AAbd-er-Rahman,9Abencerrages, tribe of,11Adoration of the Kings, The[Velasquez],88,104,107Adoration of the Shepherds, The[Velasquez],104,107Æsopus[Velasquez],115Agnes, S.[Cano],164,165Alba, Duchess of,183Alcade de los Hijosdalgos,131Alcalá, Duke of,161Alcalá de Henares, University of,13Alcañices, Marquis of,187Alcántara, bridge of,73Alcázar,73,111Alcázar, Don Melchior de,151Alcudia, Duke of. SeeGodoyAlexander VI, Pope,13Alfonso I,10Alfonso IV,10Alhambra,11,30,34;impressions of,35-37;motive of decoration,38Almohades, sect of,10.Almoravides, tribe of,10Alva, Duke of,17Andalusia,41;school of, study of Raphael,46;influence of Pedro Campaña,47;school of Murillo,54;in the seventeenth century,64,65;return to naturalism,102;Ribera,136;Murillo,148,154,157Annunciation, The[Cano],164Annunciation, The[El Greco],88Antigua, Capella de la,42Antolinez, José,62,132;The Assumption,62;Glorification of the Virgin,62;Ecstasy of the Magdalen,62Antony Visiting S. Paul, S.[Velasquez],105,126Apocalypse, The[El Greco],89Apotheosis of S. Thomas Aquinas[Zurbarán],166Apparition of the Virgin to a Community of Bernardine Monks During a Ceremony of Exorcism[Pedro Berruguete?],44Aragón, kingdom and province of,3,40,41,173Argensola, Bartolomé,18Arian controversy,8Arpino, Cavaliero d’,140Assumption, The[Antolinez],62Assumption, The[Cano],164Assumption of the Magdalen[Ribera],144Assumption of the Virgin[Cerezo],62Assumption of the Virgin[El Greco],69Asturias, kingdom of,9,10,131Auto-da-fé, depicted by Francisco Rizi,62BBadajoz,48Balearic Isles,23Baltasar Carlos, Prince,162Baltasar Carlos, Equestrian Portrait[Velasquez],105,108Baltasar Carlos, Portrait of[Mazo],124Baltasar Carlos, Portrait of[Velasquez],98,178,182,186Baltasar Carlos, Sportsman Portrait[Velasquez],105Baptism of Christ, The[El Greco],85Barbara, Santa. SeeTapestry worksBartholomew, S.[El Greco],79Bavaria, Elector of,21Bayeu, Francisco,174Bayeu, Portrait of[Goya],180Benedict Celebrating Mass, S.[Rizi],61Berlin, Kaiser Friedrich Museum,134,164Bermudez, Cean, “Dictionary of Painters,”23Berruguete, Pedro,44;Apparition of the Virgin to a Community of Bernardine Monks During a Ceremony of Exorcism,44Beruete y Moret, critic,106,108,122,123,134Beulé, C. E., French critic,160Boabdil, Caliph,11Bonaparte, Joseph,23,172,186Bonaparte, Napoleon. SeeNapoleonBorbón, Portrait of Doña Isabel de[Juan Pantoja de la Cruz],55Bordeaux, Goya retires to,187Borgia family,136Borgoña, Juan de,44Borrachos, Los[Velasquez],104,107Bosch, Hieronymus,43Boucher tapestries,174Bourbon, Constable of,16Bourbon family,21,171Bouts, Dierick,42Brueghel, Pieter,43Buddhistic art,85,91Buen Retiro,19;presented to the king by Count Olivares,105;paintings in,60,61,105,161Burgos, city of,10Burning Bush[Collantes],60Byzantine art,85,91CCadiz,151Calderon, dramatist,18Calle de la Reina de Aranjuez[Mazo],128,129Calvert, Albert F.,70Campaña, Pedro,47;Descent from the Cross,47,160Canaletto,127Cano, Alonzo,65;chapter on,161;early years,161;death of his wife,163;dispute with chapter of cathedral,163;death,164;Annunciation, Conception, Nativity, Presentation, Assumption,164;Mother and Child,164;S. Agnes,164Cantabria, province of,10Capella Mayor, decorations of the,28Caprichos[Goya],184Caracci, Annibale,140Caracci, the,63,137,139Caracciolo, Giambattista,140Caravaggio, Michelangelo,137,138,139,165Caravaggio, the Spanish,165Card Players, The[Caravaggio],140Carducho, Bartolomeo,52,55,61Carducho, Vicente,55,59Caridad, Hospital de la,155,157Carreño, Juan,57,62;chapter on,131;portraits of the royal family,132;fresco paintings,132;Portrait of Charles II,20,134;Portrait of Queen Mariana,133;The Conception,132;Magdalen in the Desert,133;San Sebastian,133Casa de Pilatos,161Casanova y Estorach, Antonio,192Cassel Gallery, the,62Castile, province of,3,10,40,41,42,74Castile, school of,41-43,50;Moro’s influence,53;review of seventeenth century,54-63Castillo, Juan de,151,161Castillon de la Plana,63Castro, Archbishop de,151Catalonia, province of,41Catholic sovereigns,3,8,11,14,16,18,31Catholic Sovereigns at Prayer with their Families before the Virgin,43Caxés, Eugenio,55Caxés, Patricio,52,55Celtiberians,6Cerezo, Mateo,62;Penitent Magdalen,62;S. John the Baptist,62;Assumption of the Virgin,62Cervantes, novelist,17,75Cézanne, Paul,90Charles I of Spain, V of Germany,15,19,31,52,167Charles II, reign of,20,131Charles