MARIOTTO ALBERTINELLI.

NOTE.The following lists make no claim to absolute completeness, but no genuine work by the painters mentioned, found in the better known public or private collections, has been omitted. With the exception of three or four pictures, which he knows only in the photographs, the author has seen and carefully studied every picture indicated, and is alone responsible for the attributions, although he is happy to acknowledge his indebtedness to the writings of Signor Cavalcaselle, of the late Giovanni Morelli, of Signor Gustavo Frizzoni, and of Dr. J. P. Richter. For the convenience of students, lists of the sculptures, but the more important only, have been appended to the lists of pictures by those artists who have left sculptures as well as paintings.Public galleries are mentioned first, then private collections, and churches last. The principal public gallery is always understood after the simple mention of a city or town. Thus, Paris means Paris, Louvre, London means London, National Gallery, etc.An interrogation point after the title of a picture indicates that its attribution to the given painter is doubtful. Distinctly early or late works are marked E. or L.It need scarcely be said that the attributions here given are not based on official catalogues, and are often at variance with them.MARIOTTO ALBERTINELLI.1474-1515. Pupil of Cosimo Rosselli and Pier di Cosimo; influenced by Lorenzo di Credi; worked in partnership with Fra Bartolommeo.Agram (Croatia).Strossmayer Collection.Adam and Eve driven from Paradise. E.Bergamo.Lochis, 203. Crucifixion.Morelli, 32. St. John and the Magdalen. E.Cambridge.Fitzwilliam Museum, 162. Madonna and infant John. 1509.Chartres.Musée. Tabernacle: Madonna and Saints, Crucifixion, etc. E.Florence.Academy, 63. Trinity.167. Madonna and four Saints.169. Annunciation. 1510.Pitti, 365. Holy Family.Uffizi, 71. Last Judgment (begun in 1499 by Fra Bartolommeo).1259. Visitation, withPredella. 1503.Corsini, 160. Holy Family (in part). 1511.Certosa(near Florence). Crucifixion. 1505.Geneva.Musée. Annunciation. 1511.Gloucester.Highnam Court, Sir Hubert Parry, 7. Nativity.24. Scenes from the Creation. E.The Hague.306. Holy Family with infant John (on Fra Bartolommeo’s cartoon).Madrid.Duke of Alba. Madonna.Milan.Poldi-Pezzoli, 477. Triptych. 1500.Munich.1057. Annunciation and the two Saints.New York.Mr. Samuel Untermeyer.Female Saint.Paris.1114. Madonna and Saints (begun by Filippino, who laid in the St. Jerome. Albertinelli was assisted by Bugiardini in the execution of the rest, especially in the Child and landscape). 1506.Pisa.S. Caterina.Madonna and Saints (on Fra Bartolommeo’s cartoon). 1511.Rome.Borghese, 310. Madonna and infant John (on Fra Bartolommeo’s cartoon). 1511.421. Head of Christ.Scotland.Gosford House, Earl Of Wemyss. Madonna.Siena.564. St. Catherine. 1512.565. The Magdalen. 1512.Stuttgart.242, 243, 244. Coronation and twoputti(top of Fra Bartolommeo’s altar-piece at Besançon). 1512.Venice.Seminario, 18. Madonna.Volterra.Duomo.Annunciation. E.ALUNNO DI DOMENICO.Descriptive name for Florentine painter whose real name appears to have been Bartolommeo di Giovanni. Flourished last two decades of fifteenth century. Assistant of Ghirlandajo; influenced by Amico di Sandro.Aix-en-Provence.Musée.Madonna and infant John adoring Child.Arezzo.Museo, Sala II, 4. Tabernacle: Magdalen and St. Antony at foot of Cross.Dresden.17 and 18.Tondi: SS. Michael and Raphael.Florence.Academy, 67.Pietàand Stories of Saints.268. St. Thomas Aquinas, Gabriel, and a Prophet.269. Madonna with St. Dominic and a Prophet.278. St. Jerome.279. St. Francis receiving the Stigmata.280. Entombment.Uffizi, 85.Tondo: Madonna and infant John. 1208. St. Benedict and two Monks.Museo di San Marco, Small Refectory.Crucifixion with SS. Peter, Andrew, the Magdalen, and two other Saints.Marchese Manelli Riccardi.Pietà.Innocenti, Gallery, 63-70. SevenPredelleto Ghirlandajo’s altarpiece in church, in which he painted also the “Massacre of the Innocents.” 