THE WEAKER SEX.—I.The first drawing of this series gives a necessarily imperfect portrait of the hero, since he is discovered in the act of carrying on two conversations at a time.
THE WEAKER SEX.—I.The first drawing of this series gives a necessarily imperfect portrait of the hero, since he is discovered in the act of carrying on two conversations at a time.
THE WEAKER SEX.—I.
The first drawing of this series gives a necessarily imperfect portrait of the hero, since he is discovered in the act of carrying on two conversations at a time.
THE WEAKER SEX.—II.The second drawing gives us no better portrait of the hero than the first. We may conjecture, however, that, being a bachelor, the experience depicted in the first drawing has impaired the young man’s sleep. He probably imagines himself the latest victim of some fair entomologist.
THE WEAKER SEX.—II.The second drawing gives us no better portrait of the hero than the first. We may conjecture, however, that, being a bachelor, the experience depicted in the first drawing has impaired the young man’s sleep. He probably imagines himself the latest victim of some fair entomologist.
THE WEAKER SEX.—II.
The second drawing gives us no better portrait of the hero than the first. We may conjecture, however, that, being a bachelor, the experience depicted in the first drawing has impaired the young man’s sleep. He probably imagines himself the latest victim of some fair entomologist.
THE WEAKER SEX.—III.In the third drawing of this series we get a portrait of the hero. But he is again in a distressing dilemma. Just as he is advised by his physician to avoid all excitement, a young person enters and he develops further alarming symptoms, whereupon an immediate change of scene is prescribed.
THE WEAKER SEX.—III.In the third drawing of this series we get a portrait of the hero. But he is again in a distressing dilemma. Just as he is advised by his physician to avoid all excitement, a young person enters and he develops further alarming symptoms, whereupon an immediate change of scene is prescribed.
THE WEAKER SEX.—III.
In the third drawing of this series we get a portrait of the hero. But he is again in a distressing dilemma. Just as he is advised by his physician to avoid all excitement, a young person enters and he develops further alarming symptoms, whereupon an immediate change of scene is prescribed.
THE WEAKER SEX.—IV.In pursuance of the advice of his physicians, our hero starts on his journey in search of rest, but at the very outset finds himself confronted by another distressing circumstance: his seat in the parlor car is next to Miss Peachem, for whom he has always had the most profound regard.
THE WEAKER SEX.—IV.In pursuance of the advice of his physicians, our hero starts on his journey in search of rest, but at the very outset finds himself confronted by another distressing circumstance: his seat in the parlor car is next to Miss Peachem, for whom he has always had the most profound regard.
THE WEAKER SEX.—IV.
In pursuance of the advice of his physicians, our hero starts on his journey in search of rest, but at the very outset finds himself confronted by another distressing circumstance: his seat in the parlor car is next to Miss Peachem, for whom he has always had the most profound regard.
THE WEAKER SEX.—V.Arriving at his journey’s end, he meets an old friend who insists on taking him home and introducing him to his daughters.
THE WEAKER SEX.—V.Arriving at his journey’s end, he meets an old friend who insists on taking him home and introducing him to his daughters.
THE WEAKER SEX.—V.
Arriving at his journey’s end, he meets an old friend who insists on taking him home and introducing him to his daughters.
THE WEAKER SEX.—VI.After a vain search for rest and quiet, he falls into a most sensitive condition and suffers from the cold.
THE WEAKER SEX.—VI.After a vain search for rest and quiet, he falls into a most sensitive condition and suffers from the cold.
THE WEAKER SEX.—VI.
After a vain search for rest and quiet, he falls into a most sensitive condition and suffers from the cold.
THE WEAKER SEX.—VII.He takes a hand at bridge and has difficulty in keeping his mind on the game, with the result that he repeatedly trumps his partner’s tricks.
THE WEAKER SEX.—VII.He takes a hand at bridge and has difficulty in keeping his mind on the game, with the result that he repeatedly trumps his partner’s tricks.
THE WEAKER SEX.—VII.
He takes a hand at bridge and has difficulty in keeping his mind on the game, with the result that he repeatedly trumps his partner’s tricks.
