Chapter 27

[From Brown’s Dervishes]

Hypnotism.—It is through the performance of the Zikr, by khalvet (pious retirement for purposes of deep devotion), by the Tevejjuh (or turning the face or mind devoutly toward God in prayer), by the Murakebeh (or fearful contemplation of God), the Tesarruf (or self-abandonment to pious reflection and inspiration), and the Tesavvuf (or mystical spiritualism), that the fervent Dervish reaches peculiar spiritual powers calledKuvveh i roohee batinee(a mystical, internal, spiritual power). The life or biography of every eminent sheikh or peer details innumerable evidences of this power exercised in a strange and peculiar manner. This exercise is called the Kuvveh Iradat, or the “Power of the Will,” and, as a theory, may be traced historically to the Divine Power—the soul of man being connected with the Divine Spirit—from which it emanates, and with which, through the means before mentioned, it commences. Some sheikhs are more celebrated than others for their peculiar and strange powers, and it is to their superiority that their reputation and reverence in the Mussulman world in general, and among Dervishes in particular, is to be attributed. With the supposition that the details given of them by their biographers, disciples, or successors are not invented, or even exaggerated, their powers are certainly very remarkable. Whilst among them an implicit belief in them is firmly sustained, sultans and princes have evidently doubted them, and, being alarmed with the influence the possessors acquired and sustained among the public generally, they have often shown a direful exercise of their own arbitrary will and power, which resulted in the untimely end of the unfortunate sheikh. Many, on the other hand, have survived the frequent exercise of their “spiritual powers,” and either because they acquired a power and influence over the minds of their temporal rulers, or whether they used them for their own private purposes, so as to conciliate the more religious or fanatic, they succeeded in reaching advanced ages and a peaceful end of their remarkable careers. When the ruler of the country has not cared to order the execution of the sheikh who declared himself possessed of these spiritual powers, he has simply exiled him from his capital or his territory, and permitted him freely to exercise his powers and renown in some less objectionable locality. These powers can only be acquired through the long instruction of a superior spiritual director, or Murshid, or As-hâb i Yekeen, for whom the disciples ever retain a most grateful remembrance and attachment.

Among the practices of these powers is the faculty of foreseeing coming events; of predicting their occurrence; of preserving individuals from the harm and evil which would otherwise certainly result for them; of assuring to one person success over the machinations of another, so that he may freely attack him and prevail over him; of restoring harmony of sentiment between those who would otherwise be relentless enemies; of knowing when others devised harm against themselves, and through certain spells of preserving themselves and causing harm to befall the evil minded, and even of causing the death of anyone against whom they wish to proceed. All this is done as well from a distance as when near.

In other parts of the world, and among other people, these attainments would have been attributed to sorcery and witchcraft; in modern times they would be ascribed to spiritism, or magnetic influences, either of the spirit or of the body; but to the instructed Dervish they all derive their origin in the spirit of the holy sheikh—the special gift of the great Spirit of God, which commences with the spirit of man, from which it directly emanated. The condition or disposition necessary for these effects is called the Hâl (state or frame), and is much the same as that required by the magnetized, and the object of his operation. The powers of the body are enfeebled by fasting and mental fatigue in prayer, and the imagination kept in a fervid state, fully impressed with the conviction that such powers are really possessed by the sheikh, and that he can readily exercise them over thewilling mind and body of the disciple. How the sheikh can produce such strange results on a distant and unconscious person is left to the admiration and imagination of the faithful disciple, as an incentive to exertions in the same true path as that of his sheikh.

To exercise the power of the will, it is necessary to contract the thoughts suddenly upon the object designed to be affected so perfectly as to leave no room for the mind to dwell, possibly, upon any other. The mind must not doubt for an instant of the success of this effort, nor the possibility of failure; it must, in fact, be completely absorbed by the one sole idea of performing the determination strongly taken and firmly relied upon. The persons must, from time to time, practice this; and as they proceed, they will be able to see how much propinquity exists between themselves and the Hazret i Asmâ (God?) and how much they are capable of exercising this power.

As an example, the author of the Reshihât narrates the following:

In my youth, I was ever with our Lord Molânâ Sa’eed ed Deen Kâshgharee at Hereed. It happened that we, one day, walked out together and fell in with an assembly of the inhabitants of the place who were engaged in wrestling. To try our powers we agreed to aid with our “powers of the will” one of the wrestlers, so that the other should be overcome by him, and after doing so, to change our design in favor of the discomfited individual. So we stopped and, turning toward the parties, gave the full influence of our united wills to one, and immediately he was able to subdue his opponent. As the person we chose, each in turn, conquered the other, whichever we willed to prevail became the most powerful of the two, the power of our own wills was thus clearly manifested.