1488.Horsmonden (Kent).Capel Manor, Mrs. Austen. TwoCassone-fronts: Centaurs and Lapithæ.Liverpool.Walker Art Gallery, 17. Martyrdom of St. Sebastian.18. Bishop dining with a Woman.London.Mr. Brinsley Marlay. FourCassone-fronts: Stories of Joseph and of The Taking of Troy.Sir Kenneth Muir Mackenzie.Madonna and infant John.Longleat (Warminster).Marquess of Bath.TwoCassone-fronts: Feast and Flight.Lovere (Lago d’Iseo).Galleria Tadini, 29. Madonna and infant John.Milan.Borromeo.PietàNarni.Municipio.Two compartments of thePredelleto Ghirlandajo’s Coronation of Virgin: SS. Francis and Jerome. 1486.New Haven (U. S. A.).Jarves Collection, 47. St. Jerome.Oxford.Christ Church Library, 22. Madonna and infant John.Palermo.Baron Chiaramonte-Bordonaro, 118. St. Jerome.Paris.1416a.Marriage of Peleus and Thetis.1416b.Triumph of Venus.M. Jean Dollfus, 1519. Frame to a Trecento Madonna.M. Joseph Spiridon.Scene from the Tale of Nastagio degli Onesti. 1483.Rome.Colonna, 11. Reconciliation between Romans and Sabines.14. Rape of Sabines.Scotland.Langton (near Duns), Hon. Mrs. Baillie-Hamilton.Cassone-front: Story of Io.Vienna.Dr. A. Figdor.Large Cross with SS. Jerome and Francis.Count Lanckoronski.Several Martyrdoms, including the Decapitation of the Baptist beside a Well.Warwick Castle.Earl of Warwick.Two smallTondi: St. Stephen; A Bishop.AMICO DI SANDRO.An artistic personality between Botticelli and Filippino Lippi.Altenburg.Lindenau Museum, 100. Profile Portrait of Caterina Sforza.Bergamo.Morelli, 21. Profile Portrait of Giuliano de’ Medici.Berlin.82. Madonna.Herr Edward Simon.Bust of Young Man.Budapest.52. Madonna in Landscape with St. Antony of Padua and kneeling Monk.Chantilly.Musée Condé.Cassone-front: Story of Esther.Florence.Pitti, 336. “La Bella Simonetta.”353. Death of Lucretia.Uffizi, 23. Madonna and three Angels (from S. Maria Nuova). E.1547. Madonna adoring Child.Cenacolo di Foligno(Via Faenza), 100. Madonna and infant John adoring Child.Corsini Gallery, 340. The Five Virtues.Horsmonden (Kent).Capel Manor, Mrs. Austen.Madonna and Angel (version of lost original by Botticelli). E.London.1124. Adoration of Magi.1412. Madonna and infant John.Victoria and Albert Museum, Ionides Bequest.Portrait of Esmeralda Bandinelli. E.Mr. Robert Benson.Tobias and the Angel.Meiningen.Grand Ducal Palace.Nativity.Milan.Prince Trivulzio.Profile of Lady.Naples.Madonna and two Angels. E.Museo Filangieri, 1506 bis. Portrait of Young Man.Oxford.Christ Church Library, 4, 5. Two panels with Sibyls in Niches.Paris.1662a.Cassone-front: Death of Virginia.1663. Portrait of Young Man.Comte Pastre:Cassone-front: Story of Esther.Baron Schlichting.Madonna (version of Filippo’s Madonna at Munich).Philadelphia.Mr. John G. Johnson.Portrait of Man.Rome.Count Gregori Stroganoff.Two Angels swinging Censers.Scotland.Newbattle Abbey (Dalkeith), Marquess of Lothian.Coronation of Virgin (lunette).St. Petersburg.Stroganoff Collection.Nativity and Angels in Landscape.Turin.113. Tobias and the three Archangels.Vienna.Prince Liechtenstein.Bust of Young Man. TwoCassonepanels with Story of Esther.ANDREA (Vanucci) DEL SARTO.1486-1531. Pupil of Pier di Cosimo; influenced by Fra Bartolommeo and Michelangelo.Berlin.240. Bust of his Wife.246. Madonna and Saints. 1528.Dresden.76. Marriage of St. Catherine. E.77. Sacrifice of Isaac.Florence.Academy, 61. Two Angels. 1528.75. Fresco: Dead Christ.76. Four Saints. 1528.77.Predelleto 76.Pitti, 58. Deposition. 