THE WEAKER SEX.—VIII.He goes to the play, but finds it impossible to become interested in the piece.
THE WEAKER SEX.—VIII.He goes to the play, but finds it impossible to become interested in the piece.
THE WEAKER SEX.—VIII.
He goes to the play, but finds it impossible to become interested in the piece.
THE WEAKER SEX.—IX.He suddenly loses all interest in foot-ball.
THE WEAKER SEX.—IX.He suddenly loses all interest in foot-ball.
THE WEAKER SEX.—IX.
He suddenly loses all interest in foot-ball.
THE WEAKER SEX.—X.Having determined to settle down, we leave him in the act of deciding upon an object for affection.
THE WEAKER SEX.—X.Having determined to settle down, we leave him in the act of deciding upon an object for affection.
THE WEAKER SEX.—X.
Having determined to settle down, we leave him in the act of deciding upon an object for affection.
SOME WOMEN PREFER DOGS.
SOME WOMEN PREFER DOGS.
SOME WOMEN PREFER DOGS.
AFTER FIFTEEN YEARS.When she refused him he vowed he would never marry.
AFTER FIFTEEN YEARS.When she refused him he vowed he would never marry.
AFTER FIFTEEN YEARS.
When she refused him he vowed he would never marry.
THE SOCIAL PUSH.Almost in.
THE SOCIAL PUSH.Almost in.
THE SOCIAL PUSH.
Almost in.
MR. A. MERGER HOGG IS TAKING A FEW DAYS’ MUCH-NEEDED REST AT HIS COUNTRY HOME.
MR. A. MERGER HOGG IS TAKING A FEW DAYS’ MUCH-NEEDED REST AT HIS COUNTRY HOME.
MR. A. MERGER HOGG IS TAKING A FEW DAYS’ MUCH-NEEDED REST AT HIS COUNTRY HOME.
THE JURY OF THE FUTURE—ONE THAT MIGHT TEMPER JUSTICE WITH MERCY.
THE JURY OF THE FUTURE—ONE THAT MIGHT TEMPER JUSTICE WITH MERCY.
THE JURY OF THE FUTURE—ONE THAT MIGHT TEMPER JUSTICE WITH MERCY.
STUDIES IN EXPRESSION.When women are jurors.
STUDIES IN EXPRESSION.When women are jurors.
STUDIES IN EXPRESSION.
When women are jurors.
Miss Boston: “Ah yes: your verses are charming. And have you never written a novel?”Miss New York: “No: for if I did my mother would never let me read it.”
Miss Boston: “Ah yes: your verses are charming. And have you never written a novel?”Miss New York: “No: for if I did my mother would never let me read it.”
Miss Boston: “Ah yes: your verses are charming. And have you never written a novel?”
Miss New York: “No: for if I did my mother would never let me read it.”
Actress: “I want you to mention the fact of my diamonds being stolen.”“When did it happen?”“Next week.”
Actress: “I want you to mention the fact of my diamonds being stolen.”“When did it happen?”“Next week.”
Actress: “I want you to mention the fact of my diamonds being stolen.”
“When did it happen?”
“Next week.”
STUDIES IN EXPRESSION.When a debutante meets the eligible young men of her mother’s acquaintance.
STUDIES IN EXPRESSION.When a debutante meets the eligible young men of her mother’s acquaintance.
STUDIES IN EXPRESSION.
When a debutante meets the eligible young men of her mother’s acquaintance.
SIX A. M.Just before he awoke.
SIX A. M.Just before he awoke.
SIX A. M.
Just before he awoke.
“Both those lords are after her, and she doesn’t know which to accept.”“Isn’t one as good as the other?”“Yes, but she can’t tell in advance which is the cheaper.”
“Both those lords are after her, and she doesn’t know which to accept.”“Isn’t one as good as the other?”“Yes, but she can’t tell in advance which is the cheaper.”
“Both those lords are after her, and she doesn’t know which to accept.”
“Isn’t one as good as the other?”
“Yes, but she can’t tell in advance which is the cheaper.”
HIS DANCE.
HIS DANCE.
HIS DANCE.