II, Portrait of[Carreño],20Charles II, Portrait of[Claudio Coello],19Charles III, reign of,22,23,174;portrait of,176Charles IV, reign of,23,24,172,176Charles IV, Equestrian Portrait of[Goya],182Charles IV and Family, Portrait of[Goya],176Chicago Art Institute,78Christ at the Pillar[Velasquez],105Church in Spain, the,25,30,73,125,150,153,154,171Churrigueresque,28Classicism,139Clinic of Dr. Tulp[Rembrandt],156Clovio, Julio,69Coello, Alonso Sánchez,53,54Coello, Claudio,19,63;La Santa Forma,63Collantes, Francisco,58,59;Vision of Ezekiel,59Colonial possessions,13,15,18Columbus,3Comedies of Cape and Sword,18Coming of the Holy Ghost, The[El Greco],89Conception, The[Cano],164Conception, The[Carreño],132Conceptions[Murillo],154Cordova, University of,9Coro, decorations of the,28,148Coronation of the Virgin[unknown],43Coronation of the Virgin[El Greco],87,90Corot,128Corpus Christi, Church of,63Correggio,137,139Correnzio, Belisario,140Cortes, the first,10Cota, dramatist,13Counter-Reformation,80Court of the Lions,37Crucifixion, The[El Greco],76,85,87Cruz, Church of Santa,47,160Cuevas, Pedro de las,131Cuyp,125D“Darklings,”140Death of Laocoön and his Sons,87Delacroix,187Descent from the Cross[Campaña],47,160Diego de Deza, Archbishop,167Doblado’s letters,172Dolci, Carlo,139Domenichino,139-141Dominican order,168Doria Gallery,105Dream of Life, The[Pereda],58Dream of Philip II, The[El Greco],86Dresden Gallery,140Dulwich Gallery,157Dupré, Jules,129EEcce Homo[Morales],50Ecce Homo[Pereda],59Eclectics,138Ecstasy of the Magdalen[Antolinez],62El Expolio[El Greco],70Elizabeth of Hungary[Murillo],156England, wars with,15,17,22,23Erasmus[Holbein],95Escoriál, the: impressions of,30-34;visited by Rubens,103;paintings in,52;Caxés and Carducho,55;Coello,63;El Greco,71,86;frescoes by Carreño,132;tapestries,174Estilo frio, calido, vaporoso (Murillo),154Estremadura, province of,165Expression,68,90,188,189Expulsion of the Morescoes[Velasquez],111FFarnese, Cardinal Nepote,69Farnese Palace,137Fates, The[Goya],184Ferdinand VI,22Ferdinand VII,186Ferdinand and Isabella,3,11,15,18,40Ferdinand of Germany,16Fernando, Academy of San,22;pictures by Morales,49;Pereda,58;Mayno,61;Carreño,133Fernando de Austria, Don[Velasquez],105,113Fernando Nino de Guevara, Portrait of Don[El Greco],90Fire of 1734,131Flanders, art drawn from,13Flemish School, influence of,42,47,52Florentines,45Forge of Vulcan[Velasquez],103,108,116Fortuny, Mariano,65,191;La Vicaria,191;Choosing the Model,192;The Rehearsal,192Fountain of the Tritons[Mazo],128France, wars with,23,172;alliance with,23,186Francis, Convent of S.,152Francis I of France,15Francis d’Assisi, S.[Ribalta],64Fuente de Cantos,165Fuentedetodos,173Funeral of Count Orgaz[El Greco],166GGalicia, province of,10Gautier, Théophile,157George Gyze, Portrait of[Holbein],95Gil, Margarita,136Giordano, Luca,32,65Giotto,91Gloria[Titian],16Glorification of the Virgin[Antolinez],62Godoy, Manuel,23,172,185;satirized by Goya,183Golden Age of Moorish civilization,11Golden Age of Spanish literature and art,18,54Gongora, Luis de, poet,18Gonsalvo de Cordova,13Gonzáles, Bartolomé,55;Portrait of Philip III and Wife,55;Doña Margarita of Austria,55;Doña Isabel de Borbón,55Gothic invasion,7Goya, Francisco,23,65,67,120;chapter on,171;appearance in court,172;early life,173;tapestry designs,174;color,175,177;church commissions,175;point of view,178;methods,181;compared with Velasquez,181;rôle at court,183;old age,186; death,187;compared with El Greco,190;Portrait of Charles III,22,176;Self-Portrait,172;Charles IV and Royal Family,176;Doña Isabel Corbo de Porcel,180;Dr. Péral,180;Equestrian Portraits of the King and the Queen,184;The Fates,184;Scene of May3, 1808,185;Disasters of War,186;Taureaux de Bordeaux,187;Proverbios,184;Caprichos,184;Maia,179Goya, Mariano,186Granada,3,10,11,34,123,161;cathedral of,163,164Granvilla, Cardinal,52Greco, Domenico Theotocopuli, El,17,45,51,56,148,164,190;chapter on,66-91;relations with the Church,66;with Philip II,67;point of view,67,88,92;letter describing,72;types,74;spiritual expression,77;house now museum,79;kinship with Oriental art,85,91;The Assumption of the Virgin,69,78,81;El Expolio,70;San Mauricio and his Theban Legion,71,81,87;San Martin,71,89;Vista of Toledo,71,73;Funeral of Count Orgaz,71,82;Self-Portrait of the Artist,71;S. Jerome,75;S. Paul,75;