1524.66. Portrait of Young Man.81. Holy Family.87, 88. Life of Joseph. 1516.124. Annunciation.172. Dispute over the Trinity. 1517.184. Portrait of Young Man.191. Assumption. 1531.225. Assumption. 1526.272. The Baptist.476. Madonna.Uffizi, 93. “Noli me Tangere.” E.188. Portrait of his Wife.280. Fresco: Portrait of Himself.1112. “Madonna dell’ Arpie.” 1517.1176. Portrait of Himself.1230. Portrait of Lady.1254. St. James.Corsini Gallery.Apollo and Daphne. E.Chiostro dello Scalzo.Monochrome Frescoes: Charity, 1512-15. Preaching of Baptist, finished 1515. Justice, 1515. St. John Baptising, 1517. Baptist made Prisoner, 1517. Faith, 1520. Dance of Salome, 1522. Annunciation to Zacharias, 1522. Decapitation of Baptist, 1523. Feast of Herod, 1523. Hope, 1523. Visitation, 1524. Birth of Baptist, 1526.SS. Annunziata, Entrance Court.Frescoes: Five to L. with the Story of St. Filippo Benizzi, 1509-1510. R., Adoration of Magi, 1511. Birth of Virgin, 1514.Chapel to L. of Entrance.Head of Christ.Inner Cloister, over Door.Fresco: “Madonna del Sacco.” 1525.S. Salvi.Fresco: Four Evangelists. 1515. Fresco: Last Supper, begun in 1519.Poggio a Cajano(Royal Villa near Florence). Fresco: Cæsar receiving Tribute. 1521 (finished by A. Allori).London.690. Portrait of a Sculptor.Hertford House.Madonna and Angels.Mr. Robert Benson.Tondo: Madonna with infant John. L.Mr. Leopold de Rothschild.Madonna and infant John.Madrid.383. Portrait of his Wife.385. Holy Family and Angel.387. Sacrifice of Isaac. 1529.Naples.Copy of Raphael’s Leo X.Paris.1514. Charity. 1518.1515. Holy Family.Petworth House (Sussex).Lord Leconfield, 333. Madonna with infant John and three Angels (?). E.Rome.Borghese, 336. Madonna and infant John. E.St. Petersburg.24. Madonna with SS. Elizabeth and Catherine. 1519.Vienna.39.Pietà.42. Tobias and Angel with St. Leonard and Donor. E.52. Madonna and infant John (in part).Windsor Castle.Bust of Woman.FRA ANGELICO DA FIESOLE.1387-1455. Influenced by Lorenzo Monaco and Masaccio.Agram (Croatia).Strossmayer Collection, St. Francis receiving Stigmata; Death of St. Peter Martyr.Altenburg.Lindenau Museum, 91. St. Francis before the Sultan.Berlin.60. Madonna and Saints.60a. Last Judgment. L.61. SS. Dominic and Francis.62. Glory of St. Francis.(Magazine.) Head of Saint.Boston (U. S. A.).Mrs. J. L. Gardner.Death and Assumption of Virgin.Brant Broughton (Lincolnshire).Rev. Arthur F. Sutton.A Bishop.Cortona.S. Domenico, Over Entrance.Fresco: Madonna and Saints.Gesù.Annunciation. E.TwoPredelle. E.Triptych: Madonna with four Saints, etc.Düsseldorf.Akademie, 27. Head of Baptist.Florence.Academy, 166. Deposition (three pinnacles by Lorenzo Monaco).227. Madonna and six Saints.234-237. Fourteen scenes from Life of Christ. 1448.240. Madonna enthroned (but not the Trinity above).243. Story of SS. Cosmas and Damian (in part).246. Entombment.250. Crucifixion.251. Coronation of Virgin.252-254, Sixteen scenes from Life of Christ and Virgin, except the “Legge d’Amore.” 1448.258. Martyrdom of SS. Cosmas and Damian.265. Madonna with six Saints and two Angels.266. Last Judgment (not the Damned nor the Inferno).281. Madonna and eight Saints and eight Angels. 1438 (ruined).283.Predella:Pietàand Saints. L. (ruined).Uffizi, 17. Triptych: Madonna with Saints and Angels;Predella. 1433.1162.Predellato No. 1290: Birth of John.1168.Predellato No. 1290:Sposalizio.1184.Predellato No. 1290: Dormition.1290. Coronation of Virgin.1294. Tabernacle: Madonna, Saints, and Angels. 1443.Museo di San Marco. Frescoes, all painted from between about 1439 to no later than 1445.Cloister. St. Peter Martyr; St. Dominic at foot of Cross; St. Dominic (ruined);Pietà; Christ as Pilgrimwith two Dominicans; St. Thomas Aquinas.Chapter House.Large Crucifixion.Upper Floor, Walls.Annunciation; St. Dominic at foot of Cross; Madonna with eight Saints.Rooms, No. 1.