In my youth, I was ever with our Lord Molânâ Sa’eed ed Deen Kâshgharee at Hereed. It happened that we, one day, walked out together and fell in with an assembly of the inhabitants of the place who were engaged in wrestling. To try our powers we agreed to aid with our “powers of the will” one of the wrestlers, so that the other should be overcome by him, and after doing so, to change our design in favor of the discomfited individual. So we stopped and, turning toward the parties, gave the full influence of our united wills to one, and immediately he was able to subdue his opponent. As the person we chose, each in turn, conquered the other, whichever we willed to prevail became the most powerful of the two, the power of our own wills was thus clearly manifested.

On another occasion two other persons possessed of these same powers fell in with an assembly of people at a place occupied by prize fighters. “To prevent any of the crowd from passing between and separating us we joined our hands together. Two persons were engaged fighting; one was a powerful man, while the other was a spare and weak person. The former readily overcame the latter; and seeing this I proposed to my companion to aid the weak one by the power of our wills. So he bade me aid him in the project, while he concentrated his powers upon the weaker person. Immediately a wonderful occurrence took place; the thin, spare man seized his giant-like opponent and threw him on the ground with surprising force. The crowd cried out with astonishment as he turned him over on his back and held him down with apparent ease. No one present except ourselves knew the cause. Seeing that my companion was much affected by the effort which he had made, I bade him remark how perfectly successful we had been, and adding that there was no longer any necessity for our remaining there, we walked away.” (Pages 129–132.)

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Many individuals who have seriously wronged and oppressed his friends received punishments through the powers of the sheikh. Several instances are related wherein some such even fell sick and died, or were only restored to health by open declarations of repentance and imploring his prayerful intercession with God. His spirit seems to have accompanied those in whose welfare he took an active interest, and enabled them to commune with him, though far distant from him. His power of hearing them was well known to his friends, and several instances are cited to prove the fact. His power of affecting the health of those who injured him or his friends was greatly increased while he was excited by anger, and on such occasions his whole frame would be convulsed and his beard move about as if moved by electricity. On learning details of cruelty done to innocent individuals, the sheikh would be strangely affected, so much so that no one dared to address him until the paroxysm was passed; and on such occasions he never failed to commune spiritually with the sovereign or prince in such a mysterious manner as to inspire him to deal justly with the guilty person and secure his merited punishment.

Through his “mystical powers” many persons were impressed with the unrighteousness of their course, and, having repented of the same, became good and pious and firm believers in his spiritual influences. These powers were always connected with his prayers, and it was during these that he was enabled to assure the parties interested of their salutary results and the acceptation of their desires. It scarcely needsto be added, that these prayers were in conformance with Islamism, and were offered up to Allah, whom he adored, and to whose supreme will he attributes his powers. He constantly performed the Zikr Jehree, or “audibly called God’s name,” and the frequent repetition of this practice fitted him for such holy purposes. Sometimes he would affect the mind of the individual upon whom he exercised his powers in such a manner as to throw him into a species of trance, after which he could remember nothing that he had previously known, and continued in this state until the sheikh chose to restore him to the enjoyment of his ordinary faculties. Notwithstanding all of these eminent powers, this great sheikh is reputed to have spent the latter days of his life at Herat in extreme indigence, much slighted and neglected by those who had so admired him while in the vigor of his career. All fear of his mystical influences seems to have disappeared, and it is narrated that these greatly declined with his ordinary strength of mind and body. (Pages 137–139.)

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Dervish dance.—The exercises which are followed in these halls are of various kinds, according to the rules of each institution; but in nearly all they commence by the recital, by the sheikh, of the seven mysterious words of which we have spoken. He next chants various passages of the Koran, and at each pause, the Dervishes, placed in a circle round the hall, respond in chorus by the word “Allah!” or “Hoo!” In some of the societies they sit on their heels, the elbows close to those of each other, and all making simultaneously light movements of the head and the body. In others, the movement consists in balancing themselves slowly, from the right to the left, and from the left to the right, or inclining the body methodically forward and aft. There are other societies in which these motions commence seated, in measured cadences, with a staid countenance, the eyes closed or fixed upon the ground, and are continued on foot. These singular exercises are concentrated under the name of Murâkebeh (exaltation of the Divine glory), and also under that of the Tevheed (celebration of the Divine unity), from which comes the name Tevheed Khâneh, given to the whole of the halls devoted to these religious exercises.