She: “I know that you must have made love before to some other girl.”“But I had you in mind all the time.”
She: “I know that you must have made love before to some other girl.”“But I had you in mind all the time.”
She: “I know that you must have made love before to some other girl.”
“But I had you in mind all the time.”
A HAPPY FACULTY.Young Tutter(to Hostess): “I have had a very pleasant evening. But then I always manage to enjoy myself, no matter where I am.”
A HAPPY FACULTY.Young Tutter(to Hostess): “I have had a very pleasant evening. But then I always manage to enjoy myself, no matter where I am.”
A HAPPY FACULTY.
Young Tutter(to Hostess): “I have had a very pleasant evening. But then I always manage to enjoy myself, no matter where I am.”
STUDIES IN EXPRESSION.While an old gentleman listens to some of his son’s classmates.
STUDIES IN EXPRESSION.While an old gentleman listens to some of his son’s classmates.
STUDIES IN EXPRESSION.
While an old gentleman listens to some of his son’s classmates.
ALL BROKEN UP.Another collision with serious results.
ALL BROKEN UP.Another collision with serious results.
ALL BROKEN UP.
Another collision with serious results.
“CALLED OUT.”A possibility of the future when society shall have become thoroughly unionized.
“CALLED OUT.”A possibility of the future when society shall have become thoroughly unionized.
“CALLED OUT.”
A possibility of the future when society shall have become thoroughly unionized.
HE: “AND SO YOU WON’T LET ME BE YOURS.”
HE: “AND SO YOU WON’T LET ME BE YOURS.”
HE: “AND SO YOU WON’T LET ME BE YOURS.”
A PEACH CROP.
A PEACH CROP.
A PEACH CROP.
THE PARTY WALL.
THE PARTY WALL.
THE PARTY WALL.
KIND OF FUNNY, AFTER ALL.“It’s no laughing matter to be rejected by a million dollars!”“Well, I don’t know. You see, old man, she’s just accepted me.”
KIND OF FUNNY, AFTER ALL.“It’s no laughing matter to be rejected by a million dollars!”“Well, I don’t know. You see, old man, she’s just accepted me.”
KIND OF FUNNY, AFTER ALL.
“It’s no laughing matter to be rejected by a million dollars!”
“Well, I don’t know. You see, old man, she’s just accepted me.”
“My uncle died yesterday sir, and I want you to officiate. Can you say something nice about him?”“But I didn’t know him.”“Good! You’re just the man.”
“My uncle died yesterday sir, and I want you to officiate. Can you say something nice about him?”“But I didn’t know him.”“Good! You’re just the man.”
“My uncle died yesterday sir, and I want you to officiate. Can you say something nice about him?”
“But I didn’t know him.”
“Good! You’re just the man.”
AT A FASHIONABLE FUNERAL.
AT A FASHIONABLE FUNERAL.
AT A FASHIONABLE FUNERAL.
BY WAY OF A CHANGE.
BY WAY OF A CHANGE.
BY WAY OF A CHANGE.
SOME OF THE CARETAKER’S RELATIONS.
SOME OF THE CARETAKER’S RELATIONS.
SOME OF THE CARETAKER’S RELATIONS.
PORTRAIT OF THE GENTLEMAN WHO WAS UNWILLING TO ATTEND A FANCY DRESS BALL UNTIL HE SAW HIMSELF IN COSTUME.
PORTRAIT OF THE GENTLEMAN WHO WAS UNWILLING TO ATTEND A FANCY DRESS BALL UNTIL HE SAW HIMSELF IN COSTUME.
PORTRAIT OF THE GENTLEMAN WHO WAS UNWILLING TO ATTEND A FANCY DRESS BALL UNTIL HE SAW HIMSELF IN COSTUME.
THE FIRST DUTY OF AN OPULENT MOTHER IS TO SHIELD HER CHILD FROM AMBITIOUS FEMALES.
THE FIRST DUTY OF AN OPULENT MOTHER IS TO SHIELD HER CHILD FROM AMBITIOUS FEMALES.
THE FIRST DUTY OF AN OPULENT MOTHER IS TO SHIELD HER CHILD FROM AMBITIOUS FEMALES.