“Noli me Tangere.”2. Entombment.3. Annunciation.4. Crucifixion.5. Nativity.6. Transfiguration.7. Ecce Homo.8. Resurrection.9. Coronation of Virgin.10. Presentation in Temple.11. Madonna and Saints.15-23. Crucifixions (some ruined).24. Baptism.25. Crucifixion.26.Pietà.28. Christ bearing Cross.31. Descent to Limbo.32. Sermon on the Mount.33. Betrayal of Judas. Panels: Small Madonna and Angels; Small Coronation.34. Agony in Garden. Panel: Small Annunciation.35. Institution of the Eucharist.36. Nailing to Cross.37. Crucifixion.38. Adoration of Magi, andPietà.42, 43. Crucifixions.S. Domenico di Fiesole(near Florence)Madonna and Saints (architecture and landscape by Lorenzo di Credi).Sacristy of adjoining Monastery.Fresco: Crucifixion.Frankfort a./M.Herr Adolf Schaeffer.Madonna enthroned and four Angels.London.663. Paradise.Mrs. J. E. Taylor.Small panel.Lyons.M. Edouard Aynard.Madonna with SS. Peter, Paul, and George, with Angels and kneeling Donor.Madrid.Prado,14. Annunciation.Duke of Alba.Madonna and Angels.Munich.989-991. Legends of Saints.992. Entombment.Orvieto.Duomo, Chapel of S. Brizio.Ceiling Frescoes: Christ as Judge; Prophets (assisted by Benozzo Gozzoli). 1447.Paris.1290. Coronation of Virgin.1293. Martyrdom of SS. Cosmas and Damian.1294. Fresco: Crucifixion.M. Georges Chalandon.Meeting of Francis and Dominic.M. Noel Valois.Crucifixion with Cardinal (probably) John Torquemada, as Donor. L.Parma.429. Madonna and four Saints.Perugia.SalaV, 1-18. Altarpiece in many parts.Pisa.SalaVI, 7. Salvator Mundi.Rome.Corsini, SalaVII, 22. Pentecost.23. Last Judgment.24. Ascension.Vatican, Pinacoteca.Madonna; twoPredellewith Legend of St. Nicholas.Museo Cristiano, Case Q. V.St. Francis receiving Stigmata.Chapel of Nicholas V.Frescoes: Lives of SS. Stephen and Lawrence. 1447-1449.Count Gregori Stroganoff.Small Tabernacle.St. Petersburg.Hermitage, 1674. Fresco: Madonna with SS. Dominic and Thomas Aquinas.Turin.103, 104. Adoring Angels.Vienna.Baron Tucher.Annunciation (in part).BACCHIACCA (Francesco Ubertini).About 1494-1557. Pupil of Perugino and Franciabigio; influenced by Andrea del Sarto and Michelangelo.Asolo.Canonica della Parrocchia.Madonna with St. Elizabeth.Bergamo.Morelli,62. Death of Abel.Berlin.267. Baptism.267a.Portrait of Young Woman.(Magazine.) Decapitation of Baptist.Herr Eugen Schweizer.Leda and the Swan.Boston (U. S. A.).Mrs. J. L. Gardner.Head of Woman.Brocklesby (Lincolnshire).Earl of Yarborough.Madonna and St. Anne.Budapest.70. Preaching of Baptist.Cassel.484. Old Man Seated.Dijon.Musée, Donation Jules Maciet. Resurrection.Dresden.80. Legendary Subject. 1523.Florence.Pitti, 102. The Magdalen.Uffizi, 87. Descent from Cross.1296.Predelle: Life of St. Ascanius.1571. Tobias and Angel.Corsini Gallery, 164. Madonna, infant John, and sleeping Child.206. Portrait of Man. 1540.Conte Niccolini(Via dei Servi). Madonna with St. Anne and infant John.Conte Serristori. Madonna with St. Anne and infant John.Locko Park (near Derby).Mr. Drury Lowe, 44. Christ bearing Cross.London.1218, 1219. Story of Joseph.1304. Marcus Curtius.Mr. Charles Butler.Portrait of Young Man.Mr. Frederick A. White.Birth Plate.Milan.Comm. Benigno Crespi.Adoration of Magi; Madonna.Dr. Gustavo Frizzoni.Adam and Eve.Munich.1077. Madonna and infant John.Oxford.Christ Church Library, 55. “Noli me Tangere.”57. Resurrection of Lazarus.Richmond (Surrey).Sir Frederick Cook.Holy Family; Last Supper; Crucifixion.TwoGrisailles: Apollo and Cupid; Apollo and Daphne.Rome.Borghese, 338. Madonna.425, 426, 440, 442, 463. Life of Joseph.Miss Hertz.Bust of Magdalen.Troyes.Musée.Tobias and Angel.Venice.Seminario, 23. Madonna.Prince Giovanelli.Moses Striking Rock.Wiesbaden.Nassauisches Kunstverein,114. Madonna and infant John.ALESSO BALDOVINETTI.1425-1499. Pupil of Domenico Veneziano; influenced by Paolo Uccello.Bergamo.Morelli, 23. Fresco: Portrait of Himself (fragment from S. Trinita, Florence).Berlin.1614. Profile of Young Woman. (?)Florence.Academy,159. Trinity. 