St. Jerome, and Baptist. 1510.Rome.Borghese, 433. Madonna and infant John.Scotland.(Cf.Glasgow.)Strasburg.University Gallery, 215. Madonna. E.Turin.115. Madonna. E.118. Madonna (in part).Venice.Querini-Stampalia, Sala III, 4. Madonna and infant John.DOMENICO, seeVENEZIANO.FILIPPINO and FILIPPO, seeLIPPI.FRANCIABIGIO.1482-1525. Pupil of Pier di Cosimo and Albertinelli; worked with and was influenced by Andrea del Sarto.Barnard Castle.Bowes Museum, 235. Bust of Young Man.Berlin.235. Portrait of Man.245. Portrait of Man writing. 1522.245a. Portrait of Youth in Landscape.Herr Eugen Schweizer. Madonna with infant John.Bologna.294. Madonna.Brussels.478. Leda and her Children.Musée de la Ville. Profile of Old Man.Chantilly.Musée Condé, 41. Bust of Man.Cracow.Potocki Collection. Madonna with infant John (?).Dijon.Musée, Donation Jules Maciet. Bust of Youth.Dresden.75. Bathsheba. 1523.Florence.Pitti, 43. Portrait of Man. 1514. 427. Calumny. E.Uffizi, 92.Tondo: Madonna and infant John, E.1223. Temple of Hercules.1224.Tondo: Holy Family and infant John.1264. Madonna with Job and Baptist. E.Chiostro dello Scalzo. Monochrome Frescoes: Baptist leaving his Parents, 1518-19. Baptism, 1509. Meeting of Christ and Baptist, 1518-19.SS. Annunziata, Entrance Court, R.Fresco: Sposalizio. 1513.La Calza. (Porta Romana). Fresco: Last Supper.Poggio a Cajano(Royal Villa near Florence). Fresco: Triumph of Cæsar. 1521.Hamburg.Weber Collection, 119. Bust of Young Man.London.1035. Portrait of Young Man.Mr. Robert Benson. Portrait of Young Man.Earl of Northbrook. Head of Young Man.Mr. T. Vasel. Bust of Young Man.Earl of Yarborough. Bust of a Jeweller. 1516.Modena.223. Birth of Baptist. E.New York.Mr. Rutherford Stuyvesant. Portrait of Man.Nîmes.132, 269, 270. SmallTondi: Trinity, SS. Peter and Paul.Oxford.Mr. T. W. Jackson.Legend of a Saint.Paris.1651a.Portrait of Andrea Fausti.Philadelphia.Mr. John G. Johnson.Bust of Christ Blessing (?).Pinerolo (Piedmont).Villa Lamba Doria.Portrait of Young Man.Rome.Barberini Gallery.Portrait of Young Man.Borghese Gallery, 458. Madonna and infant John. E.Corsini Gallery, 570. Madonna holding Child on Parapet. Portrait of Man with Book.Turin.112. Annunciation. E.Vienna.46. Holy Family.52. Madonna and infant John in Landscape.Count Lanckoronski.Man with Cap and Feathers. L. Christ saving Man from drowning (?).Prince Liechtenstein.Bust of Young Man. 1517. Madonna and infant John.Wiesbaden.Nassauisches Kunstverein, 118.Cassonepicture.Windsor Castle.Portrait of Man (“Gardener of Pier Francesco dei Medici”).RAFFAELINO DEL GARBO.1466-1524 (?). Pupil of Botticelli and Filippino Lippi; influenced by Ghirlandajo and Perugino.Berlin.78. Bust of Man.81. Profile of Young Woman.90.Tondo: Madonna and Angels.Simon Collection, i.Tondo: Madonna and Angels. E.Dresden.22. Madonna and infant John.Florence.Academy, 90. Resurrection.Glasgow.Corporation Gallery.Madonna with infant John.London.Mr. Robert Benson.Tondo: Madonna and Angels.Col. G. L. Holford, Dorchester House.Madonna and Angel.Mr. Charles Ricketts.Madonna in Landscape.Sir Henry Samuelson.Tondo: Madonna with Magdalen and St. Catherine.Lyons.M. Edouard Aynard. Profile Bust of Baptist.Munich.1009.Pietà.Naples.Tondo: Madonna and infant John.Paris.M. Henri Heugel.Tondo: Madonna and two Angels. E.Baron Edouard de Rothschild.Profile bust of Young Lady.Parma.56. Madonna giving Girdle to St. Thomas.Venice.Lady Layard.Portrait of Man.DOMENICO GHIRLANDAJO.1449-1494. Pupil of Baldovinetti; influenced slightly by Botticelli and more strongly by Verrocchio.Florence.Academy, 66. Madonna and Saints.195. Adoration of Shepherds. 1485.Uffizi, 19. Madonna and Saints.43. Portrait of Giovanni Bicci de’ Medici.1295. Adoration of Magi.1297. Madonna, Saints, and Angels.Museo di San Marco, Small Refectory. Fresco: Last Supper.Palazzo Vecchio, Flag Room. Fresco: Triumph of S. Zanobi. 1482-1484.Duomo, over N. Door. Mosaic: Annunciation. 1490.Innocenti, High Altar. Adoration of Magi (the episode of the “Massacre of the Innocents” painted by Alunno di Domenico). 1488.S. Maria Novella, Choir. Frescoes: Lives of the Virgin and Baptist, etc. (execution, save certain portrait heads, chiefly by David, Mainardi, and other assistants). Begun 1486, finished 1490.Ognissanti, L. Wall. Fresco: St. Augustine. 1480.Altar R.Fresco: Madonna della Misericordia (in part). E.Refectory. Fresco: Last Supper. 