“HALF MOURNING.”
“HALF MOURNING.”
“HALF MOURNING.”
A DISCREET APPROACH.“Advise me, uncle jack.”“Of course; what is it?”“Shall I ask you for twenty-five dollars, or for fifty?”
A DISCREET APPROACH.“Advise me, uncle jack.”“Of course; what is it?”“Shall I ask you for twenty-five dollars, or for fifty?”
A DISCREET APPROACH.
“Advise me, uncle jack.”
“Of course; what is it?”
“Shall I ask you for twenty-five dollars, or for fifty?”
A LAST REMEMBRANCE.Ethel(ecstatically): “Oh, Charlie, would you just as leave propose all over again, and do it into this phonograph?”Cholly: “Why?”Ethel: “Why, I want to have something to remember you by after you have gone in and spoken to papa about it.”
A LAST REMEMBRANCE.Ethel(ecstatically): “Oh, Charlie, would you just as leave propose all over again, and do it into this phonograph?”Cholly: “Why?”Ethel: “Why, I want to have something to remember you by after you have gone in and spoken to papa about it.”
A LAST REMEMBRANCE.
Ethel(ecstatically): “Oh, Charlie, would you just as leave propose all over again, and do it into this phonograph?”
Cholly: “Why?”
Ethel: “Why, I want to have something to remember you by after you have gone in and spoken to papa about it.”
WHY SHE DIDN’T GET THE PLACE.The man behind the paper ventured the opinion that she might do.
WHY SHE DIDN’T GET THE PLACE.The man behind the paper ventured the opinion that she might do.
WHY SHE DIDN’T GET THE PLACE.
The man behind the paper ventured the opinion that she might do.
BYGONE SUMMERS.A frieze for an old gentleman’s room.
BYGONE SUMMERS.A frieze for an old gentleman’s room.
BYGONE SUMMERS.
A frieze for an old gentleman’s room.
Ferguson(the politest man in New York): “When you go back, Nora, please ask the cook if there is any cold meat in the house.” (Exit Nora.)To the company: “I beg you to excuse our maid. These accidents happen to her somewhat overfrequently. She was bred, I believe, a dairymaid, but had to leave that employment because of her inability to handle the cows without breaking off their horns.”
Ferguson(the politest man in New York): “When you go back, Nora, please ask the cook if there is any cold meat in the house.” (Exit Nora.)To the company: “I beg you to excuse our maid. These accidents happen to her somewhat overfrequently. She was bred, I believe, a dairymaid, but had to leave that employment because of her inability to handle the cows without breaking off their horns.”
Ferguson(the politest man in New York): “When you go back, Nora, please ask the cook if there is any cold meat in the house.” (Exit Nora.)
To the company: “I beg you to excuse our maid. These accidents happen to her somewhat overfrequently. She was bred, I believe, a dairymaid, but had to leave that employment because of her inability to handle the cows without breaking off their horns.”
THIS IS THE SEASON WHEN EVEN THE SNOW MAN HAS A HEART.
THIS IS THE SEASON WHEN EVEN THE SNOW MAN HAS A HEART.
THIS IS THE SEASON WHEN EVEN THE SNOW MAN HAS A HEART.
MAKING BREAD PILLS.
MAKING BREAD PILLS.
MAKING BREAD PILLS.
ADVICE TO BORES.If you cannot make your presence felt by your brains, do it with your feet.
ADVICE TO BORES.If you cannot make your presence felt by your brains, do it with your feet.
ADVICE TO BORES.
If you cannot make your presence felt by your brains, do it with your feet.
ADVICE TO NOBLEMEN.When speaking to your fiancée’s father assume an easy posture and adopt a friendly manner.
ADVICE TO NOBLEMEN.When speaking to your fiancée’s father assume an easy posture and adopt a friendly manner.
ADVICE TO NOBLEMEN.
When speaking to your fiancée’s father assume an easy posture and adopt a friendly manner.
STUDIES IN EXPRESSION.Daubson shows his latest work.
STUDIES IN EXPRESSION.Daubson shows his latest work.