1471.233. Marriage of Cana; Baptism; Transfiguration. 1448.Uffizi, 56. Annunciation.60. Madonna and Saints.Mr. B. Berenson.Madonna. E.S. Ambrogio.Baptist with SS. Catherine, Stephen, Ambrose, and Angels, 1470-1473.SS. Annunziata, Entrance Court.Fresco: Nativity. 1460-1462.Duomo, Sacristy.Intarsias (after his cartoons): Nativity, 1463. Circumcision.S. Marco, Courtyard.Crucifixion with S. Antonino.S. Miniato, Portuguese Chapel.Annunciation. 1466.Frescoes inCupola and Spandrils: Prophets. Begun 1466.S. Pancrazio, Ruccellai Chapel.Fresco: Resurrected Christ. 1467.S. Miniato, Portuguese Chapel.Pazzi Chapel(beside S. Croce). Window inChoir(after his design): St. Andrew.S. Trinita, Choir.Frescoes: begun in 1471:Ceiling.Noah; Moses; Abraham; David.Lunettes: Fragment of Sacrifice of Isaac; slight fragment of Moses receiving the Tables of the Law.Paris.1300a.Madonna in Landscape. E.Mme. Edouard André.Madonna in Landscape.FRA BARTOLOMMEO (Baccio delta Porta).1475-1517. Pupil of Pier di Cosimo; influenced by Leonardo and Michelangelo.Ashridge Park (Berkhampstead).Earl Brownlow, Madonna. L.Berlin.249. Assumption (upper part by Albertinelli). Probably, 1508.Besançon.Cathedral.Madonna in Glory, Saints, and Ferry Carondolet as Donor. 1512Cambridge (U. S. A.).Fogg Museum.Sacrifice of Abel.Florence.Academy, 58. St. Vincent Ferrer.97. Vision of St. Bernard. 1506.168. Heads in Fresco.171. Fresco: Madonna.172. Portrait of Savonarola.173. Fresco: Madonna.Pitti, 64. Deposition.125. St. Mark. 1514.159. Christ and the four Evangelists. 1516.208. Madonna and Saints. 1512.256. Holy Family.377. Fresco: Ecce Homo.Uffizi, 71. Fresco: Last Judgment. Begun 1499, finished by Albertinelli.1126. Isaiah.1130. Job.1161. Small Diptych. E.1265. Underpainting for Altarpiece (from his cartoons). 1510-13.Museo di San Marco,Savonarola’s Cell. Fresco: Madonna, 1514. Profile of Savonarola. E. Fresco: Christ at Emmaus.S. Marco,2d Altar R.Madonna and Saints. 1509.Pian di Mugnone(near Florence).S. Maddalena.Frescoes: Annunciation. 1515; “Noli me Tangere.” 1517.Grenoble.Musée, 374. Madonna.London.1694. Madonna in Landscape.Col. G. L. Holford,Dorchester House. Madonna (in part).Mr. Ludwig Mond.Holy Family; Small Nativity.Earl of North Brook.Holy Family (finished by Albertinelli).Lucca.“Madonna della Misericordia.” 1515.God adored by Saints. 1509.Duomo, Chapel L. of Choir.Madonna and Saints. 1509.Naples.Assumption of Virgin (in great part). 1516.Panshanger (Hertford).Holy Family.Burial and Ascension of S. Antonino.Paris.1115. “Noli me Tangere.” 1506.1153. Annunciation. 1515.1154. Madonna and Saints. 1511.Philadelphia.Mr. John G. Johnson.Adam and Eve (unfinished).Richmond (Surrey).Sir Frederick Cook, Octagon Room, 40.Madonna with St. Elizabeth and Children. 1516.Rome.Corsini Gallery, 579. Holy Family. 1516.Lateran, 73. St. Peter (finished by Raphael).75. St. Paul.Marchese Visconti Venosta.Tondo: Holy Family.St. Petersburg.Madonna and three Angels. 1515.Vienna.34. Madonna.38. Madonna and Saints (assisted by Albertinelli). 1510.41. Circumcision. 1516.BENOZZO GOZZOLI.1420-1497. Pupil possibly of Giuliano Pesello, and of the Bicci; assistant and follower of Fra Angelico.Berlin.60b.Madonna, Saints, and Angels.Miracle of S. Zanobi. 1461.Béziers.Musée, 193. St. Rose and the Magdalen.Cambridge (U. S. A.).Fogg Museum.Madonna.Castelfiorentino (near Empoli).Cappella di S. Chiara.Tabernacle with Frescoes (in great part).Madonna della Tosse(on way to Castelnuovo). Frescoes (in great part). 