1480.S. Trinita. Chapel R. of Choir.Frescoes: Life of St. Francis. 1483-1485.Over Arch. Fresco: Augustus and Sibyl (in part). Same date.Badia di Passignano (Tavernelle, near Florence), Refectory. Frescoes: Last Supper, etc. 1477.London.1299. Portrait of Young Man (repainted).Mr. Robert Benson.Francesco Sassetti and his Son.Mr. Ludwig Mond.Madonna.Mr. J. Pierpont Morgan.Profile of Giovanna Tornabuoni. 1488.Mr. George Salting.Madonna and infant John. Bust of Costanza de’ Medici.Lucca.Duomo, Sacristy.Madonna and Saints, withPietàin lunette.Narni.Municipio. Coronation of Virgin (in part). 1486.New Haven (U. S. A.).Jarves Collection, 73. Fresco: Head of Woman (Cf. woman to extreme L. in “Visitation” at S. Maria Novella, Florence).Paris.1321. Visitation (in part).1322. Old Man and Boy.Pisa.Museo Civico, Sala VI, 21. SS. Sebastian and Roch (in part). Virgin with St. Anne and Saints (in part).Rome.Vatican, Sixtine Chapel.Frescoes: Calling of Peter and Andrew. 1482. Single figures of Popes: Anacletus, Iginius, Clement, and Pius. 1482.San Gemignano.Collegiata, Chapel of S. Fina.Frescoes: Life of the Saint. About 1475.Vercelli.Museo Borgogna.Madonna adoring Infant. E.Volterra.Municipio.Christ in Glory adored by two Saints and Don Guido Bonvicini (in part). 1492.RIDOLFO GHIRLANDAJO.1483 to 1561. Pupil of Granacci, and eclectic imitator of most of his important contemporaries.Bergamo.Morelli, 51. Bust of Man.Berlin.91. Nativity.Budapest.58. Nativity. 1510.Chatsworth.Duke of Devonshire.Bust of Man (?). L.Colle di Val d’Elsa.S. Agostino, third AltarR.Pietà. 1521.Florence.Academy, 83, 87. Panels with three Angels each. E.Pitti, 207. Portrait of a Goldsmith. E.224. Portrait of a Lady. 1509.Uffizi, 1275, 1277. Miracles of S. Zanobi. 1510.Bigallo.Predelle. 1515.Palazzo Vecchio, Cappella dei Priori. Frescoes. 1514.Corsini Gallery, 129. Portrait of Man.Palazzo Torrigiani.Portrait of Ardinghelli.La Quiete.St. Sebastian.Glasgow.Mr. William Beattie.Portrait of Man (?).London.1143. Procession to Calvary. E.Mr. George Salting.Portrait of Girolamo Beniviene.Lucardo (near Certaldo).High Altar. Madonna with SS. Peter, Martin, Justus, and the Baptist. E.Milan.Comm. Benigno Crespi.Small Triptych. Nativity and Saints.New Haven (U. S. A.).Jarves Collection, 97. Madonna and Saints.Paris.1324. Coronation of Virgin. 1503.Philadelphia.Elkins Park, Mr. Peter Widener, 191. Bust of Lucrezia Summaria, E.Pistoia.S. Pietro Maggiore.Madonna and Saints. 1508.Prato.Duomo.Madonna giving Girdle to St. Thomas. 1514.Reigate (Surrey).The Priory, Mr. Somers Somerset.Portrait of Girolamo Beniviene.St. Petersburg.40. Portrait of Old Man.Wantage.Lockinge House, Lady Wantage.Youngish Man looking up from Letter.GIOTTO.1276-1336. Follower of Pietro Cavallini; influenced by Giovanni Pisano.Assisi.S. Francesco, Lower Church, Chapel of the Magdalen: Frescoes: Feast in the House of Simon (in great part); Raising of Lazarus; “Noli me Tangere,” (in part); Magdalen and Donor (in part)(?). (The remaining frescoes in this chapel are by assistants.) Before 1328.Upper Church.II-XIX of frescoes recounting the Life of St. Francis (with occasional aid of A). E.West Wall.Fresco: Madonna.Boston (U. S. A.).Mrs. J. L. Gardner: Presentation of Christ in the Temple. L.Florence.Academy, 103. Madonna enthroned and Angels.S. Croce, Bardi Chapel.Frescoes: Life of St. Francis, etc. (Little more than the compositions are now Giotto’s.) Not earlier than 1317.Peruzzi Chapel. Frescoes: Lives of the Baptist and St. John the Evangelist (considerably repainted). L.Munich.983. Last Supper.Padua.Arena Chapel.Frescoes: Lives of Christ and His Mother; Last Judgment; Symbolical Figures. About 1305-6.Sacristy.Painted Crucifix. About 1305-6.Rome.S. Giovanni Laterano,Pillar R. Aisle. Fragment of Fresco: Boniface VIII proclaiming the Jubilee. 1300.GIOTTO’S ASSISTANTS.