STUDIES IN EXPRESSION.
Daubson shows his latest work.
THE RETIRED WALKING DELEGATE OF THE FUTURE.
THE RETIRED WALKING DELEGATE OF THE FUTURE.
THE RETIRED WALKING DELEGATE OF THE FUTURE.
DESPERATE COURSE OF A LOVER WHOSE FIANCÉE IS A CONFIRMED LION-HUNTER.
DESPERATE COURSE OF A LOVER WHOSE FIANCÉE IS A CONFIRMED LION-HUNTER.
DESPERATE COURSE OF A LOVER WHOSE FIANCÉE IS A CONFIRMED LION-HUNTER.
WHEN A BACHELOR IS ILL.Complications often arise that no amount of medicine will cure.
WHEN A BACHELOR IS ILL.Complications often arise that no amount of medicine will cure.
WHEN A BACHELOR IS ILL.
Complications often arise that no amount of medicine will cure.
THE BROKER RINGS UP HIS GIRL.“Hello! Hello! Big strike in Consolidated Catamount—can marry—want three days’ option hand and heart.”She:Will give refusal.
THE BROKER RINGS UP HIS GIRL.“Hello! Hello! Big strike in Consolidated Catamount—can marry—want three days’ option hand and heart.”She:Will give refusal.
THE BROKER RINGS UP HIS GIRL.
“Hello! Hello! Big strike in Consolidated Catamount—can marry—want three days’ option hand and heart.”
She:Will give refusal.
THE BRUTE VENTURES TO SUGGEST THAT A BONNET MIGHT BE MORE SUITABLE.
THE BRUTE VENTURES TO SUGGEST THAT A BONNET MIGHT BE MORE SUITABLE.
THE BRUTE VENTURES TO SUGGEST THAT A BONNET MIGHT BE MORE SUITABLE.
ADVICE TO SNOBS.If you wish to get on, devote yourself to those who entertain.
ADVICE TO SNOBS.If you wish to get on, devote yourself to those who entertain.
ADVICE TO SNOBS.
If you wish to get on, devote yourself to those who entertain.
DESIGN FOR WALL PAPER.Suitable for a bachelor apartment.
DESIGN FOR WALL PAPER.Suitable for a bachelor apartment.
DESIGN FOR WALL PAPER.
Suitable for a bachelor apartment.
THE SEED OF AMBITION.
THE SEED OF AMBITION.
THE SEED OF AMBITION.
STUDIES IN EXPRESSION.THE “CHORUS GIRL’S” VISIT HOME.
STUDIES IN EXPRESSION.THE “CHORUS GIRL’S” VISIT HOME.
STUDIES IN EXPRESSION.
THE “CHORUS GIRL’S” VISIT HOME.
ADVICE TO BORES.Follow your card upstairs and find out what they really think of you.
ADVICE TO BORES.Follow your card upstairs and find out what they really think of you.
ADVICE TO BORES.
Follow your card upstairs and find out what they really think of you.
TWO’S COMPANY, THREE’S A CROWD.The other man should remember that he is a crowd.
TWO’S COMPANY, THREE’S A CROWD.The other man should remember that he is a crowd.
TWO’S COMPANY, THREE’S A CROWD.
The other man should remember that he is a crowd.
HER FACE AND—HERFORTUNE.
HER FACE AND—HERFORTUNE.
HER FACE AND—HERFORTUNE.
A CASTLE IN THE AIR.These young girls who marry old millionaires should stop dreaming.
A CASTLE IN THE AIR.These young girls who marry old millionaires should stop dreaming.
A CASTLE IN THE AIR.
These young girls who marry old millionaires should stop dreaming.
THE GREATEST GAME IN THE WORLD—HIS MOVE.
THE GREATEST GAME IN THE WORLD—HIS MOVE.
THE GREATEST GAME IN THE WORLD—HIS MOVE.
FELLOW PASSENGERS.
FELLOW PASSENGERS.
FELLOW PASSENGERS.
IN THE SAME BOAT.
IN THE SAME BOAT.
IN THE SAME BOAT.