1484.Certaldo.Cappella del Ponte dell’ Agliena.Tabernacle with Frescoes. 1465.Cologne.520. Madonna and Saints. 1473.Florence.Academy, 37. Pilaster with SS. Bartholomew, James, and John the Baptist (execution probably by Giusto d’Andrea).Uffizi, 1302.Predella:Pietàand Saints.Palazzo Riccardi.Frescoes: Procession of Magi; Angels. 1459.Palazzo Alessandri.FourPredelle: Miracle of St. Zanobi; Totila before St. Benedict; Fall of Simon Magus; Conversion of St. Paul. E.Mr. Herbert P. Horne.Large Crucifixion. L.Locko Park (near Derby).Mr. Drury Lowe.Crucifixion. E.London.283. Madonna, Saints, and Angels. 1461.H. M. the King, Buckingham Palace.Death of Simon Magus. 1461.Mr. C. N. Robinson.Madonna and Angels.Meiningen.Grand Ducal Palace.St. Ursula.Milan.Brera, 475. St. Dominic restoring Child to Life. 1461.Montefalco.Pinacoteca(S. Francesco).Bay To R. of Entrance.Various Frescoes, 1452.Choir. Frescoes: Scenes from Life of St. Francis, etc. Finished, 1452.S. Fortunato, over Entrance.Fresco:Madonna, Saints, and Angels. 1450.R. Wall.Fresco: Madonna and Angel, 1450.Second Altar R.Fresco: S. Fortunato enthroned. 1450.Narni.Municipio.Annunciation.Paris.1319. Triumph of St. Thomas Aquinas.Baronne d’Adelsward.Four Saints. 1471.Perugia.Sala VII, 20. Madonna and Saints. 1456.Philadelphia.Mr. Peter Widener.Raising of Lazarus.Pisa.Sala VI.Madonna, Saints, and Angels. Madonna and St. Anna.Campo Santo.Series of Frescoes from Old Testament; also an Annunciation. 1468-1484.Ricovero Per Mendicità(ancient Refectory of S. Domenico). Frescoes: Crucifixion and Saints; St. Dominic and two Angels (in part). L.Università dei Cappellani(Piazza del Duomo). Madonna, Saints, and Donors. 1470.Rome.Lateran, 60. Polyptych. 1450.Vatican, Museo Cristiano, Case S, XII.SmallPietà.Aracoeli, Third Chapel L.Fresco: St. Antony, Donors, and Angels.San Gemignano.Municipio.Restoration of Lippo Memmi’s Fresco, and two figures to R. added, 1467. Fresco: Crucifixion.S. Agostino, Choir.Frescoes: Life of St. Augustine (the children’s heads in the purely ornamental parts are by assistants). 1465.Second Altar L.Fresco; St. Sebastian. 1464.S. Andrea(three miles out of town). Madonna. 1466.Collegiata, Choir. Madonna and Saints. 1466.Entrance Wall. St. Sebastian and other Frescoes. 1465.Monte Oliveto. Fresco: Crucifixion. 1466.Sermoneta.Parish Church. Madonna and Angels. E.Terni.Biblioteca. Madonna with Angels and five Saints. 1466.Vienna.26. Madonna and Saints. E.Baron Tucher. Madonna and Cherubim.Volterra.Duomo, Cappella del Nome di Gesù. Fresco Background to a Della Robbia Nativity: Procession of Magi.BOTTICELLI (Alessandro di Mariano Filipepi).1444-1510. Pupil of Fra Filippo; influenced early by the Pollajuoli.Bergamo.Morelli, 25. Story of Virginia. L.Berlin.106. Madonna and Saints. 1485.1128. St. Sebastian. 1474.von Kaufmann Collection. Judith (in part). L.Boston (U. S. A.).Mrs. J. L. Gardner. Madonna with Angel offering Ears of Wheat to Child. E.Death of Lucretia. L.Dresden.9. Scenes from Life of S. Zanobi. L.Florence.Academy, 73. Coronation. (Virgin and God the Father by inferior hand). Probably, 1490.74.Predelleto above.80. “Primavera.”85. Madonna, Saints, and Angels.157, 158, 161, 162.Predelleto 85: Dead Christ; Death of St. Ignatius; Salome; Vision of St. Augustine.Uffizi, 39. Birth of Venus.1154. Portrait of Giovanni di Cosimo de’ Medici. E.1156. Judith. E.1158. Holofernes. E.1179. St. Augustine.1182. Calumny. L.1267 bis.Tondo: “Magnificat.”1286. Adoration of Magi.1289.Tondo: Madonna and Angels (“Madonna of the Pomegranate”). 14871299. “Fortezza.” 1470.3436. Adoration of Magi (only laid in by Botticelli).Palazzo Capponi, Marchese Farinola.Last Communion of St. Jerome.Palazzo Pitti.Pallas subduing a Centaur.Ognissanti.Fresco: St. Augustine. 