[An attempt to distinguish in the mass of work usually ascribed to Giotto the different artistic personalities engaged as his most immediate followers and assistants.]A.Assisi.S. Francesco, Upper Church. XX-XXV and first of Frescoes recounting the Life of St. Francis, done perhaps under Giotto’s directions.XXVI-XXVIII of same series done more upon his own responsibility.Lower Church, Chapel of the Sacrament. Frescoes: Legend of St. Nicholas; Christ with SS. Francis and Nicholas and Donors, etc. (?). Before 1316. Madonna between SS. Francis and Nicholas (?). Before 1316.Florence.Uffizi, 20. Altarpiece of St. Cecily. E.S. Margherita a Montici(beyond Torre del Gallo). Madonna. E. Altarpiece with St. Margaret. E.S. Miniato: Altarpiece with S. Miniato. E.B.Assisi.S. Francesco, Lower Church, Over Tomb of Saint. Frescoes: Allegories of Poverty, Chastity, and Obedience, and Triumph of St. Francis. (The Francis between the two Angels in the “Obedience” and nearly all of the “Triumph” were executed by another hand, probably C.)R. Transept. Frescoes: Bringing to Life of Child fallen from Window; Francis and a crowned Skeleton; Two Scenes (one on either side of arch leading to the Chapel of the Sacrament) representing the Bringing to Life of a Boy killed by a falling House; (above these) Annunciation; (next to Cimabue’s Madonna) Crucifixion (with the aid of C).Florence.S. Croce, Cappella Medici.Baroncelli Polyptych: Coronation of Virgin, Saints and Angels (?).C.Assisi.S. Francesco, Lower Church, R. Transept.Frescoes: Eight Scenes from the Childhood of Christ.Berlin.1074a. Crucifixion.Florence.Bargello Chapel. Fresco: Paradise (?). (Cf. also under B for assistance rendered by C.)VARIOUS.Bologna.Pinacoteca, 102. Polyptych: Madonna and Saints.Florence.S. Felice.Painted Crucifix.Munich.981. Crucifixion (?).Paris.1512. St. Francis receiving Stigmata.Rome.St. Peter’s, Sagrestia dei Canonici. Stefaneschi Polyptych (suggests Bernardo Daddi).Strasburg.203. Crucifixion.GOZZOLI, seeBENOZZO.FRANCESCO GRANACCI.1477-1543. Pupil first of Credi, and then of Ghirlandajo, whom he assisted; influenced by Botticelli, Michelangelo Fra Bartolommeo, and Pontormo.Berlin.74 and 76. SS. Vincent and Antonino (in Ghirlandajo’s studio). Soon after 1494.88. Madonna and four Saints (kneeling figures and landscape his own cartoons, the rest Ghirlandajesque design).97. Madonna with Baptist and Archangel Michael, E.229. The Trinity.Budapest.54. St. John at Patmos.78. Madonna and infant John (?)Cassel.480.Tondo: Madonna holding Child on Parapet.482. Crucifixion.Chantilly.Musée Condé, 95. Madonna (from Ghirlandajo’s studio) (?).Città di Castello.Pinacoteca.Coronation of Virgin (in part; done in Ghirlandajo’s studio).Darmstadt.Small Crucifixion. L.Dublin.78. Holy Family.Florence.Academy, 68. Assumption of Virgin.154. Madonna.285-290. Stories of Saints. L.Pitti, 345. Holy Family.Uffizi, 1249, 1282. Life of Joseph.Portrait of Lucrezia del Fede.Covoni Altarpiece, Madonna and Saints.Istituto dei Minorenni Corrigendi(Via della Scala.) Altarpiece: Madonna with SS. Sebastian and Julian (?).Brozzi(near Florence).S. Andrea. L. Wall.Frescoes: Baptism, Madonna enthroned between SS. Dominic and Sebastian (Ghirlandajo’s designs).Quintole (near Florence). S. Pietro.Pietà. L.Villamagna (near Florence), Church. Madonna with SS. Gherardo and Donnino.Glasgow.Mr. James Mann.Madonna (?). E.London.Victoria and Albert Museum.Tondo: Madonna.Mr. Robert Benson.God the Father sending Holy Spirit to Christ kneeling, the Virgin recommending Donor, who has his Family present, and below a Saint pointing to a Scroll (?). E.Duke of Buccleugh, 10. Madonna and infant John.Lucca.Marchese Mansi(S. Maria Forisportam).Tondo: Madonna and two Angels.Milan.Comm. Benigno Crespi.Entry of Charles VIII into Florence.Munich.1011. Madonna in Glory and four Saints (Ghirlandajo’s design). Soon after 1494.1061-1064. Panels with a Saint in each. L.1065. Holy Family.New Haven (U. S. A.).Jarves Collection, 86.Pietà. L.Oxford.Christ Church Library.St. Francis.University Museum, 23. St. Antony of Padua and an Angel.Panshanger (near Hertford).Portrait of Lady.Paris.M. Jean Dollfus.Madonna and Saints (?).M. d’Eichtal. Bust of Lady.M. Eugène Richtemberger. Nativity.M. Joseph Spiridon. Bust of Young Woman in Red.Philadelphia.Mr. John G. Johnson.Pietàin Landscape (?). E.Reigate (Surrey).The Priory, Mr. Somers Somerset. Madonna giving Girdle to St. Thomas.Rome.Borghese, 371. Maddalena Strozzi as St. Catherine.Corsini, 573. Hebe.Scotland.(Glasgow, Cf.Glasgow).Rossie Priory (Inchture, Perthshire),Lord Kinnaird. St. Lucy before her Judges. L.St. Petersburg.Hermitage, 22. Nativity with SS. Francis and Jerome.Vienna.Count Lanckoronski. Preaching of St. Stephen.Herr Carl Wittgenstein. Bust of Woman in Green. (?).Warwick Castle.Earl of Warwick. Assumption of Virgin, and four Saints. L.LEONARDO DA VINCI.