MR. WIGGS RENTS A COTTAGE FOR THE SUMMER.“All the comforts of home.”
MR. WIGGS RENTS A COTTAGE FOR THE SUMMER.“All the comforts of home.”
MR. WIGGS RENTS A COTTAGE FOR THE SUMMER.
“All the comforts of home.”
HER SUMMER FRIENDS.
HER SUMMER FRIENDS.
HER SUMMER FRIENDS.
THE PROUD MERCHANT.
THE PROUD MERCHANT.
THE PROUD MERCHANT.
“TWO STRIKES AND THE BASES FULL.”
“TWO STRIKES AND THE BASES FULL.”
“TWO STRIKES AND THE BASES FULL.”
THE IMAGE OF HIS FATHER.
THE IMAGE OF HIS FATHER.
THE IMAGE OF HIS FATHER.
RACE SUICIDE.
RACE SUICIDE.
RACE SUICIDE.
STUDIES IN EXPRESSION.In the monkey house.
STUDIES IN EXPRESSION.In the monkey house.
STUDIES IN EXPRESSION.
In the monkey house.
ON THE SIDEWALKS OF NEW YORK.Sequel to an unprofitable theatrical season.
ON THE SIDEWALKS OF NEW YORK.Sequel to an unprofitable theatrical season.
ON THE SIDEWALKS OF NEW YORK.
Sequel to an unprofitable theatrical season.
AT THE DRESSMAKER’S.“Stout? Oh, dear, no!!!”
AT THE DRESSMAKER’S.“Stout? Oh, dear, no!!!”
AT THE DRESSMAKER’S.
“Stout? Oh, dear, no!!!”
THE JURY DISAGREES.
THE JURY DISAGREES.
THE JURY DISAGREES.
THE CHAMPION.
THE CHAMPION.
THE CHAMPION.
THEIR DAUGHTER IN THE CITY.
THEIR DAUGHTER IN THE CITY.
THEIR DAUGHTER IN THE CITY.
A RESOLVE.Cousin Kate: “Now that you are well off, Charlie, you mustn’t let them say of you, ‘A fool and his money are soon parted.’”Cousin Charles: “No, you bet I won’t. I’ll show them that I am an exception to the rule.”
A RESOLVE.Cousin Kate: “Now that you are well off, Charlie, you mustn’t let them say of you, ‘A fool and his money are soon parted.’”Cousin Charles: “No, you bet I won’t. I’ll show them that I am an exception to the rule.”
A RESOLVE.
Cousin Kate: “Now that you are well off, Charlie, you mustn’t let them say of you, ‘A fool and his money are soon parted.’”
Cousin Charles: “No, you bet I won’t. I’ll show them that I am an exception to the rule.”
AFTER SOME YEARS OF WAITING, MR. TAGG AT LAST APPEARS IN THE SOCIETY COLUMNS.
AFTER SOME YEARS OF WAITING, MR. TAGG AT LAST APPEARS IN THE SOCIETY COLUMNS.
AFTER SOME YEARS OF WAITING, MR. TAGG AT LAST APPEARS IN THE SOCIETY COLUMNS.
THE MENTION OF MR. TAGG’S NAME IN THE SOCIAL COLUMN ATTRACTS SOME GENTLEMEN OF THE PRESS.Mr. Tagg gracefully submits to an interview.
THE MENTION OF MR. TAGG’S NAME IN THE SOCIAL COLUMN ATTRACTS SOME GENTLEMEN OF THE PRESS.Mr. Tagg gracefully submits to an interview.
THE MENTION OF MR. TAGG’S NAME IN THE SOCIAL COLUMN ATTRACTS SOME GENTLEMEN OF THE PRESS.
Mr. Tagg gracefully submits to an interview.
UNCLE TAGG MAKES HIS WILL.
UNCLE TAGG MAKES HIS WILL.
UNCLE TAGG MAKES HIS WILL.
MR. TAGG BECOMES A PATRON OF THE ARTS.
MR. TAGG BECOMES A PATRON OF THE ARTS.
MR. TAGG BECOMES A PATRON OF THE ARTS.
MR. TAGG IS VERY POPULAR WITH THE DINNER-GIVERS.