In some of these institutions—such as the Kâdirees, the Rufâ′ees, the Khalwettees, the Bairâmees, the Gulshenees, and the Ushâkees—the exercises are made each holding the other by the hand, putting forward always the right foot and increasing at every step the strength of the movement of the body. This is called the Devr, which may be translated the “dance” or “rotation.” The duration of these dances is arbitrary—each one is free to leave when he pleases. Everyone, however, makes it a point to remain as long as possible. The strongest and most robust of the number, and the most enthusiastic, strive to persevere longer than the others; they uncover their heads, take off their turbans, form a second circle within the other, entwine their arms within those of their brethren, lean their shoulders against each other, gradually raise the voice, and without ceasing repeat “Yâ Allah!” or “Yâ Hoo!” increasing each time the movement of the body, and not stopping until their entire strength is exhausted.

Those of the order of the Rufâ′ees excel in these exercises. They are, moreover, the only ones who use fire in their devotions. Their practices embrace nearly all those of the other orders; they are ordinarily divided into five different scenes, which last more than three hours, and which are preceded, accompanied, and followed by certain ceremonies peculiar to this order. The first commences with praises which all the Dervishes offer to their sheikhs, seated before the altar. Four of the more ancient come forward the first, and approach their superior, embrace each other as if to give the kiss of peace, and next place themselves two to his right and two to his left. The remainder of the Dervishes, in a body, press forward in a procession, all having their arms crossed and their heads inclined. Each one, at first, salutes by a profound bow the tablet on which the name of his founder is inscribed. Afterwards, putting his two hands over his face and his beard, he kneels before the sheikh, kisses his hand respectfully, and then they all go on with a grave step to take their places on the sheepskins, which are spread in a half circle around the interior of the hall. So soon as a circle is formed, the Dervishes together chant the Tekbeer andthe Fâtiha. Immediately afterwards the sheikh pronounces the words “Lâ ilâha ill′ Allah!” and repeats them incessantly; to which the Dervishes repeat “Allah!” balancing themselves from side to side, and putting their hands over their faces, on their breasts and their abdomens, and on their knees.

The second scene is opened by the Hamdee Mohammedee, a hymn in honour of the prophet, chanted by one of the elders placed on the right of the sheikh. During this chant the Dervishes continue to repeat the word “Allah!” moving, however, their bodies forward and aft. A quarter of an hour later they all rise up, approach each other, and press their elbows against each other, balancing from right to left and afterwards in a reverse motion, the right foot always firm, and the left in a periodical movement, the reverse of that of the body, all observing great precision of measure and cadence. In the midst of this exercise they cry out the words “Yâ Allah!” followed by that of “Yâ Hoo!” Some of the performers sigh, others sob, some shed tears, others perspire great drops, and all have their eyes closed, their faces pale, and the eyes languishing.

A pause of some minutes is followed by a third scene. It is performed in the middle of an Ilahee, chanted by the two elders on the right of the sheikh. The Ilahees, as has already been said, are spiritual cantiques, composed almost exclusively in Persian, by sheikhs deceased in the odor of sanctity. The Dervishes then hasten their movements, and, to prevent any relaxation, one of the first among them puts himself in their center, and excites them by his example. If in the assembly there be any strange Dervishes, which often happens, they give them, through politeness, this place of honor; and all fill it successively, the one after the other, shaking themselves as aforesaid. The only exception made is in favor of the Mevevees; these never perform any other dance than that peculiar to their own order, which consists in turning round on each heel in succession.

After a new pause commences the fourth scene. Now all the Dervishes take off their turbans, form a circle, bare their arms and shoulders against each other, and thus make the circuit of the hall at a measured pace, striking their feet at intervals against the floor, and all springing up at once. This dance continues during the Ilahees chanted alternately by the two elders to the left of the sheikh. In the midst of this chant the cries of “Yâ Allah!” are increased doubly, as also those of “Yâ Hoo!” with frightful howlings, shrieked by the Dervishes together in the dance. At the moment that they would seem to stop from sheer exhaustion the sheikh makes a point of exerting them to new efforts by walking through their midst, making also himself most violent movements. He is next replaced by the two elders, who double the quickness of the step and the agitation of the body; they even straighten themselves up from time to time, and excite the envy or emulation of the others in their astonishing efforts to continue the dance until their strength is entirely exhausted.