1480.Corbignano.(near Florence, towards Settignano),Cappella Vanella. Repainted Fresco: Madonna. E.London.592. Adoration of Magi (earliest extant work).626. Portrait of Young Man.915. Mars and Venus.1033.Tondo: Adoration of Magi. E.1034. Nativity. 1501.Mr. J. P. Heseltine. Madonna and infant John (in small part).Mr. Ludwig Mond. Scenes from Life of S. Zanobi (two panels). L.Milan.Ambrosiana, 145.Tondo: Madonna and Angels.Poldi-Pezzoli, 156. Madonna.Paris.1297. Fresco: Giovanna Tornabuoni with Venus and the Graces. 1486.1298. Fresco: Lorenzo Tornabuoni introduced into the Circle of the Sciences. 1486.Rome.Vatican, Sixtine Chapel. Frescoes: Moses and the Daughters of Jethro; Destruction of the Children of Korah; Christ tempted on Roof of Temple. 1481-2. Among the single figures of Popes: Most of Stephen and Marcellinus, and heads of Cornelius, Lucius, and Sixtus II, and probably Euaristus. 1481-2.St. Petersburg.Hermitage, 3. Adoration of Magi. Probably 1482.FRANCESCO BOTTICINI.1446-1498. Pupil of Neri di Bicci; influenced by Castagno; worked under and was formed by Cosimo Rosselli and Verrocchio; influenced later by Amico di Sandro.Bergamo.Morelli, 33. Tobias and the Angel.Berlin.70a.Crucifixion and Saints, 1475.72. Coronation of the Virgin. E.Boston (U. S. A.).Mrs. J. L. Gardner.Madonna in Landscape.Chicago (U. S. A.).Mr. Martin Ryerson.Tondo: Adoration of Magi.Cleveland (U. S. A.).Holden Collection, 3. Madonna adoring Child (?).13. Madonna.Empoli.Opera del Duomo, 25. Annunciation. Towards 1473.Tabernacle for Sacrament, with St. Andrew and Baptist;Predelle: Last Supper; Martyrdom of two Saints. 1484-1491.Tabernacle for sculptured St. Sebastian with two Angels and Donors;Predelle: Story of St. Sebastian. Towards 1473.Florence.Academy, 30. St. Vincent Ferrer.59. St. Augustine.60. St. Monica.84. Tobias and the three Archangels.154. Tobias and the Angel, with youthful Donor.Martyrdom of St. Andrew.Pitti, 347. Madonna, infant John, and Angels worshipping Child.Uffizi, 3437. Madonna.S. Appolonia. Deposition with Magdalen and SS. Sebastian and Bernard.Duca di Brindisi. TwoCassone-panels: Story of Virginia.Marchese Pio Strozzi. Madonna with SS. Antony Abbot and Donato.S. Spirito, R. Transept. Altarpiece withPredelle: St. Monica and Nuns. 1483.Brozzi (near Florence). S. Andrea, R. Wall. Madonna and Saints. 1480. (The Fresco above, with God, the Father, is school work.)Göttingen.University Gallery, 236. Madonna and infant John.London.227. St. Jerome with other Saints and Donors.1126. Assumption of Virgin. Before 1475.Earl of Ashburnham.Madonna adoring Child.Mr. Robert Benson.Tondo: Madonna in Landscape.Madonna with four rose-crowned Angels and two Cherubim.Mr. C. Brinsley Marlay.Madonna adoring Child.Mr. Charles Butler. Bishop enthroned, with four Female Saints.Modena.449. Madonna and Angels adoring Child.Montefortino (near Amandola, Abruzzi).Municipio.Madonna adoring Child.Palermo.Baron Chiaramonte Bordonaro.SS. Nicholas and Roch.Panzano (near Greve).S. Maria, Third Altar L.Angels and Saints around old Picture.Parcieux (near Trévoux).La Grange Blanche, M. Henri Chalandon. Nativity.Paris.1482. Madonna in Glory, and Saints.Mme. Edouard André.Madonna and four Saints; A Version of Fra Filippo’s Uffizi Madonna;Pietàwith SS. Nicholas, James, Dominic, and Louis.Comtesse Arconati-Visconti.Tondo: Madonna adoring Child.M. Henri Heugel.Madonna adoring Child.Prato.Madonna and four Saints.Richmond (Surrey).Sir Frederick Cook, Museum.Bust of Young Man.Scotland.Gosford House. Earl of Wemyss.Profile of Youth.Stockholm.Royal Palace.Bust of Youth.Turin.119. Coronation of Virgin.Wigan.Haigh Hall, Earl Crawford.Madonna, enthroned with St. Francis, Donor, Tobias, and Angel.BRONZINO (Angelo Allori).