MR. TAGG IS VERY POPULAR WITH THE DINNER-GIVERS.
MR. TAGG IS VERY POPULAR WITH THE DINNER-GIVERS.
MR. TAGG FINDS THE YOUNGER PEOPLE MORE DIFFICULT TO PLEASE.
MR. TAGG FINDS THE YOUNGER PEOPLE MORE DIFFICULT TO PLEASE.
MR. TAGG FINDS THE YOUNGER PEOPLE MORE DIFFICULT TO PLEASE.
IN ORDER TO PRESERVE HIS FIGURE, MR. TAGG BECOMES A PATRON OF THE MANLY ART.Assisted by his instructor, “Patsy, the Pugg,” he demonstrates to some titled foreigners the fine points of the game.
IN ORDER TO PRESERVE HIS FIGURE, MR. TAGG BECOMES A PATRON OF THE MANLY ART.Assisted by his instructor, “Patsy, the Pugg,” he demonstrates to some titled foreigners the fine points of the game.
IN ORDER TO PRESERVE HIS FIGURE, MR. TAGG BECOMES A PATRON OF THE MANLY ART.
Assisted by his instructor, “Patsy, the Pugg,” he demonstrates to some titled foreigners the fine points of the game.
WHEN INVITED TO DINNER, MR. TAGG ATTRACTS CONSIDERABLE NOTICE BY BEING LATE.
WHEN INVITED TO DINNER, MR. TAGG ATTRACTS CONSIDERABLE NOTICE BY BEING LATE.
WHEN INVITED TO DINNER, MR. TAGG ATTRACTS CONSIDERABLE NOTICE BY BEING LATE.
HIS ONLY OPPORTUNITY.Mr. Tagg, as host, wishes to become permanently identified with certain important people of fashion.
HIS ONLY OPPORTUNITY.Mr. Tagg, as host, wishes to become permanently identified with certain important people of fashion.
HIS ONLY OPPORTUNITY.
Mr. Tagg, as host, wishes to become permanently identified with certain important people of fashion.
LIONS.Mr. Tagg gives a musicale and takes pleasure in introducing two rival tenors.
LIONS.Mr. Tagg gives a musicale and takes pleasure in introducing two rival tenors.
LIONS.
Mr. Tagg gives a musicale and takes pleasure in introducing two rival tenors.
IN DIPLOMATIC CIRCLES.Mr. Tagg is fascinated by Washington society and decides to go into politics. He enjoys a vision of himself at the Court of St. James.
IN DIPLOMATIC CIRCLES.Mr. Tagg is fascinated by Washington society and decides to go into politics. He enjoys a vision of himself at the Court of St. James.
IN DIPLOMATIC CIRCLES.
Mr. Tagg is fascinated by Washington society and decides to go into politics. He enjoys a vision of himself at the Court of St. James.
THE NOMINATING COMMITTEE.Mr. Tagg is persuaded to run for office.
THE NOMINATING COMMITTEE.Mr. Tagg is persuaded to run for office.
THE NOMINATING COMMITTEE.
Mr. Tagg is persuaded to run for office.
IN POLITICS.Mr. Tagg finds it expensive and after all wonders if it helps him socially.
IN POLITICS.Mr. Tagg finds it expensive and after all wonders if it helps him socially.
IN POLITICS.
Mr. Tagg finds it expensive and after all wonders if it helps him socially.
POSTPONING THE INHERITANCE.Miss Tagg explained the game to her uncle, who is greatly improved by the exercise.
POSTPONING THE INHERITANCE.Miss Tagg explained the game to her uncle, who is greatly improved by the exercise.
POSTPONING THE INHERITANCE.
Miss Tagg explained the game to her uncle, who is greatly improved by the exercise.
HAVING TAKEN ALL THE NECESSARY LEGAL STEPS, MR. TAGG IS GREATLY MORTIFIED AT HIS DAUGHTER’S REFUSAL TO MARRY A NOBLEMAN.
HAVING TAKEN ALL THE NECESSARY LEGAL STEPS, MR. TAGG IS GREATLY MORTIFIED AT HIS DAUGHTER’S REFUSAL TO MARRY A NOBLEMAN.