The fourth scene leads to the last, which is the most frightful of all, the wholly prostrated condition of the actors becoming converted into a species of ecstasy which they call Halet. It is in the midst of this abandonment of self, or rather of religious delirium, that they make use of red-hot irons. Several cutlasses and other instruments of sharp-pointed iron are suspended in the niches of the hall, and upon a part of the wall to the right of the sheikh. Near the close of the fourth scene two Dervishes take down eight or nine of these instruments, heat them red hot, and present them to the sheikh. He, after reciting some prayers over them, and invoking the founder of the order, Ahmed er Rufâ′ee, breathes over them, and raising them slightly to the mouth, gives them to the Dervishes, who ask for them with the greatest eagerness. Then it is that these fanatics, transported by frenzy, seize upon these irons, gloat upon them tenderly, lick them, bite them, hold them between their teeth, and end by cooling them in their mouths. Those who are unable to procure any seize upon the cutlasses hanging on the wall with fury, and stick them into their sides, arms, and legs.

Thanks to the fury of their frenzy, and to the amazing boldness which they deem a merit in the eyes of the Divinity, all stoically bear up against the pain which theyexperience with apparent gaiety. If, however, some of them fall under their sufferings, they throw themselves into the arms of their confrères, but without a complaint or the least sign of pain. Some minutes after this, the sheikh walks round the hall, visits each one of the performers in turn, breathes upon their wounds, rubs them with saliva, recites prayers over them, and promises them speedy cures. It is said that twenty-four hours afterward nothing is to be seen of their wounds. (Pages 218–222.)

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There was no regularity in their dancing, but each seemed to be performing the antics of a madman; now moving his body up and down; the next moment turning round, then using odd gesticulations with his arms, next jumping, and sometimes screaming; in short, if a stranger observing them was not told that this was the involuntary effect of enthusiastic excitement, he would certainly think that these Durweeshes were merely striving to excel one another in playing the buffoon. (Page 260.)

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The fit.—After this preface, the performers began the Zikr. Sitting in the manner above described, they chanted, in slow measure,Lá iláha illa ’lláh(there is no deity but God), to the following air:Lá i-lá hailla-lláh. Lá i-lá-ha-illa-l-lá-h. Lá i-lá ha illa-l-láh.Bowing the head twice on each repetition of “Lá iláha illa ’lláh.” Thus they continued about a quarter of an hour, and then, for about the same space of time, they repeated the same words to the same air, but in a quicker measure, and with correspondingly quicker motion....

They next rose, and, standing in the same order in which they had been sitting, repeated the same words to another air. During this stage of their performance they were joined by a tall, well-dressed, black slave, whose appearance induced me to inquire who he was. I was informed that he was a eunuch, belonging to the basha. The Zikkeers, still standing, next repeated the same words in a very deep and hoarse tone, laying the principal emphasis upon the word “Lá,” and the first syllable of the last word, Allah, and uttering, apparently with a considerable effort. The sound much resembled that which is produced by beating the rim of a tambourine. Each Zikkeer turned his head alternately to the right and left at each repetition of “Lá iláha illa ’lláh.” The eunuch above mentioned, during this part of the Zikr, became what is termedmelboos, or “possessed.” Throwing his arms about, and looking up with a very wild expression of countenance, he exclaimed, in a very high tone and with great vehemence and rapidity,Allah! Allah! Allah! Allah! Allah! la! la! la! la! la! la! la! la! la! la! la! la! láh! Yá‛ammee! Yá‛ammee! Yá‛ammee! Ashmáwee! Yá Ashmáwee! Yá Ashmáwee!(Yá‛ammeesignifies O, my uncle!) His voice gradually became faint, and when he had uttered those words, though he was held by a Durweesh who was next him, he fell on the ground, foaming at the mouth, his eyes closed, his limbs convulsed, and his fingers clenched over his thumbs. It was an epileptic fit. No one could see it and believe it to be the effect of feigned emotions; it was undoubtedly the result of a high state of religious excitement. Nobody seemed surprised at it, for occurrences of this kind at Zikrs are not uncommon. All the performers now appeared much excited, repeating their ejaculations with greater rapidity, violently turning their heads, and sinking the whole body at the same time, some of them jumping. The eunuch becamemelboosagain several times, and I generally remarked that his fits happened after one of the Moonshids had sung a line or two, and exerted himself more than usually to excite his hearers. The singing was, indeed, to my taste, very pleasing. Toward the close of the Zikr a private soldier, who had joined through the whole performance, also seemed several times to bemelboos, growling in a horrible manner and violently shaking his head from side to side. The contrast presented by the vehement and distressing exertions of the performers at the close of the Zikr, and their calm gravity and solemnity of manner at the commencement, was particularly striking. Money was collected during the performance for the Moonshid. The Zikkeers receive no pay. (Pages 252–255.)


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