NOTE.

The following lists make no claim to absolute completeness, but no genuine work by the painters mentioned, found in the better known public or private collections, has been omitted. With the exception of three or four pictures, which he knows only in the photographs, the author has seen and carefully studied every picture indicated, and is alone responsible for the attributions, although he is happy to acknowledge his indebtedness to the writings of Signor Cavalcaselle, of the late Giovanni Morelli, of Signor Gustavo Frizzoni, and of Dr. J. P. Richter. For the convenience of students, lists of the sculptures, but the more important only, have been appended to the lists of pictures by those artists who have left sculptures as well as paintings.

Public galleries are mentioned first, then private collections, and churches last. The principal public gallery is always understood after the simple mention of a city or town. Thus, Paris means Paris, Louvre, London means London, National Gallery, etc.

An interrogation point after the title of a picture indicates that its attribution to the given painter is doubtful. Distinctly early or late works are marked E. or L.

It need scarcely be said that the attributions here given are not based on official catalogues, and are often at variance with them.

1474-1515. Pupil of Cosimo Rosselli and Pier di Cosimo; influenced by Lorenzo di Credi; worked in partnership with Fra Bartolommeo.

Descriptive name for Florentine painter whose real name appears to have been Bartolommeo di Giovanni. Flourished last two decades of fifteenth century. Assistant of Ghirlandajo; influenced by Amico di Sandro.

An artistic personality between Botticelli and Filippino Lippi.

1486-1531. Pupil of Pier di Cosimo; influenced by Fra Bartolommeo and Michelangelo.

1387-1455. Influenced by Lorenzo Monaco and Masaccio.

About 1494-1557. Pupil of Perugino and Franciabigio; influenced by Andrea del Sarto and Michelangelo.

1425-1499. Pupil of Domenico Veneziano; influenced by Paolo Uccello.

1475-1517. Pupil of Pier di Cosimo; influenced by Leonardo and Michelangelo.

1420-1497. Pupil possibly of Giuliano Pesello, and of the Bicci; assistant and follower of Fra Angelico.

1444-1510. Pupil of Fra Filippo; influenced early by the Pollajuoli.

1446-1498. Pupil of Neri di Bicci; influenced by Castagno; worked under and was formed by Cosimo Rosselli and Verrocchio; influenced later by Amico di Sandro.

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