1502(?)-1572. Pupil of Pontormo; influenced by Michelangelo.

1475-1554. Pupil of Ghirlandajo and Pier di Cosimo; assistant of Albertinelli; influenced by Perugino, Michelangelo, Francesco Francia, and Franciabigio.

1470-after 1526. Started under influence of Ghirlandajo and Credi, later became almost Umbrian, and at one time was in close contact with Garbo, whom he may have assisted.

Died rather young in 1457. Influenced by Donatello and Paolo Uccello.

About 1240-about 1301.The following works are all by the same hand, probably Cimabue’s.

About 1240-about 1301.

The following works are all by the same hand, probably Cimabue’s.

1456-1537. Pupil of Verrocchio.

1482-1525. Pupil of Pier di Cosimo and Albertinelli; worked with and was influenced by Andrea del Sarto.

1466-1524 (?). Pupil of Botticelli and Filippino Lippi; influenced by Ghirlandajo and Perugino.

1449-1494. Pupil of Baldovinetti; influenced slightly by Botticelli and more strongly by Verrocchio.

1483 to 1561. Pupil of Granacci, and eclectic imitator of most of his important contemporaries.

1276-1336. Follower of Pietro Cavallini; influenced by Giovanni Pisano.

[An attempt to distinguish in the mass of work usually ascribed to Giotto the different artistic personalities engaged as his most immediate followers and assistants.]

1477-1543. Pupil first of Credi, and then of Ghirlandajo, whom he assisted; influenced by Botticelli, Michelangelo Fra Bartolommeo, and Pontormo.

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