HAVING TAKEN ALL THE NECESSARY LEGAL STEPS, MR. TAGG IS GREATLY MORTIFIED AT HIS DAUGHTER’S REFUSAL TO MARRY A NOBLEMAN.
SHOCKING.Mr. Tagg learns that his daughter is going to marry an American.
SHOCKING.Mr. Tagg learns that his daughter is going to marry an American.
SHOCKING.
Mr. Tagg learns that his daughter is going to marry an American.
A YEAR OR TWO LATER.Uncle Tagg makes a new will.
A YEAR OR TWO LATER.Uncle Tagg makes a new will.
A YEAR OR TWO LATER.
Uncle Tagg makes a new will.
THE SUSCEPTIBLE ROCK.Even Nature responds.
THE SUSCEPTIBLE ROCK.Even Nature responds.
THE SUSCEPTIBLE ROCK.
Even Nature responds.
Old Moneybags: “Can you sit up with my daughter every night and still do your regular business, sir?”“But that’s my regular business.”
Old Moneybags: “Can you sit up with my daughter every night and still do your regular business, sir?”“But that’s my regular business.”
Old Moneybags: “Can you sit up with my daughter every night and still do your regular business, sir?”
“But that’s my regular business.”
PORTRAIT OF AN OLD GENTLEMAN ON THE WRONG CORNER.
PORTRAIT OF AN OLD GENTLEMAN ON THE WRONG CORNER.
PORTRAIT OF AN OLD GENTLEMAN ON THE WRONG CORNER.
STUDIES IN EXPRESSION.Showing a newly engaged couple at a large dinner party.
STUDIES IN EXPRESSION.Showing a newly engaged couple at a large dinner party.
STUDIES IN EXPRESSION.
Showing a newly engaged couple at a large dinner party.
The Father: “Young man, do you realize that your college career has cost me ten thousand dollars?”“Well, Governor, it was worth it.”
The Father: “Young man, do you realize that your college career has cost me ten thousand dollars?”“Well, Governor, it was worth it.”
The Father: “Young man, do you realize that your college career has cost me ten thousand dollars?”
“Well, Governor, it was worth it.”
ANOTHER GET-RICH-QUICK SWINDLE.
ANOTHER GET-RICH-QUICK SWINDLE.
ANOTHER GET-RICH-QUICK SWINDLE.
A CAREFUL DAUGHTER.“No, mother, this book is not at all fit for you to see.” “But you are reading it!” “Ah, but we were brought up so differently.”
A CAREFUL DAUGHTER.“No, mother, this book is not at all fit for you to see.” “But you are reading it!” “Ah, but we were brought up so differently.”
A CAREFUL DAUGHTER.
“No, mother, this book is not at all fit for you to see.” “But you are reading it!” “Ah, but we were brought up so differently.”
“Are your intentions toward the widow serious?”“Oh, very. I am going, if possible, to get out of marrying her.”
“Are your intentions toward the widow serious?”“Oh, very. I am going, if possible, to get out of marrying her.”
“Are your intentions toward the widow serious?”
“Oh, very. I am going, if possible, to get out of marrying her.”
$ $ $ $ $
$ $ $ $ $
$ $ $ $ $
He: “Shall we talk or dance?”“I’m so tired. Let’s dance.”
He: “Shall we talk or dance?”“I’m so tired. Let’s dance.”
He: “Shall we talk or dance?”
“I’m so tired. Let’s dance.”
Millionaire: “How do I known, sir, that you have any business ability?”“I have persuaded your daughter to marry me.”
Millionaire: “How do I known, sir, that you have any business ability?”“I have persuaded your daughter to marry me.”
Millionaire: “How do I known, sir, that you have any business ability?”
“I have persuaded your daughter to marry me.”
Actor: “In this duel scene who gets the worst of it?”Stage Manager: “The audience.”
Actor: “In this duel scene who gets the worst of it?”Stage Manager: “The audience.”
Actor: “In this duel scene who gets the worst of it?”
Stage Manager: “The audience.”